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Storytelling in sentence

310 examples of Storytelling in a sentence

The storytelling is median and not bothering the viewer.
Speaking in broad terms to avoid giving anything away, the film's style and structure are much more experimental than the straightforward storytelling so prominent in the early 70s.
In this early Fulci work the director shows his most mainstream side as well as a talent for compelling storytelling and more than reasonable elucidation for the genre.
The visceral storytelling and harsh images though make it something more than a war film, even more than an anti-war film.
I've noticed in reading down some of the comments that there are people who were offended simply by the fact that the Polish twins use elliptical storytelling tactics, and I want to say, that's one of the things that makes this film so great: its willingness to embrace the mysterious as an aspect of everyday life.
Like the films of Lynne Ramsey, the director is working more deeply with mood than with storytelling in a manner that is effective and incredibly moving.
Even though Paul Mazursky is credited as director, Cassavettes hand is all over this film...the long scenes filmed without cutting, the improvisatory feel to the dialogue..., the self-indulgent storytelling style, this is definitely his show from beginning to end, and if you're not a fan of his work, the film will seem laboriously long and dull but if you are a fan, there are rewards to be had.
But questionable storytelling aside, this packs a punch; no question you have to be interested in political film-making to really get involved, but the film really isn't like anything else of its era: it pulls no punches, offers no simple solutions.
A film, first and foremost, should be good storytelling.
This movie is stunningly free from storytelling.
This film, for about 80 minutes, have discovered a new dimension of storytelling.
The film, however, isn't exclusively about that; Cassavettes likes to have his characters wander around New York City (which not many films did in 1959/1960) and his style of storytelling is like that of the improvisational jazz artists of the day.
This movie is a fascinating example of Luis Bunuel's storytelling abilities.
It is a classic example of naturalistic storytelling on par with Strindberg -- its moments lasting as long as they might in reality, having not been dumbed down for good cinematic timing.
This film should be seen by any person who appreciates film and storytelling.
"Caribe" is not a masterpiece in any of its storytelling aspects.
Not necessarily because either one puts forth its message of intolerance-is-rotten more significantly (although I'd wager Crash throws the hammer down much more thickly in comparison with this), but because of how the storytelling and contrivances never get much in the way like with Crash.
By perfect I mean the storytelling, the plot, the acting, the staging, the camera work, etc. (This is a lay opinion; I have no background in film production.)
There isn't much that comes close to the perfect-paced storytelling and suspenseful action-packed levels as "GoldenEye".
The masses may enjoy their entertainment spoon fed to them in nice bite sized censored calm bits, but there is a large group of people out here in the world that share the opinions and insights of the filmmakers that still make films for the love of the material or love of storytelling, not DVD sales or box office.
It's not hard to see the influence of Marguerite Duras here, since she is known for minimalism in storytelling as well as describing powerful drama using the art of verbal and non-verbal conversation between two characters with a strong bond as well as the use of re-enacting scenes that could eventually take place in both the characters' lives.
Batman Returns is not only the best of the Batman films ,it is truly a stand out exceptionally fine masterpiece of storytelling.
Spike Lee did a wonderful job directing, keeping the visual angle up to par with Leguizamo's theatrics and the style of personal storytelling; it's substance and style merging together but unobtrusively.
This is one of the few episodes (if not the only one) with an indisputable error in its storytelling.
It combines elements of theater, film, and epic storytelling.
Horror fans (I'm speaking to the over 12's, although if you're under 12 I apologise for what you might deem an insult): In short, if you appreciate having your imagination disturbed by well written, original storytelling, punctuated by unpredictable well planted scares, and delivered via convincing performances, then I can heartily recommend - AVOIDING THESE STEAMERS - made by directors who have apparently long since past their sell by date.
This kind of storytelling is unacceptable The only reason this film is anywhere above the 5 stars out of 10 line is because it's got George Lucas behind it, and it has the words "Star" and "Wars" in its title.
There are so many flaws in the storytelling that I don't even feel obliged to elaborate on because it's time for me to move on from this experience.
However, the writers follow so many story lines and clog it with too many POV characters that it bogs down the storytelling.
Of these three, only the last comes anywhere near the quality of animation and storytelling that I would expect.
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