Style
in sentence
2648 examples of Style in a sentence
Scott Spiegel's Intruder in its uncut form was a superb gross out classic, whilst Evil Dead Trap proved that the cycle had not yet completely run out of
style
and panache.
That
style
usually doesn't work too well.
Probably I expected too much happening (in a way you can expect action in dogma
style
movies of course).
Here we have a sort of biopic of one of the most stylish people of the late 20th century that itself boasts no
style
whatsoever.
The dialogs are really bad written (90% of the script is consisted of cursing), the characters are stereotypical morons, the story and its twists are very predictable and the action sequences (this movie supposed to be an action comedy) are filmed very very bad and without any
style.
Okorn is just thinking he's even bigger than Quentin Tarantino, so he's copying his
style
over all 90 minutes.
Brujo saves the guy by ripping out his heart (Temple Of Doom style) and procuring the snake.
Skerritt's semi-comatose and droning
style
is fatally invalidated by this dim sound processing but Mason is very effective, as ever, and enjoys the best dialogue with Hughes impressive as the too early written-out investigator; Doleman wins acting laurels with his performance as the malevolent Julian Fane.
And I can't stand all that English
style
photography(Tony Scott etc) with the smoke machine working overtime and all the flourecent, soft lighting.
It's ugly, for one, with that trendy 1970s visual
style
that maybe seemed like a good idea at the time but which now enables one to instantly recognize a film from that time period as being a 70s product.
Bogart,Cagney, Wayne and the like were basically blue collar types in their screen images but Flynn was an aristocrat in his
style
and manner, the younger son out to carve out his own fiefdom for a sword,thunder and romance analogy that ironically he found himself trapped in.
Directed by celebrated cinematographer William A. Fraker, this ill-titled psychological thriller falls into the trap that most films helmed by directors of photography find themselves in: each shot is composed for the utmost style, but at the sacrifice of fluid pacing and a tight, gripping narrative.
It lacks substance and
style!
Without the substance you at least have to bring some
style
or decent action!
As was the case with THE BRONX EXECUTIONER (1989), which preceded it, this is a prime example from the tail end of the Euro-Cult era – prime because it shows the depths to which the previously invigorating
style
had fallen by this time!
As Ben Elton once observed, nothing goes quicker out of
style
than comedy.
There is no tension, fun, no
style
or even a glimmer of originality to be found in this train wreck.
Another funny thing is Sho Kosugi's little grunts and over animated ninja
style
movements.
No one wants to be watching some scared woman's chin throughout it.Damn, don't even THINK about renting/buying or even having a copy of this within 100 metre radius of your house since it can be harmful to,people who like good movies...When i got home, i thought id rented a pron movie by the acting and
style
of the camera.
The
style
is just very different and it focuses on other elements than its predecessor did.
The only reason I give this a 2 is that Jeffrey Jones is ok as the priest and there is a bit of
style
(albiet zero substance) in the camerawork.
Maybe in the original version (with subtitles) it would have been better, but the whole movie looks like if the director saw Luna Papa and Black Cat White Cat and tried to produce something in this style, too.
The only redeeming scene in this movie is when the robots are sent out to fight 'karate
style'
, there was one good spinning side-kick... and that is the best 3 seconds of the movie.
Rifkin seems to think that if he overloads on a kind of rotted visual
style
and fills the street with crud and garbage, he's making a statement.
There is the nugget of an interesting, creepy, claustrophobic Hitchcock
style
story here.
I am a fan of Jess Franco's bizarre style, and a lover even of his trashier films, and my personal opinion is that he has, besides several very entertaining movies, also created a few masterpieces, such as the brilliant "Paroxismus" aka "Venus In Furs" of 1969, for example.
What could have been an interesting and suspenseful plot about a marooned aristocrat on a leper colony, perhaps in the
style
of THE ISLAND OF DR.
Done in a mock-documentary style, late 60's subversives and supposed detractors of the mainstream government are arrested and given a choice.
The novel records the real life experiences of Rudy van Dantzig, as told thru the boy Jeroen, during the waning days of WWII at age 11 as he deals with his incipient sexuality, and his deep fears of abandonment as he has been sent to the province of Friesland, north of Holland by his parents because of the lack of food in Amsterdam and has not heard from them in many months as the postal service has broken down.. The arrival of the liberating soldiers in the film, is presented in a painfully corny way, with the soldiers providing entertainment vaudeville
style.
Shorts are among my favorite
style
of films but somehow the people assembling this second collection had a hard time finding quality content--and it wasn't nearly as good as the first volume or other shorts collections.
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