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Situations in sentence

1312 examples of Situations in a sentence

Crialese uselessly insists on stereotypical situations and characters, trying to melt neorealistic suggestions and video-music technique, Fellinian surrealistic remembrances and a very annoying and completely off-topic soundtrack, leading the whole thing towards an end which gives you the sensation of an exaggeratedly long story cut abruptly short.
People just don't act that way in real life situations.
I was left speechless, due to the amazingly dull story, annoying situations where one American equals that of a fifty or more Iraqis, and boring dialogue.
Cheesy performances and contrived situations make this movie a sentimental bore-fest.
The books by Allard and Marshall are hysterical and only a couple of situations from the books ends up in this film.
How about stereotypical "characters", situations and locations?
Choosing to entirely suspend one's belief in the situations or the relationships, the film itself is well acted (especially by the leads) and manages to create some nice tension as the story unfolds.
I'm not saying everything in all movies should be totally realistic, but such unbelievable fantasy things and situations in one movie are way too much.
It introduced potentially funny situations, then cut them off before they could develop.
We never become invested in them, their situations or outcomes.
When we re-watched, sitting down for family time,we were all mortified at the violence and life-threatening situations the poor otter got into.
Not only is the story unbelievable, the situations the characters put themselves in are so silly, to the point where it isn't shocking.
Typical horror -stupid situations- rare timing.
This movie has nothing going for it if you take it as a serious movie, this is often the case with movies of this genre, but most movies of this nature can be watch as if they are a comedy and you can laugh at how pathetic the characters and situations are and almost get your times worth.
But the telling of these histories will not be useful unless there is recognition of the intricacy of the situations.
This movie is an exercise in over-acting (very bad over-acting) to situations that made out to be more than what they are.
But, instead, I realized that these films have made the very determination of the great "tragedy" trivial when the same boring situations, the same suffocating dysfunctional families and friendships continue to play out just have they been over and over again in some sort of attempt to knock out previous distortions of family life (much of it existing in the 1950s and earlier with personality and character aberrations being made ever so subtle), supplanting it instead with the "reality" of how things actually are.
None of the situations matter as you watch them.
The situations are unsubtle exaggerations which make the the already flimsy characters even more unbelievable and detestable.
Well, I must say, I initially found this short to be quite average, but having watched it nearly 5 times since (its constantly shown on IFC), I've developed an enjoyment of the simple plot elements and reality of the situations presented.
Hypothetical situations abound, one-time director Harry Ralston gives us the ultimate post-apocalyptic glimpse with the world dead, left in the streets, in the stores, and throughout the landscape, sans in the middle of a forgotten desert.
Normally, when one critiques a historical movie, it's always fun to point out the inaccuracies that slip in, usually added by the writers to create more "dramatic" situations.
Some awkward visual situations are actually comical in a sick way.
There are unrealistic situations, one after the other.
Peopled by uninteresting characters who get into uninteresting situations and escapades, Caravan To Vaccares is an absolute failure, both as a thriller and an entertainment.
The oldest children are constantly running amok and getting themselves into all sorts of impossible situations, but there are no consequences for their actions.
There were tired gags about rural people and second-rate farce situations that were poor imitations of a thousand English and US sitcoms that had gone before.
My overall feeling about this film is that it was a slow, drawn-out, structureless wander through some of the worlds genuinely unfortunate situations with a bit of redemption and an obvious message.
Back in the cold and creepy early 90's,a show called "Family Matters" aired and became an instant classic.The trick was to buy a manual in standard family situations and their solutions and insert some attempts to sarcastic remarks in it and you had yourself a lovely little stealing-is-wrong,parents-are-right-show.
We had actors looking at the wrong direction of the camera, people talking out loud (by themselves) and narrating what they feel and what is going to happen, shadows of equipment in some shots, silly clichés like "I just need you to hold me" in the totally wrong places and situations.
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