Painting in sentence

567 examples of Painting in a sentence

We are not going to be painting the Sistine Chapel's ceiling.

What you're looking at is Rembrandt's painting, now in the National Gallery in London, illustrating the text from the prophet Daniel in the Hebrew scriptures.

And it happened again, even more spectacularly, in the last half-million years when our own ancestors became cultural creatures, they came together around a hearth or a campfire, they divided labor, they began painting their bodies, they spoke their own dialects, and eventually they worshiped their own gods.

And we know this because color is emotion, and when you paint with color, you're painting with feelings.

But we realized, of course, that we are dealing with cultural issues, and this is, I love this Klimt painting, because the more you look at it, the more you kind of get the whole issue that's going on here, which is clearly the separation of death from the living, and the fear — Like, if you actually look, there's one woman there who has her eyes open.

And so he painted this famous painting, "The Garden of Earthly Delights," which some have interpreted as being humanity before the Fall, or being humanity without any Fall at all.

So she's painting her little families.

And he did a painting of this experience, which he called "In the Realm of Music."

So, thousands of years ago, the ancient Nubians were painting pictures of trachoma on the walls of their tomb.

Now we can actually go to the painting phase.

That's me, that's a camera phone picture of me looking at a painting.

That's a painting that was painted by a very famous forger, and because I'm not very good at presentations, I already can't remember the name that I wrote on my card.

Even when I make a painting, I actually imagine I'm behind the painting, it already exists, and someone's looking at it, and I see whether they're feeling it from their gut.

And it really informs my painting.

What we have here is a painting of the great poet Rabbie Burns, and it's just a normal image, but if we now switch inputs over to the phone, running our technology, you can see effectively what Tamara's seeing on the screen, and when she points at this image, something magical happens.

I feel guilty and unhappy with myself, rather than thinking there's something wrong with the painting, I think there's something wrong with me.

Why are we supposed to have a connection with every single painting?

I don't even know why they make me slow down, but something pulls me like a magnet and then I ignore all the others, and I just go to that painting.

I choose a painting.

It might just be one painting in 50.

And then the second thing I do is I stand in front of that painting, and I tell myself a story about it.

This is the most glorious painting.

The daughter at the time was 12 when he painted the painting.

For one thing, in Dutch painting of the time, if a woman's mouth was open, it was indicating sexual availability.

The next painting I'm going to talk about is called "Boy Building a House of Cards" by Chardin.

And in fact, he painted four versions of this painting, different boys building houses of cards, all concentrated.

He's absolutely balanced between innocence and experience, and that made me stop in my tracks in front of this painting.

It's like a Vermeer painting a bit.

It's right in the center of the painting, and you look at it, and I found that when I was looking at it, I was standing there going, "Look at me.

He was still looking at his cards, and that's one of the seductive elements of this painting is, he's so focused on what he's doing that he doesn't look at us.

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