Filmmakers
in sentence
792 examples of Filmmakers in a sentence
For a film that seems to aim a dart at the unfairness of welfare and unemployment systems, the
filmmakers
have no problem in being unfair themselves, allowing Hispanic, black and gay stereotypes played at such a cruel level.
Thinly-cloaked retelling of the Garden-of-Eden story -- nothing new, nothing shocking, although I feel that that is what the
filmmakers
were going for.
By that time major studios were all aware that repeating the tired formula was no longer a lucrative direction, which left it up to independent and mostly inexperienced
filmmakers
to continue the legacy that John Carpenter had created.
True, the
filmmakers
have assembled some outstanding actors - and handed them a chipped mug of drab gruel to work with.
There are many reasons I'm not a fan of fact based films, but more than any other is how the
filmmakers
give themselves creative license over the story.
Is the government hiring documentary
filmmakers
to propagandize the U.S. population?
My agents were driven nuts by the (apparently first-time) filmmakers, rewriting the script daily and changing their arrangements with the agencies just as often.
The
filmmakers
may think the answer obvious, but I think the movie was plotted and executed flabbily.
This four-hour miniseries production is about two hours longer than necessary, primarily because the
filmmakers
seemed not to have a clear idea how to adapt a novel to the screen.
And top it off, we don't actually see the bridge collapse because the
filmmakers
made this for a budget of 2 dollars!!! Unlike a lot of B-horror films, this one's actually boring.
Now
filmmakers
know what to aim above when making a movie.
This "film" reminds me of that "Adult Video Awards" show in which of group of "industrial prostitutes" stand up a praise themselves, believing that they are real actors, actresses and
filmmakers.
At least "Fast Times" had a fair share of satire and sensitivity behind its slapstick (courtesy of a good director, Amy Heckerling, and Crowe's undeniable penchant for capturing letter-perfect teen-speak); here, Chris Penn (Sean's brother, natch) is the goof-off who makes life hell for straight arrow Eric Stoltz, and the
filmmakers
seem to think he's hilarious.
Not only should the
filmmakers
be ashamed for making it, they should be ashamed for negatively exploiting the heroes of this story, which are the people who experienced this tragedy firsthand, both the living and the dead.
Why do some
filmmakers
use it instead for obfuscation?
These young amateurish
filmmakers
obviously worship the horror genre and know their classics, but that nearly doesn't make them talented.
I'm assuming the
filmmakers
heart was in the right place but, frankly, this movie is truly unconscionable.
It seemed to me that the
filmmakers
had exactly this one idea and tried to stretch it over the ninety minutes by dunking it into a dark, stylish and painstakingly slow atmosphere.
May god have mercy on the souls of both the actors and the
filmmakers
responsible for what I can only describe as my new one and only reason why I never will want to see (or trust) an Australian made film again.
Also, I don't think the
filmmakers
interpreted Copperfield's personality correctly.
The children are fine as far as their acting abilities but the story probably would have been much better going into the fantasy realm but they did have a human story to tell as well, which probably caused the confusion with the
filmmakers.
The
filmmakers
didn't even try to hide that.
I'm not a lover of porn or of violence-as-entertainment, but what of them I chance upon I tend to see camera angles, cuts, pans, lighting, rhythms, nearly to the exclusion of fear or titillation, sometimes even missing
filmmakers'
or actors' intent.
I ask myself what horror
filmmakers
and church architects have in common.
Add in political filmmakers, fascist and not.
By depicting ambitious scientific experiments that go horribly wrong, or space missions that encounter evil aliens instead of light-years of void,
filmmakers
usually manage to entertain people with spectacular special effects and, at the same time, teach them useful little trivia about science.
I mean in what alternate universe did the
filmmakers
and studios think that this film would play?
It's been a while since I've seen it (and hopefully I won't find out all my memories are wrong and I'm unjustly condemning this movie), but my memory is that the
filmmakers
tried to portray Leopold and Loeb as victimized by an anti-gay society, and that this somehow caused their horrible crime.
I don't know about the real Cobb but I got the distinct impression that the
filmmakers'
aim was to try to soften his jagged edges and reputation, not give us a true portrait of the man himself.
I can see that the
filmmakers
were trying to do something different with this movie, but by doing so, they took all the enjoyment out of watching it.
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