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Audiences in sentence

800 examples of Audiences in a sentence

In fact many early audiences watching it, at Sundance and other premiere audiences thought it was real.
Zucco, fortunately, is never hammy; He left that to Bela Lugosi (who always hammed in a deliciously theatrical manner which endeared him to audiences) and England's Todd Slaughter.
Seemingly all of the tense parts could be completely predicted, and did not seem to hold any bit of the audiences attention.
For audiences who invest their time and interest in these people, the sentimental bow on this thing can look like nothing more than a prank.
The same holds true for PORGY AND BESS- it reworked the opera into a dialogue/song libretto because audiences at the time loved musicals but stayed away from the few echt filmed operas.
Paha maa is the worst kind of example of trying to make a Finnish "European film" for big audiences.
Old fashioned in the worst sense, audiences understandably stayed away in droves.
When Beach Babes From Beyond first came out in 1993 from the Full Moon offshoot Torchlight Entertainment, it was heralded as the debut release of a label that specialized in "mature audiences" type films.
That surely reaches the audiences.
This film is for fans of the stars and the director only - general audiences need not bother.
"Four Daughters" introduced John Garfield to audiences, and that is what is remembered most about this film today.
The plot was designed to appeal to both young and old audiences of the era, but it remains enjoyable to this day.
Then the audiences know that the woman and a man who was her high-school class mate had very tiny connection.
Ida was able to capture audiences and keep them spellbound until the very end of her pictures.
Talkshow with Spike Feresten is one of those shows that will definitely polarize audiences.
Critics and audiences both pretty much panned this movie, but I actually didn't think it was too bad!
As an Asian-American who's double majoring in two Asian languages (one of them being Mandarin) and has taken some Asian American Studies classes, this film was easier for me to understand, but even without that kind of knowledge, I believe this movie is still accessible to its foreign audiences as long as you keep in mind that it's a coming-of-age type of movie.
Even to audiences new to Hartley, I would definitely recommend this movie over the sophomoric "Dogma."
In many ways, it's like a 50s version of VALLEY OF THE DOLLS--with much of the excesses and sleaziness of VALLEY polished up a bit for the audiences of 1959.
It's all there: not just great, great bands like Black Flag, Fear, X, the Germs, whose names may not mean much to you today, but whose influence on today's alternative rock music can not be over-estimated, but also the promoters, the media and first of all the audiences - the punks - all portrayed in a manner that makes you laugh, shudder and gasp with astonishment about the energy, the anger and the fury these youths put into their music.
There has to a way to release these shows out of the vaults and into the hands of devoted fans and new audiences.
The audiences couldn't handle another 'bad' alien, they wanted ET.
COMING on the heels of that 1970's "Blackploitation" Era, CONRACK (20th Century-Fox, 1974) offered audiences a low-key, sincere and everyday people sort of a drama.
This is one of the products that help prove that that very fact does not have to mean that it is intolerable for older audiences.
Obviously these were two young women; but what struck me is how little this movie has been appreciated by audiences generally.
If you leave audiences soft, then the entire human race is going to be soft.
The script was a little over the top at times, but I appreciated the fact that the film-makers weren't afraid to challenge the audiences with interesting and puzzling questisons regarding the roll of faith in our world.
One more thing: I expect audiences would have been more accepting of the mysticism implied by the appearances of a jaguar and blue and gold macaw if more effort had been put into the way they appear and are so simply accepted by the characters.
Somewhere between the sketchy nasty American business man and the tragic victim, he displayed the same energy that he has always shown to be incredibly attractive to audiences.
Ross Hunter's musical remake of the 1937 fantasy, based on James Hilton's enduring bestseller, was written off by critics and audiences almost immediately in 1973, sounding off a backlash against musicals in general that gave the genre a bad reputation in Hollywood for years.
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