Concepts
in sentence
406 examples of Concepts in a sentence
As he talked to the residents in that community center, he talked about two
concepts.
And we have to have more
concepts
than just developing countries and developing world.
These will be redundant
concepts.
As a compound bilingual, Gabriella develops two linguistic codes simultaneously, with a single set of concepts, learning both English and Spanish as she begins to process the world around her. Her teenage brother, on the other hand, might be a coordinate bilingual, working with two sets of concepts, learning English in school, while continuing to speak Spanish at home and with friends.
You do it, you start it in the States, because it's, you know,
concepts
are very, very close to American minds.
They're shaped not just by our bodies, but by our thoughts, our concepts, our language.
They began to think of an escape route from this prisoner's dilemma, and we developed
concepts
of collective action, basically trying to bring various competitors together around the table, explaining to all of them how much it would be in their interests if they simultaneously would stop bribing, and to make a long story short, we managed to eventually get Germany to sign together with the other OECD countries and a few other exporters.
You could have a separate section of a law library around each of the following legal concepts: due process, special education, no child left behind, zero tolerance, work rules ... it goes on.
And those are two very different concepts, and they're both lumped in the notion of happiness.
There are really two
concepts
of happiness that we can apply, one per self.
They lack retention; you find yourself re-explaining
concepts
three months later, wholesale.
Newer
concepts
and early testing now show even greater promise in the best of our animal models.
If you combine the language of the eye with the language of the mind, which is about words and numbers and concepts, you start speaking two languages simultaneously, each enhancing the other.
So, you have the eye, and then you drop in the
concepts.
I like to apply information visualization to ideas and
concepts.
And I think that sometimes we develop grand
concepts
of what happiness might look like for us, but that, if we pay attention, we can see that there are little symbols of happiness in every breath that we take.
But what you have to do to make sense of this and to really understand these principles is, you have to do away with the way in which our conventional metaphors and language steers us towards certain
concepts
of idea creation.
All of these concepts, as rhetorically florid as they are, share this basic assumption, which is that an idea is a single thing.
But think of what it does to how we think in traditional terms and
concepts.
My teacher was priming us for the
concepts
with some questions about square roots.
Heart of Darkness Movie Review Could a book that is well known for its eloquent wording and complicated
concepts
ever be made into a movie good enough to portray the deep meaning in the book?
Take the secret agent / James Bond craze of the sixties, mix in some
concepts
from Sax Rohmer's female Fu Manchu femme fatale and stir in some absurdest twisted revisionism by director Franco - you have the man-hating lesbian Sumuru, or "The 7 Secrets of..." - better known as "The Girl From Rio" in the USA, recalling "That Man From Rio," which has nothing to do with this.
These concepts, which previously appeared in "The Million Eyes of Sumuru," sound terrific, but, despite some intriguing set design & visuals, it follows the same campy atmosphere of, for example, the very dated "Some Girls Do," which came out around the same time and which also featured a female army.
However, sometimes there are Japanese
concepts
for film that just don't translate well to Westerners.
It evolved to become a Monty Python- esquire show with outrageous
concepts
and brutally swift and sharp societal critiques(Such as their defense of the noble underpants gnomes) and eventually settled to be entirely self referential and "meta" like the Simpsons did, and has unfortunately jumped the shark.
The screenwriters and directors pay homage to certain of the key plot concepts: Tourist gets wolf bite, full moon comes out, boy meets girl, boy becomes beast, boy dies heroic death after help from ghost victim.
I have yet to watch the first entry in this series, however, fortunately, I was still able to follow the complex and intricate plot, with all its unexpected twists and turns, and I applaud them for the utter originality of the
concepts
herein.
There are some really interesting questions about honour; the Warrior Code; the changing
concepts
of valour; honour killings in Indian families and so on.
Writer/director/star Ron Hall is devoid of both charisma and acting ability, and is also clearly incapable of the most basic directorial
concepts.
Acolytes presents an interesting mix of original
concepts
in "screaming teen" cliché horror with a more thriller-like pacing.
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