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Storytelling in sentence

310 examples of Storytelling in a sentence

To their credit "The 9/11 Commission Report" seems like an honest attempt by the company to advance into a more sophisticated state of storytelling and movie making.
Bad acting, bad directing, bad storytelling, bad makeup, bad dialogue, bad effects, and bad reasoning behind certain actions taken by the characters.
Kevin Tenney also committed one of the greatest sins in storytelling: he introduced characters at the end of the movie (an Old Man and Old Woman).
The bad storytelling was what did it in.
weak attempt at storytelling and narrating -- dialogue is dull and wasn't able to convey what i sometimes think simplicity is beauty.
Story gets a 2 out of 10, it reads like a drunken storytelling session gone bad.
Writer/actor/director Larry Bishop seems to have taken that advice a little too literally with Hell Ride and concocted a messy homage that borrows much too heavily in its visuals, music, camera-work, and time-altering storytelling.
There's an interesting idea here, but it gets completely lost in a confusion of Commodore 64 style computer effects and bad storytelling.
Evans managed to fleece the studios for over a million dollars, suckering baby-boomer executives into believing his screenplay -- a combination of nostalgic, 1960s references and a disturbing drama about child abuse -- somehow equaled good storytelling, and a decent film.
The story starts abruptly and the viewer is thrown into the plot with no character development or storytelling whatsoever.
It is chock full of smart shots of colors and shapes and verbal excursions into Freudian psychology to be appreciated by art students and teachers alike, but in general it is perceived a stupid mockery of good cinema, good storytelling and generally good taste.
Help! Once again, Paul Schrader has sabotaged his own intentions with dull, pedantic storytelling.
One can overlook Irish-accented Germans, but not herky-jerky storytelling.
The storyline is fragmented, the editor appears not to be able to choose between a Guy Ritchie-style of storytelling and a more straightforward one.
And while this film is almost barren in regards to good storytelling, Lady Frankenstein does oddly have some aspects which make it watchable - not highly watchable but watchable nonetheless.
My feeling is that if you have a decent script, the audience will follow along, without having to be insulted with voice over storytelling.
It fails in delivering the "message" it tries to give, fails in its storytelling, clumsy historical settings and above all in its rhythm.
But there was a lot of shooting,acting,dramatic,theatrical and storytelling problems.I can understand because of director is very young and Gomeda is his first feature film.OK Directing of this film was not pretty bad,I see.Unfortunately, due to the restraints placed on the film by its extremely low budget, the visuals are often as murky as the storyline.And there is no powerful Gothic scenes.As a horror movie it really fails, no scares at all and it is quite muddled and boring.
This film is a very bad example of uninspired storytelling, which tries to hide behind an "artfilm" facade, trying to shock the audience with unmotivated violence (against women) to cover up for it's lack of psychological depth of the characters & internal conflicts.
Pretentious storytelling such as this always uses the same technique: 1) Throw opaque, unstructured threads around to perplex the audience.
One of the first indications that something is amiss vis a vis the cinematic storytelling is a scene where desperados on horseback, quite literally breathing down his neck, simply watch as Hoog escapes their clutches in a hot air balloon.
Amazing acting, supercharged soundtrack, and bust-a-gut humor blend perfectly with Troma's unique brand of storytelling and special effects.
I highly recommend "Checking Out" to everyone wanting to enjoy quality storytelling superbly acted.
The weakness of this comes from the confusing storytelling, plots often coming out of nowhere.
I was captivated by the characters, the storytelling, the lyrical camera-work and above all by the music.
In fact, this film does not follow any of the conventional storytelling techniques used by mainstream film.
However, Roy Andersson's Du Levande is a remarkable piece of cinematic storytelling.
And it certainly showcased his talent, with its striking black-and-white cinematography and achronological storytelling that prefigures his later 'Momento', albeit in a less extreme way.
Fragment storytelling really hasn't worked this well since "Pulp Fiction".
(This is not a spoiler, just a mistake in storytelling.)
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