Filmmakers
in sentence
792 examples of Filmmakers in a sentence
Certainly its well acted with passion but there is no emotional center, there is just an everyman of sorts which the
filmmakers
feel is enough.
I was amazed how such a team of experienced
filmmakers
could come up with this movie as a result.
Unimaginative and thoroughly modern new facets to character personalities such as religious zealotry in Crane or wanderlust in good old Bram Bones ruin the story's intent and betray a severe lack of talent by the
filmmakers.
Did anyone else imagine the
filmmakers
all gathered around the daily footage giggling because they felt this was going to be a cool/scary movie?
I live in Mexico City, so I have to suffer throug the trailers for every piece of trash that comes out from all these stupid Mexican
filmmakers.
It seems the
filmmakers
didn't actually read Shakespeare's text.
The
filmmakers
try to paint the influence of the Mondovis and Robert Parker as a travesty on par with the German occupation of France and the reign of Fascism.
i recently went to a free screening of soap girl where the
filmmakers
were present.
Is that asking too much from the screenwriters and
filmmakers?
The marketing here is unbelievable, and I'm surprised the
filmmakers
hasn't objected.
Making a film based on a true story, particularly one as incredible and horrifying as the 1972 Andean plane crash, is hard for even the best
filmmakers.
Knowing that their paper thin plot was barely enough to sustain a feature length movie, the
filmmakers
subject us to scene after scene of endless beach parties featuring tons of extras gyrating their half naked bodies in the scorching sun.
It appears like the
filmmakers
looked at recent hit movies, and threw spaghetti on the screen - Jimmy Stewart!
There's a certain irony in a parody of the Gothic genre being turned into a mess of clichés by
filmmakers
who either had no idea what the story's purpose was, or just didn't care.
Sorry about the rant, but this is an important subject for young people to know about, and it could have been done well; I wonder if musicians or
filmmakers
were responsible?
But the thing that really bothers me, is the fact that this kind of flicks are the only sort of movies Dutch
filmmakers
can produce... (apart from "Van God Los" and "Lek") This doesn't prove our superiority to other countries..
The trend for New York independent
filmmakers
seems to be "I don't need to be talented, I have NEW YORK!" Okay, to be fair, the movie has its moments.
One of the scenes is allegedly filmed during the US Open and either the
filmmakers
had incredible connections or the scene was filmed at another time and the US open footage was added.
Spoofs are hot these days, and we go out of our way to make sure
filmmakers
don't get off on their own self-importance.
Initially, when Preminger's film came out, the Motion Picture Association of America would not issue its seal of approval because the
filmmakers
depicted addiction to narcotics.
The Production Code stipulated that
filmmakers
must refrain from showing characters using illicit narcotics.
I am not a historian, but all the events that preceded the decade (a few being the violent deaths of major figures of the American political and cultural scenes, the racial struggles, the emergence of the 1960s counter-culture, the increase of violence and death in the streets...) seemed to influence the vision of
filmmakers
who were willing to dare, be different, and create entertaining and intelligent motion pictures.
And the
filmmakers
do lay it on a bit thick at times as Rockne is glowingly and lovingly portrayed.
The rest is surprisingly good, and it's nice to see contemporary
filmmakers
remember the films that inspired them, even if they can't begin to match the originals.
I wish that the
filmmakers
would have come up with something a bit more interesting to put onscreen.
I don't get what the
filmmakers
were going for there.
Every time the supposed explorers and we , the audience, is primed to set its first sights one of the wonderous new worlds, for some ungodly reason, the
filmmakers
decided to distract with an "emergency" or some false alarm or some bit of artificial dramatic suspense.
It also is self-consciously poetic (the scene on the ledge, saving the cat, is but one example of this) and has intellectual aspirations in that charming way that only French films can get away with--I can imagine the heavy-handed, melodramatic, shallow way this kind of material would have been handled by an American studio production, and the sensationalistic, moralistic, suggestive way this kind of material would have been handled by American drive-in/exploitation
filmmakers.
Anyhow, the movie is well worth watching but the
filmmakers
must have had to walk a tight rope to get it done there and I would love to know more about that story.
It's quite an accomplishment that three stories filmed by three very different
filmmakers
could be simultaneously so insightful about gay & bi-sexual relationships, and their struggles!
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