Painting in sentence

567 examples of Painting in a sentence

And that is, to me, the sign of a masterpiece, of a painting when there's a lack of resolution.

Again and again, back to the painting, looking for the answer, looking for the story to fill in that gap.

The last painting I'm going to talk about is called "Anonymous" by anonymous.

Now, in the National Portrait Gallery, if you don't know the biography of the painting, it's kind of useless to you.

This painting made me stop in my tracks for three reasons: One is the disconnection between his mouth that's smiling and his eyes that are wistful.

Which I have to say, would have been hard for him to deny, because he was standing under a giant oil painting of himself.

We have to think like existentialists: it's not the painting we would have painted, it's the painting that we actually painted.

So, I went to the store, I brought Gaudence, the recalcitrant one of all, and we brought all this paint and fabric to make curtains, and on painting day, we all gathered in Nyamirambo, and the idea was we would paint it white with blue as trim, like a little French bakery.

But that was clearly not as satisfying as painting a wall of blue like a morning sky.

But he was a passionate teacher, and I remember one of our earlier classes with him, he was projecting images on the wall, asking us to think about them, and he put up an image of a painting.

Two weeks later, I was painting a house down the end of Pete's street when I heard the tragic news.

It seems to indicate that indeed we have found some pigments, and since we know for sure that no other artist has painted on that wall before Vasari came in about 60 years later, well, those pigments are therefore firmly related to mural painting and most likely to Leonardo.

For example, the "Lady with the Unicorn," another painting by Rafael, well, you see the unicorn.

And — (Laughter) — no problem, but, unfortunately, continuing with the scientific examination of this painting came out that Rafael did not paint the unicorn, did not paint the puppy dog, actually left the painting unfinished, so all this writing about the exotic symbol of the unicorn — (Laughter) — unfortunately, is not very reliable.

Take this example: Otto Marseus, nice painting, which is "Still Life" at the Pitti Gallery, and just have an infrared camera peering through, and luckily for art historians, it just was confirmed that there is a signature of Otto Marseus.

Well, this happens to be the most important painting we have in Italy by Leonardo da Vinci, and look at the wonderful images of faces that nobody has seen for five centuries.

And we just aim the camera of the tablet to the painting that we are interested to see, like this.

And I will just click on it, we pause, and now let me turn to you so the moment the image, or, I should say, the camera, has locked in the painting, then the images you just saw up there in the drawing are being loaded.

This is not just a curiosity, because it changes not just the iconography as you see it, but the iconology, the meaning of the painting, and we believe this is a cool way, easy way, that everybody could have access to, to become more the protagonist of your own discovery, and not just be so passive about it, as we are when we walk through endless rooms of museums.

Well, we believe, again, that this should be the beginning, the very first step, to do real conservation, and allowing us to really explore and to understand everything related to the state of our conservation, the technique, materials, and also if, when, and why we should restore, or, rather, to intervene on the environment surrounding the painting.

I'm the subject of the painting."

And I thought, "I'm not going to be able to do that painting."

I was to the point where I was using a stopwatch and painting squares out of randomness, and I wasn't getting anywhere.

He went and saw this painting by a guy who'd been dead for 300 years, and realized, "I can't do that," and so Richard Serra went back to his studio in Florence, picked up all of his work up to that point, and threw it in a river.

Richard Serra let go of painting at that moment, but he didn't let go of art.

Richard Serra had to let go of painting in order to embark on this playful exploration that led him to the work that he's known for today: huge curves of steel that require our time and motion to experience.

In sculpture, Richard Serra is able to do what he couldn't do in painting.

The French E.U. official in charge of the funding rushed to block the painting.

I took this approach of thinking inside the box to my canvas, and wondered what if, instead of painting on a canvas, I could only paint on my chest?

Or what if, instead of painting with a brush, I could only paint with karate chops?

Related words