Viewer
in sentence
1694 examples of Viewer in a sentence
And she arranges them so that the
viewer
actually has to navigate through the space, and interact with the objects.
Everything that happened on screen had to be very easily understood by a typical
viewer.
One of my
viewer'
s uncles died on a particular day and he chose to commemorate it with a piece of hate.
Each one comes in and takes some interest away from the
viewer.
There is even not a single tentative to foul the
viewer
into thinking that the bad guy is someone else than the most obvious candidate.
But so what, it's not trying to win any Oscars just give the
viewer
a good dose of frights and laughs and on that score it's a 10! Obviously It's not getting a 10, I give real sensible reviews and scores unlike 99% of the people on IMDb.
I would have loved to have been at the red carpet, black tie gala for the Hollywood opening when this movie previewed...as this movie had to have many a
viewer
laughing and cringing under their breath... it is on the dime DVD racks now....look for it for entertainment value...this movie is so bad it is too good to pass up...
After some shocking incident, (there is plenty to "try" and shock the
viewer
in this film), 2 characters are seen sharing a beer and talking about the weather.
Shameless waste of my time as a
viewer.
The daughter perceives what the
viewer
perceives, but such intelligent perceptions must give way to the shallow sentiment of the husband who is blanked out on both the realities of his wife and daughter.
In order to enjoy 'Fur - An imaginary portrait of Diane Arbus,' Stephen Shainberg needs the
viewer
to suspend all reality and prior knowledge of the American photographer, Diane Arbus.
There comes a time in a film when ambiguity can just be frustrating because the
viewer
is led on a wild goose chase that ends at a dead end with little explanation at what we just saw..it ultimately feels like an exhausting exercise instead of a thrilling psycho-drama.
As they give the
viewer
informations on the way (will the movie proceeds) i found myself wondering why she never said or mentioned that in the beginning.
This film commits the fatal error of making the
viewer
not care what happens to characters.
Writer/director Richard Winer knew exactly that he had to divert the
viewer'
s attention away from the major inaccuracies, so he threw in some elements that never fail when it comes to providing a creepy atmosphere, like the sinister voice of narrator Vincent Price and the oddball music of King Crimson.
It pushes its "quirky" characters and "outrageous" situations at the
viewer
like a crack dealer making overtime.
There are also static shots that last for minutes, making the
viewer
wonder if he accidentally hit the pause button on the remote.
Poor blocking and lighting leave the
viewer
wondering who is talking to who in many scenes.
Isabella is nothing like the Aphrodite one reads about in the original text, and James Morland appears in the film far too little to leave the
viewer
with any understanding of his important role in the story.
Romance can be done well, and when it is, the
viewer
is left feeling the love portrayed on screen.
I had the same idea as another
viewer
who wondered if more than one movie had someone been edited together to make one terrible whole.
It causes anything and everything memorable in the visuals, which are freed from having to depict Anytown USA, but it makes a
viewer
wonder why every remake since is burdened and rendered unspecific by the need to Americanize everything.
Another reason why this show is becoming a failure could be that the writing on the show "scrubs" is excellent and this show has to follow it up leaving the
viewer
in an odd position not knowing whether to cry or to just lose hope in new sitcoms all together.
Elizabeth Kaitan makes a more than welcome replacement for Linnea Quigley - she is winningly bubbly and cute, and her wonderful big smile is about the only thing that can make a
viewer
smile as well.
The characters don't have enough time to be introduced well enough to let the
viewer
get involved with a single one of them, let alone understand them.
As a film, Douches Froides is curiously uninvolving; the
viewer
gets very little sense of who these three young people are, of how they are feeling, of why they behave as they do.
This movie has no respect for the
viewer'
s time.
A lot of passive visual eye candy was thrown at the
viewer
with lighting or effects and it did little to enhance the already weak story.
Add to that hellishly bad script a score that'll have you cringing, and you've got a disaster I wouldn't wish on any
viewer.
Considering that it was made in 1953, this is a very courageous movie about transvestites, tackling the issue fairly seriously and sympathetically (and offering the
viewer
a lot of information on the subject) and trying very hard not to stereotype.
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