Visual in sentence

1130 examples of Visual in a sentence

Well, I was born with a rare visual condition called achromatopsia, which is total color blindness, so I've never seen color, and I don't know what color looks like, because I come from a grayscale world.

I do all of this with drafting templates, with straight edges, with French curves, and by freehand, and the 72 feet was actually split into 12 six-foot-wide panels that were installed around the Cantor Arts Center Museum lobby balcony, and it appeared for one year in the museum, and during that year, it was experienced as visual art most of the week, except, as you can see in these pictures, on Fridays, from noon til one, and only during that time, various performers came and interpreted these strange and undefined pictographic glyphs.

It was gratifying musically, but I think the more important thing is it was exciting because I got to take on another role, especially given that it appeared in a museum, and that is as visual artist.

I can understand how, I mean, because I don't have a pedigree in visual art and I don't have any training, but it's just something that I wanted to do as an extension of my composition, as an extension of a kind of creative impulse.

I work often with designers and visual artists, obviously dancers and other choreographers, but also, more and more, with economists, anthropologists, neuroscientists, cognitive scientists, people really who come from very different domains of expertise, where they bring their intelligence to bear on a different kind of creative process.

Let me show you one that's actually pretty simple but fairly visual.

To any passerby, there's no problem with this visual.

This is a work of some proportion and some weight that makes the body into a city, an aggregation of cells that are all interconnected and that allow certain visual access at certain places.

It's like talking about the tangent of the visual angle, all right?

So, all in all, in an age when the visual image of any kind was rare, tapestries were an incredibly potent form of propaganda.

It's a visual construct of lines, dots, letters, designed in the language of our brains.

Except, probably, in one aspect: I now had a great visual representation of just how clogged up and overrun the city center really was.

It's still with that glass box because we still want that visual access, but now it's sheathed with this thermo-bimetal layer, it's a screen that goes around it, and that layer can actually open and close as that sun moves around on that surface.

Tools like this help turn a shelf full of inscrutable documents into a publicly understandable visual, and what's exciting is that with this openness, there are today new opportunities for citizens to give feedback and engage with government.

And what is very exciting is that citizens were then able to give feedback as to which health or water points were not working, aggregated in the red bubbles that you see, which together provides a graphic visual of the collective voices of the poor.

We're a visual species.

See, I just gave you a lot of words and a lot of numbers, and this is more of a visual explanation.

Playing with the world, and our perception of it, really is the essence of visual effects.

Visual effects are based on the principles of all illusions: assumption, things are as we know them; presumption, things will behave as we expect; and context in reality, our knowledge of the world as we know it, such as scale.

And that last point has made visual effects a constant quest for perfection.

So from the hand-cranked jump cut early days of cinema to last Sunday's Oscar winner, what follows are some steps and a few repeats in the evolution of visual effects.

["'A Trip to the Moon' (1902)"] ["2011 Restoration of the Original Hand-Tinted Color"] ["'2001: A Space Odyssey' (1968)"] ["Academy Award Winner for Visual Effects"] ["'Avatar' (2009)"] First doctor: How are you feeling, Jake?

["Academy Award Winner for Visual Effects"] Second doctor: Welcome to your new body, Jake.First doctor: Good.

["'Alice's Adventures in Wonderland' (1972)"] Alice: What's happening to me? ["'Alice in Wonderland' (2010)"] ["Academy Award Nominee for Visual Effects"] ["'The Lost World' (1925)"] ["Stop Motion Animation"] ["'Jurassic Park' (1993)"] [Dinosaur roars] ["CG Animation"] ["Academy Award Winner for Visual Effects"] ["'The Smurfs' (2011)"] ["Autodesk Maya Software - Key Frame Animation"] ["'Rise of the Planet of the Apes' (2011)"] Chimpanzee: No! ["Academy Award Nominee for Visual Effects"] ["'Metropolis' (1927)"] (Music) ["'Blade Runner' (1982)"] ["Academy Award Nominee for Visual Effects"] ["'The Rains Came' (1939)"] Rama Safti: Well, it's all over.

I admittedly used to be that guy a little bit, back in the day, and I've decided that the best way for me to still capture and keep a visual memory of my life and not be that person, is to just record that one second that will allow me to trigger that memory of, "Yeah, that concert was amazing.

They have a sophisticated eye which is the fastest visual system on the planet.

So this is a beautiful image of a visual interneuron from a mouse that came from Jeff Lichtman's lab, and you can see the wonderful images of brains that he showed in his talk.

But up in the corner, in the right corner, you'll see, at the same scale, a visual interneuron from a fly.

You can let the fly play a little video game by letting it fly around in a visual display.

It's part of their visual guidance system.

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