Filmmakers
in sentence
792 examples of Filmmakers in a sentence
This movie also introduced some very taboo subjects, especially the actual racism that probably was prevalent all over the country but was not displayed by the mostly white controlled
filmmakers
of the time.
At the risk of pointing out the very obvious, I'll start saying the
filmmakers
have an intention.
With this in mind, we can shoot down many of the criticized points, particularly the ones involving what people expected in contrast with what the
filmmakers
were really trying to show.
Back in the 60's, this grim study of Joy, a young proletarian wife, was the introduction to the career of Ken Loach, who became one of the most distinguished and respected British
filmmakers
of all time.
I appreciated that for once the
filmmakers
dared to be politically incorrect by depicting people with severe physical disabilities as fully developed people, character flaws and all.
The film is, when push comes to shove, actually only a part of the entire DVD that in its whole is a document of the difficult situation serious
filmmakers
find themselves in having to survive in a world that is monopolized by the few Very Big Ones who don't really allow any other players on their market turf.
Filmmakers
were daring to make avant-garde films discussing taboo subjects only permitted before in exploitation films.
At times, the relatively long-held medium-distance shots may remind you of 'contemplative' Asian cinema, but just reminds you, the director doesn't push things to the radical minimalism of some Taiwanese
filmmakers
but then again, this is not a Taiwanese movie, it's a Turkish movie.
I want to thank the
filmmakers
for digging into the details of Harry's enigmatic, eccentric, life.
All budding
filmmakers
should watch this movie - it is like a masterclass in digital film- making in itself.
Filmmakers
made a rather boring everyman's story look interesting and complex by focusing on his wife back at home.
John Huston's long career as one of Hollywood's greatest
filmmakers
had a truly fitting finale with this film, which was scripted by his son, Tony Huston; stars his daughter, Anjelica Huston; and is dedicated to his wife, Maricella.
It stands to reason that a conflict on such a scale as global warfare would capture the imagination of
filmmakers
everywhere and provide them with ample material on which to base a story.
I had no problem "suspending my disbelief" at some of the wackier story elements because the intentions of the
filmmakers
are so warm-hearted while they still manage to poke fun at everyone involved.
One film actually seemed rather impressive, called Jolly Fellows by the pioneer of the very small group of musical filmmakers, Grigori Aleksandrov.
When will
filmmakers
learn and provide yellow subtitles so that they can be read against a white background.
The film is an honest and intriguing account of a noble independent group of
filmmakers
trying to make a lovable movie.
Both
filmmakers
shot their film in a specific time and specific place, with minimal resources in terms of sets and cast.
...or maybe the
filmmakers
were telling us that we're all unknowing supporters of fluff news stories.
It was a cultural earthquake the like of which
filmmakers
only dream of accomplishing.
To view the fictionalized biography "The Phenix City Story", I claim, is to enter fields where U.S.
filmmakers
have seldom ventured, Director Phil Karlson got his directorial assignment on "The Untouchables" TV mega-hit series largely on the basis of "Kansas City Confidential" and this film; and it has become one of the most admired and most- imitated movies ever made.
The rarest feat for US
filmmakers
seems to be the hero-centered purposeful anti-crime film or TV series; I remind the viewer how mightily "Cain's Hundred"'s and "Hardcastle and McCormick"'s and even "the Untouchables'"' producers had to work to produce anything but episodes devoted largely to the unfictional activities of criminals rather than those of their ethical opponents.
If it wasn't meant to be a comedy, the
filmmakers
sure goofed.
Having done some research on the making of the film I have to hand it to those guys, the filmmakers, actors, writers, etc., for having put together such a film with such limited resources.
None of them serve as models of the
filmmakers
we know and have worked with.
I find this film to be a brilliant document of truth for many
filmmakers.
The 19th century is indeed a fruitful source for Italian
filmmakers.
A film worth seeing, even if comparisons made by some film critics with such great
filmmakers
as Keaton, Tati and Kaurismaki seems overwrought: Andersson lacks the vision of them and the lack of a story interconnecting the vignettes is fatal to this film's pretension of being a masterpiece.
However, Distant is Ceylan's arrival on the international scene as a great artist, one who has many of the same qualities as other great
filmmakers
like Ingmar Bergman (although his screenplay is not as dialogue-heavy it is just as brooding, and he lacks Bergman's penchant for close-ups- his shots are usually long shots for exteriors and medium shots for interiors) and Yasujiro Ozu (whose penetrating scenes of contemplation Ceylan reconfigures).
Inarguably one of the most interesting
filmmakers
of the last 50 years, Werner Herzog has been pushing the boundaries of cinema perhaps more so than any other commercial filmmaker.
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