Audiences in sentence

800 examples of Audiences in a sentence

Kairo, or Pulse as it's known amongst English speaking audiences, is set in Tokyo & starts as Sunny Plant Sales employee Michi Kudo (Kumiko Aso) decides to visit her friend Taguchi (Kenji Mizuhashi) to enquire about a computer disk he's been working on, when she gets to his place he gives her the disk but then rather inconsiderately commits suicide in front of her.

The fact that this movie is bargain basement quality is a real shame, but back in the 1940s, that was about the only type of film made for theaters catering to Black audiences due to segregation.

The creators expected humor to be laughable/passable if they include sarcasm in every line that comes out of Underdog's mouth and use scene after scene of bland, played out aspects to "charm" the audiences light-hearted side, while still making them "ooh" and "ah" for more with boring action scenes and insipid, lackluster performances that made me want to yell at everyone in the audience that was enjoying it.

This movie only tries to serve straight audiences wanting to laugh about stereotypical gay men.

But audiences love anything at film festivals when they're sitting next to the director and all the actors.

Historical movies always take liberties -- conversations are concocted where no one could actually know what was said, customs are adjusted to be comprehensible to modern audiences, etc.

This is not so with theater screens, as is the case with the IMAX, the enormous, widely-known theater system that has stunned audiences upon its release, and to this day.

In Australia where most urban teens do surf, this film was laughed at audiences took it all with a grain of sea salt.

"Maximum Risk" doesn't distinguish itself in any way and will likely not have much appeal beyond the usual young male audiences.

Now, I like independent films, and I grew up very much into punk rock, and I'd like to say that this film is disappointing to both audiences.

It's really quite puzzling to me how incapable I am to grasp what evoked the enthusiasm of the cheering audiences in 1986 (and apparently still today, reading my fellow IMDBers comments).

I'm told that when the movie premiered audiences laughed it off the screen.... and that was in the 50s when standards in special effects were much lower.

And things are always lost in translation anyway -dialog, character shtick and plot elements written for the expectations of European audiences may not go too well with our American ideas of what is funny, hip, or dramatic.

In trying to keep up with the hipness of youthful audiences as the 70s approached, OaCD,YCSF was the product of odder and odder material selected for musicalization.

Indeed, if it could, audiences would still have no interest in the union of Yves Montand (playing a much older, arrogant, French ass) and Streisand.

Pre-Depression audiences, giddy with optimism, may have rooted for this ambitious go-getter in whom they saw their surrogate; Depression audiences despised him as the person likely to foreclose on their mortgage and throw them in the gutter.

Did audiences in 1942 not know the difference between a wolf and a coyote?

Actual science can be considered as boring and inaccessible, and thus Science Fiction is a cinematic genre created especially to make the otherwise tedious, yet educational science topics more interesting and comprehensible to larger audiences.

Don't know why it got even one Oscar, it should have gotten a million raspberries, just like the audiences that either walked out or didn't show up in the first place.

Obviously some studio hack thought that they could cash in on Disney's CLASSIC presentation of "Mickey and the Beanstalk", but maybe audiences were either more gullible back then (improbable) or stuck in a double feature (more probable).

1930s audiences were placated by the delight of seeing a dimply, often orphaned sunshine girl making the grown-ups look foolish by comparison (they fretted and wrung their hands while she danced her troubles away).

A spaghetti, by the way, is another word for a Western with no plot, no characters you can care about, and goofy gunplay that doesn't make a bit of sense for the era, and relying on great music to make audiences feel something.

I think the filmmakers here blew it from the get-go as far as casting: in a supposed remake, audiences would look for reflections of the hip, athletic Linc (Clarence Williams III), or the cool, with-it Michael Cole, and so forth.

Audiences were confused by this film, especially by its arbitrary and inexplicable ending.

The reason you haven't seen it, is because audiences in the 30s were enamored of the "Jeanette MacDonald picture;" in which the eponymous star warbled her way through countless songs, while plots came to a complete standstill.

Dated movie references will not help audiences that may come across this endeavor in future.

In 'Frenzy' the great master seems to be bowing to convention, trying to go with the times and give audiences what he thinks they want- in the form of unappealing nudity, nudge-nudge winks, and general nastiness.

Here, goof-off adult Candy becomes a better person after agreeing to babysit his brother's wiseacre kids; it's a surefire formula designed to please both cynical teens as well as their parents, and it isn't any wonder the film was a winner with theater audiences.

The Pang Brothers (Danny & Oxide) previously made the extremely overrated "The Eye" and it sort of is a tradition for them to build up a story with clues and hints towards a point where it becomes nearly impossible to meet the expectations of their curious audiences, yet they don't seem eager to alter their formula any time soon.

Dwight Schultz, on the other hand, never puts up much resistance at all to the General's demands, always looking rather weak, deflated, and phlegmatic in his audiences.

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