Filmmakers
in sentence
792 examples of Filmmakers in a sentence
I didn't mind that but I did object to more that irreverence regarding marriage and religion: two topics which secular
filmmakers
(meaning about everyone in Hollywood and elsewhere) just can't stop trashing.
When will
filmmakers
ever learn that there's more to making movies (be it horror or otherwise) than just the fey possibility of a little financial gain?
What it is is a group of underfunded
filmmakers
trying to make another movie, make another paycheck, and continue to support themselves and their families.
The
filmmakers
planned a sequel that mercifully never came to be.
The
filmmakers
tried hard, but the movie seems awfully sloppy to me.
A group of young
filmmakers
with virtually no budget set out to make something clever and original -- and while there is a bit of originality and some skilled drawing in this slacker puppet show take on "Dante's Inferno," there is nothing especially clever.
Now I remember what the 'indie
' filmmakers
were ripping off before Pulp Fiction.
Just stop making movies all together...you are one of the reasons it is so hard for indie
filmmakers
to make it big.
Aussie Park Boyz could not possibly be any worse - the acting is beyond terrible, the plot is basically a poor Warriors knock-off, and the
filmmakers
clearly have no idea about ethnic gangs in Australia (an Irish gang in twenty-first century Sydney!
One can appreciate the artistic quality of the film (it's obvious that the
filmmakers
cared deeply about this film) and its rich cinematography, but the film still tries too hard to be different and then gives up and whimpers to an end without making much of a statement.
The
filmmakers
seemed to have read too much Guns'n'Roses or Motley Crue stories.
The only good that comes from this kind of pointless drivel, is the fact that seeing films like this get distribution makes indy horror
filmmakers
like me confident that my upcoming feature will make the cut too.
Idiotic spin off can't measure up to any of the Vacation films (even European Vacation!), with a question of whether or not the
filmmakers
thought the script was actually funny.
When will
filmmakers
learn that CGI sucks?
I don't mean to sound pretentious here, but to call this the next cult classic is yet another example of the lowering standards
filmmakers
have for themselves.
The
filmmakers
realize there is NOTHING going for this movie (even the music is repetitive) so they try to make things interesting by spinning the camera around really fast, filming upside down, inserting smaller pictures of the same shot at different angles, using red lights to make the corn look scary, and rotating the camera 360 degrees (at least I'm assuming these were done intentionally but it's likely just examples of incompetent film-making).
I guess he's the "Star Wars kid" of gonzo
filmmakers.
Maybe if more people express dissatisfaction with camera work like this the
filmmakers
will finally get the hint.
The sad part is that the
filmmakers
thought they were actually making something good.
The incoherent plot fails to adequately fill the movie's meagre running time, although this may have more to do with studio interference than anything the
filmmakers
intended.
Certain
filmmakers
can do no wrong in the eyes of national critics, which is one reason you should never pay attention to them.
This film revival right march in a bad film industry and Saudi Arabia, I want to know how the director was able to stand in front of people of the industry after he making this film, work was so very bad, we do not know how cinema Saudi companies such as Rutana and other does not support yang
Filmmakers
in KSA like UAE We hope in the future to prosper film industry in Saudi Arabia But without such intervention Fools traders and idiots make us bad movies do not benefit the reputation of cinema in Saudi Arabia is like the Roman and Iranian cinema At the same time, please makers simple experimental cinema in Saudi Arabia such as Abdullah alayaf And others to achieve the dream of a good film industry to participate in festivals world away from the major companies interventions stupid
Riccardo Freda may have a good reputation; but since we now that many of his best films were, in fact, directed by the late great Mario Bava; it's clear that he wasn't one of Italy's most gifted
filmmakers
back in the seventies.
I suppose you could say this film has a grain of potential, but nothing more, because boy did the
filmmakers
botch it.
The only reason I watched Killjoy 2 is because I wanted to think that the
filmmakers
learned from their mistakes.
I hope that the
filmmakers
realized after trying and failing again that this movie is unrepairable.
Like many first-time
filmmakers
that came in the decades after him, his ambition for Fear and Desire was, in short, to just go and make a film, cheaply, more than likely to see if he could do it.
This movie was so bad I don't know where to begin, apparently neither did the
filmmakers.
I don't know, and as I said before neither do the
filmmakers.
The
filmmakers
should find something about Sinatra other than his son's kidnapping to show (like, I don't know, his TALENT AS A SINGER!!!!).
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