Style
in sentence
2648 examples of Style in a sentence
The song's
style
is quite Arabic, but it was released on an Israeli compilation CD, and I have even heard it on the radio in Israel.
Oh dear, just what we need another Essex -Cockney garbage effort chronicling the rise of the UK footy hooligan/ rave gangster who did of course follow West 'am (East Londan/Essex style).
If you want a good movie to sit around and heckle MST3K style, this is gold.
The filming
style
was the now overused "docu-action" look, complete with cuts to grainy B&W "rawcore" footage.
The movie wants to be edgy, witty, provocative, outlandish, biting all of this, seemingly in a Quentin Tarantino/Rob Zombie
style.
The director apparently watched too many Peter Greenaway films and Pola X comes across as a student's imitation of the Greenaway style, without any of his inspiration.
It's not even done in Altman's unique style, so it doesn't appeal to his fans,either, and I'm one of them.
Director/screenwriter Jess Franco crucially fails to inject any
style
or vigor into the generally blah and meandering proceedings, allowing the sluggish pace to crawl along at an often agonizingly slow clip and staging the infrequent action scenes with a singular lack of skill and panache.
I think that
style
started with Scent of a Woman and worked for him because he finally won an Oscar but now I think its just irritating.
It looks like he threw in every type of camera trick that he learned in film school to try and add some
style
to a badly written script, which he helped write!
Jeunet's trademark
style
consists of mechanical, almost clockwork-like narrative construction garnished with lavish, chocolate box production values and seasoned with faux-naive humour.
It goes for the a Jack Kerouac
style
roving spontaneity, but doesn't have the insight to keep it moving along, which is where the band performances come in.
It wanted to be as shocking as "Silence of the Lambs," but has neither the
style
nor the wit of the aforementioned.
Very resistible but ultimately harmless film version of the children's literary classic which incorporates an animated portion in the
style
of MARY POPPINS (1964) and BEDKNOBS AND BROOMSTICKS (1971).
There's an interesting idea here, but it gets completely lost in a confusion of Commodore 64
style
computer effects and bad storytelling.
I thought the special effects were good, but the general
style
of the movie was wimpy.
The plot takes you through the whole idea of a black (not race or color, but
'style'
) -owned plane with the same
style
of black humor.
It feels like Neil Marshall realized that the basic story was too poor and instantly added ingenious ideas, depth and a personalized style, whereas "The Cave"-director Bruce Hunt simply went for the most rudimentary elaboration of the screenplay that was thrown on his desk.
Then, in the late 40s, a new
style
of animation began to appear (such as the "Crusader Rabbit" series on TV)--animation with extremely simplistic artwork in order to save money.
The cleverness and
style
of the classic cartoons were gone.
A cheap and cheerless heist movie with poor characterisation, lots of underbite
style
stoic emoting (think Chow Yun Fat in A Better Tomorrow) and some cheesy clichés thrown into an abandoned factory ready for a few poorly executed flying judo rolls a la John Woo.
Now the
style
of animation isn't the issue--it's different but nice enough.
And his dreary life, told in a pointless, 'scene from now' flashback to the past
style.
Unless your John Travolta (strange Velcro
style
hair in this one!!)
So does hair length and
style.
Williams gives a great performance, right on par with his comedic
style.
I love his martial arts style, it is quick, close up and oh so fast, but it seems like his movies are becoming more and more crime based lifestyle quality and less meaning...I thought he was out to bring forth a deeper message.
I liked the script's self-mocking style, as well as its central idea of having the female vampire lead doubling as a contract killer.
Apart from an introduction to the history of the 18 weapons
style
told by a monk to some children during the opening and the usual mysterious manual that everyone is after, the weapons never really appear again and the fights are all boxing
style.
Milla stands out in this movie because of her personal sense of
style
and the way the clothes hang on her.
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