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Audiences in sentence

800 examples of Audiences in a sentence

But Viennese audiences do not do that.
You know, audiences like you, yeah, make the event.
You know, I have told this story close to 550 times, in audiences in 40 countries, to school students, to black-tie dinners at the Smithsonian, and so on and so forth, and every time it hits something.
I lost all my audiences.
The truth of it all comes on the moment, organically, and if you get five great moments of great, organic stuff in your storytelling, in your film, your film, audiences will get it.
We depend on the fact that audiences, such as yourselves, will make assumptions.
I don't really need it because I've been doing this stunt for audiences all over the world for the last eight or 10 years, taking fatal doses of homeopathic sleeping pills.
The artist was so inspired that he decided to revive his music career, get back on a stage, and play for new audiences.
By simply blocking all reuse, you'll miss out on new art forms, new audiences, new distribution channels and new revenue streams.
We established a rule that nothing made it onstage if we had seen it before, and we wanted to inspire creativity and connectedness in ourselves and our audiences; we wanted to do a little bit of social good, and we wanted to have fun doing it.
We were writing a piece where we were trying to illustrate the consumption / waste loop in a funny and creative and surprising way for our audiences.
But the biggest thing we've done to date, which is just amazing, is that we've done a 26-episode animated series, which is done for global audiences: in fact, we're already going to be in the U.S. and Turkey, we know.
Working in London as TV maker and writer, I quickly realized that comedy connects audiences.
If Capote really was this irritating, why make a film about him and expect audiences to watch it?
Loosely based on novels by Earl Derr Biggers, 20th Century Fox's Charlie Chan series proved an audience favorite--but when Japan attacked Pearl Harbor the studio feared audiences would turn against its Asian hero.
Both films were targeted at family friendly audiences, thus inhibiting themselves from actually trying to scare anyone.
However, they too chose to aim for younger audiences, but this time as a comedy (as did "Bigfoot" in 1995).
I'll say one thing for Herman, USA: it will probably always play well to Minnesota audiences.
At the opening, the disclaimer notifies audiences that all the names have been changed, but the names of the terrorists remain relatively the same.
This is how and why so many cinemas closed, forced to screen and annoy their waning audiences with these assembly line failures with lame comedians and bored talent.
Little more than a geographically re-planted rip-off of "The Shining" and most notably "The Others", the weak-plotted "Darkness" is basically your typical run-of-the mill B-horror feature with a few predictable lame scares that can be seen by audiences a mile off (so to speak)!
-- to his name) to translate the themes for American audiences -- whom they both agreed are stupid, stupid, stupid.
He acts like he's a great comedian and thinks he commands the audiences attention.
Most of Laurel's 'parody' films are only mildly funny, and even less funny for modern audiences who haven't seen the original movie which Laurel is parodying.
It seems a clear choice to attract young audiences, as both of them look like top-models of this era.
Yes, there are plenty of innuendos, people in drag, and crude sexual situations, and yes, these elements may have shocked audiences in 1982 (which was almost certainly Almodovar's intention), but much of the shock value has probably eroded over the years, leaving a limp storyline.
This film struggles to keep it's audiences attention and never makes an impact or maintains a note of anything remotely interesting.
Even in the 70s audiences were a bit puzzled by this film, neither surf-ing movie nor surf movie, because George swims about on a children's zippy board, not a real surfboard.... it offset the tedious droning of George (occasionally so dry or droll that it was actually funny.. like almost setting himself on fire or falling over something) with a spectacular 'you are there' power glide through a wave that ran for 23 minutes all set to Pink Floyd music.
Crystal Voyager was booked in there as an arty-sporty OZ pic and by default became a hit: as the 'opera house tickets' cost far more than a movie ticket, audiences flocked to see this film as an excuse to 'have been to the Sydney Opera House'...so the film did record business as a low budget attraction to locals and tourists who wanted to tell neighbors that they had seen a show 'there'.
This was a notorious British list containing all the films that could bring 'damage' to society if viewed by irresponsible audiences (dramatization).
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