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Writers in sentence

1100 examples of Writers in a sentence

I'm not sure whether to blame some of the idiotic lines on the actors or the writers...and I always feel bad saying that, because I know how hard it is to do both...but it was basically a two-hour waste of my life.
With in the first 4 minutes you know that what is going on is bogus and anything happening is a dream based on Clark's infliction obviously caused by a phantom zone character and when he wakes up he will win and blah blah blah so the writers don't have to really create a villain that will progress the story line any this week.
In an interview on the making of "The Batman," one of the artists or writers (I'm unsure which) said that "We felt we shouldn't mess with Batman, but we could mess with the villains."
Production line collection of fart jokes that pretends 'Babe' was never made; the writers clearly hoped that the gimmick of seeing animals talk would be enough to keep the movie going.
We should be ashamed if these characters are thought to represent the inhabitants of the city of Kalamazoo, and the writers should be abashed at having brought such broad and cruel stereotypes to the screen.
Sometimes directors are so anxious to have their films done (and writers think they have the ability to direct their own works)that they settle for less.
Basically, here's the show: The Cavemen are an alternate race, they face prejudice, etc. Quite possibly the stupidest idea ever created; almost being worthy of jail time for the writers.
But director Vipul Shah and his writers are in no mood to do us any favours.
After viewing other movies based on the works of Japanese writers, I have to conclude that what is deemed frightening in Japan is not what is frightening here in the US.
This hodge-podge adapted from a Gore Vidal novel (actually one of the great American writers) makes THE MAGIC CHRISTIAN and VALLEY OF THE DOLLS look like Fellini art-works.
The "film" takes place in Vegas, and since people play poker there the writers felt it was a perfect setting for a movie about a guy trying to survive 24 hours against an omnipresent, wealthy gambler who has offered his target $2.4 million if he can make it through the day.
I was just expecting this horrific movie, but it seems like the writers meant no harm, but the casting of Eva Longoria(Parker, sorry), she seems a little off set for the movie.
History writers have used an institutionalised agenda ever since to conceal an allied evil which cost many tens of millions of lives with everyone conditioned to believe a deception that the German people completely supported the Nazis and consequently deserved the 24 hour bombing genocide and "unconditional surrender" that was imposed on the Germans.
Who ever read the book understand that the script writers didn't add any extra value to differentiate the movie from the script.
The producers and writers aimed really high with this, but fell really low.
The biggest problem was that Stiller's character's "development" really seemed to come from nothing - like your average school play, the writers knew where he started and where he ended, but didn't put enough stock into properly telling the middle bit.
Not only did they get the characters all wrong, not only do the voices suck, not only do the writers seriously need to get girlfriends, not only are the drawings really crude, but it seems like it was mainly created for ages 1-6.
Two are play writers and one of the others mentions a funny story that happened to a friend of hers.
It seems like the writers wanted the plot to go a certain way and made it, without actually writing in the necessary bits to make it flow.
The problem is that the writers seems not to know how a RPG game works and, most important, how to make jokes about this game.
The greatest problem in this movie is that the writers and actors didn't even try to know what RPG is about to make jokes about it.
Sweeny, who's character does not seem convincing enough, leaving disbelief among viewers who should otherwise be convinced of the red herrings thrown by the writers).
Three writers made a valiant attempt to adapt Jane Stanton Hitchcock's novel for the tube, yet this television movie has ultimately been injected with too much melodrama and just doesn't know when to quit.
This movie could have been sub-titled "When writers go on strike!"
The only way Diaz could possibly have survived this movie was by means of this literary device commonly used by bad writers.
You really don't need to be a horror-expert in order to quickly figure out which face hides behind the unspeakably ridiculous mask and the writers' attempts to put you on the wrong track are downright embarrassing.
I have no idea, he just does because the writers couldn't think of a realistic way for two pounds worth of molded plastic to become alive (Come on guys, a bolt of lighting, a traveling voodoo priest, anything could have worked.)
Duration might have been also the reason why the budget was better spent on TFTC: directors got to have REAL film music composers (composers on MOH are if inexistent, very bad), REAL actors (whereas on MOH it's nothing but unknown actor after unknown actor!), REAL directors of photography and, it can help sometimes, REAL film cameras (while MOH is shot on HD cameras with very wrongly chosen lens-pieces), the result of which being that the episodes of TFTC looked and felt "cinematographic" in the sense that there was real actors being casted, ranging from Michael J. Fox to Tim Roth to Kyle McLachlan to Kirk Douglas, but there were also film composers behind it, of the range of Alan Silvestri, great directors of photography like Dean Cundey, high-end screenplay writers, and in that sense each "Tale" was a little movie of its own true kind.
But the script gives her none of the qualities which make writers interesting movie characters: observance, skill with words, a love-hate relationship with one's own creative abilities.
It's like the writers didn't even try to be funny, just to cash in on being tied with Blazing Saddles.
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