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Audience in sentence

3750 examples of Audience in a sentence

What purpose did that scene have, other than to make the audience feel sorry for the monkey?
(Leslie Nielsen...COME ON!!!) The one part I considered slightly funny was the battling FBI/CIA agents, but because the audience was mainly kids they didn't understand that theme.
The lead actor surprises his audience by not actually acting at all.
I have just watched this movie on DVD late this morning and was so disappointed that even thought it was a good joke for the audience.
Someone should teach the people who made this movie that there is a difference between "presenting multiple twists" and "screwing the audience over".
I remember vaguely the entire audience of young boys letting out a big scared holler, followed by laughter when the terrible secret was revealed.
This might be a strange decision on the part of the schedulers but THE REAL HOWARD SPITZ is a rather strange film , strange in the way it doesn't want to upset its audience .
Ugly, heartless Hollywood crap that expects nothing but ugliness and heartlessness from its audience.
I realize most people don't know who Solomon Kane is and that the film is pitched at that much larger audience.
In a courtroom drama, the closing statement of the defence attorney is pretty much the crux of the film, and when the issue is as difficult to resolve as this one, the statement is really being delivered to the audience as well as the jury.
This basically implies that the audience consider the rape of a white girl to be a more horrific crime than the rape of a black girl.
The film is unusual, but in its attempt to keep one step ahead of the audience, it becomes alienating and off-putting (with a role for Amanda Plummer that is downright humiliating).
At first I thought it was going to be some disturbing, unseen evil force (having not read the book) to terrify the audience -- but it turns out to be something rather mundane -- killer plants.
I think the target audience for this is 11 and 12 year olds.
But that wouldn't leave the audience feeling good.
Instead, I saw a movie that was trying to make the audience (me) make the decision to accept Christ in my life, or risk going to Hell.
The growth of tax funds and sale-and-leaseback schemes has led to a raft of unsaleable films that are gathering dust in laboratories and vaults all over the British Isles because they seem to be made purely because they fit the financial criteria rather than had any potential audience.
1) If you want to make a movie that deals with social realism it's quite important that the audience identify with the characters that are being portrayed.
2) The audience can't identify with characters that are highly stereotyped or with situations that are to obvious.
Are we in the audience supposed to sympathize with her?
If it had chosen one clear path of which of these themes to focus on, it could have lived up to its potential, but instead the result of mixing the two is a film that has a very flat and dry sense of humor, cheesy dialogue and motifs that attempt to give the movie profundity, but instead practically insults the intelligence of the audience, and also a very confused and clouded presentation of the movie's opaque message.
I'm sure Huston (the director) would argue this was to induce a state of panic in the audience, but he had more than ample material in which to do it.
Watched this film with an audience of....5 in total!
The writers apparent desire to show they were "hip" also extended to missing the point that the inner city school win the cheerleading competition, not through talent but by intimidating their white opponents!! these overtones to the film took it away from it's expected direction of a harmless lighthearted comedy suitable for a family audience into a vehicle that does none of the participants any credit.
Director Demme makes the actors pause after some funny lines to let audience laugh, and not miss next line.
Mantan Moreland, (Jeff) gave an outstanding performance with great comedy which helped keep the audience attention.
Just as you reach the end, everything about the story is altered and instead of helping the audience catch up, you are left with no idea, and more importantly, no interest in "why".
The director obviously moved the actors around in a rythmatic circles as they delivered exhaustingly long lines, to keep the slow pace from becoming noticeable to the audience.
All we know about Catherine Zeta-Jones character is she is obsessed with her world....nobody is allowed in and nobody challenges her world...that much is obvious....but the remaining characters all have their own dimensions that are really never explored or exposed....Aaron Eckhart's character had so much more to offer to the story but wasn't allowed, Abigail Breslin's character is so easy to understand that her performance comes across somewhat predictable and phony....in the end everything reverts back to the forced turbulent world of Catherine Zeta-Jones which the audience never totally falls for....honestly, her turbulent world is not much more than a portrayal of a selfish, self obsessed, spoiled lady who most people would not have much time or sympathy for in the real world.
The ending is especially weak, with absolutely no payoff for the long suffering audience.
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