Wanted
in sentence
6835 examples of Wanted in a sentence
It's a very elegant way of telling a story, especially if you're following somebody on a journey, and that journey basically tells something about their personality in a very concise way, and what we
wanted
to do based on the shot in "Goodfellas," which is one of the great shots ever, a Martin Scorsese film, of basically following Henry Hill through what it feels like to be a gangster walk going through the Copacabana and being treated in a special way.
He was the master of his universe, and we
wanted
Hugo to feel the same way, so we created this shot.
I can understand how, I mean, because I don't have a pedigree in visual art and I don't have any training, but it's just something that I
wanted
to do as an extension of my composition, as an extension of a kind of creative impulse.
Well, I was a professor in my mid-20s when I first heard those shocking facts and the scientist in me
wanted
to know why and how.
I
wanted
to test our current drugs against one of history's deadliest diseases.
He
wanted
me to phone his wife's cell phone so that call couldn't be traced.
I enjoyed it, I had a lot of fun, but always
wanted
to do something more with my work.
And storytelling was always something I
wanted
to do.
And I'm glad to say now, eight years later, I actually spoke to Nick last night, and he
wanted
to let me know that he was feeling a lot better, and he doesn't do the self-harming anymore.
I went to those places because I
wanted
to make some kind of change, and photography happened to be my tool.
So I did a self-portrait, because I
wanted
to show everybody what a bomb does to somebody, but also to show that losing your limbs doesn't end your life; that you can have what people say is disability, but not be disabled; that you can be able to do anything if you put your mind to it and have belief in it.
So really, that's all I
wanted
to talk about today.
I just
wanted
to say that life goes on all around the world.
When I was hired by the Free Library in 2013, I specifically chose to work at McPherson because I understand what it's like to grow up in an environment where substance use disorder shapes the everyday, and I
wanted
to use those personal experiences as a guide for my work.
WK: I
wanted
to make a windmill.
So I
wanted
to figure out how I could get this kind of success into something small, like this, and bring it into my classroom so that handicapped kids could do it, kids who didn't want to be outside could do it, and everyone could have access.
Others were virtual study groups, sometimes along language lines or along cultural lines, and on the bottom left there, you see our multicultural universal study group where people explicitly
wanted
to connect with people from other cultures.
By having this amazing content be available, we would be able to learn something new every time we wanted, whether it's just to expand our minds or it's to change our lives.
Over time, more photos came in, thankfully, and more retouchers were needed, and so I reached out again on Facebook and LinkedIn, and within five days, 80 people
wanted
to help from 12 different countries.
So, what, she
wanted
to know, could explain this anomaly?
The data was out there, it was open, it was freely available, but nobody
wanted
to know.
Now, as an artist, a woman, an Arab, or a human being living in the world in 2010, I only had one thing to say: I
wanted
to say no.
And the Siwa Oasis is famous for several things, but the key thing is that it was the place that Alexander the Great went to when he
wanted
to find out what his destiny had in store for him.
And I
wanted
to share that image with you of what I saw at that point.
Back in the kilns, I
wanted
to cry, but the abolitionist next to me quickly grabbed me and he said, "Lisa, don't do that.
I mean, these people had nothing, and they were so petrified, they
wanted
to give up, but the woman in the center rallied for them to persevere, and abolitionists on the ground helped them get a quarry lease of their own, so that now they do the same back-breaking work, but they do it for themselves, and they get paid for it, and they do it in freedom.
When I was working in the field, I brought lots of candles with me, and with the help of my interpreter, I imparted to the people I was photographing that I
wanted
to illuminate their stories and their plight, so when it was safe for them, and safe for me, I made these images.
I
wanted
them to know that we will be bearing witness to them, and that we will do whatever we can to help make a difference in their lives.
I
wanted
to understand how violence, how oppression, works.
Because at the beginning I was so outraged at the dangers they were exposing us to that I just
wanted
to argue and blame and make them wrong.
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