Visual
in sentence
1130 examples of Visual in a sentence
Not for the squeamish, but the number of twists, inventive uses of situations using vampire mythology, gorgeous
visual
extremes, together with interesting and quirky characters make this one of the most stunning horror films I've ever seen.
The
visual
effectiveness of this film is unmatched by anything I've seen.
I think that all too often Hollywood abandons an attempt at real quality writing to try and inject more
visual
drama when, with an adult themed movie such as this, the emotional type of drama is all that's really needed - and probably more believable too.
I have never seen such
visual
beauty and poetry filmed before.
an excellent, thoughtfully produced historical drama--well played, artfully written, shot in ways that convey accurate
visual
images of the congo, and with more than a few moving moments, especially for those who care about the history of Africa and imperialism.
A must see for anyone seriously interested in cinematography and the use of the film cell as a canvas on which to display true works of
visual
art.
I would have to give this movie a 9/10 for it's amazing
visual
display.
This victimisation is also very
visual
in this movie.
The city fascinated me by its images, colors, crowds, vibrancy and
visual
beauty.
But the
visual
effects and scenery are what makes this documentary work so well.
Rich, in terms of its
visual
appeal.
It is a
visual
delight and a great entertainment.
There was a point when I felt the hairs standing up on the back of my neck as GW announced that 'major combat operations are over" on top of a
visual
of a broken down RV being towed away with the American flag waving in the rear-view mirror.
While the director did a good job portraying each of the characters with finesse,yet there was very little in the way of meaningful plot,probably a lack of the story itself.However the development of the characters including those with minor roles seem to be the strongest point.Its tough to make some Tagore stories into films,as only the
visual
parts seem to get realized.
The fashion (especially hats) outwear and automobiles all play a prominent
visual
role in defining this little film.
This is the type of thing that should win Academy Awards, a brilliant,
visual
peice of film that is both depressing and uplifting.
This made-for-television movie is a cinematic gem that exemplifies the technique of Michael Mann with stirring contemporary music tightly integrated to the
visual
images.
It is not a
visual
film and I think it would have played better on the stage.
The attack that captures the cannon, when Peppard's orders are not obeyed by a regular army type, is one of the most electrifying
visual
and staging achievements in cinematic history; the penetration of Cordoba's stronghold, the revelations uncovered there, and the actions that win the mission team a chance at victory--or almost victory--are flawlessly presented.
OK, this doesn't compare to the explosive tempo of the first part's opening sequence; nor to its
visual
shock value; nor, for that matter, to the melancholic suspense of the second installment.
Although the film offers superb cinematography, some exquisite
visual
beauty, and a cast of fine performers, there's little meat on the bones of this fragmented work.
Nonetheless, "Beyond the Clouds" will be fodder for dilettantes and a
visual
feast for the all albeit superficial, stilted, and lacking in substance.
It also looks at television and film and makes a
visual
commentary.
Instead of writing a paragraph, I'll give four good reasons why 2001 is the greatest cinema experience of all time: 1) It is a
visual
Odyssey that could only be told on the big screen.
Spike Lee did a wonderful job directing, keeping the
visual
angle up to par with Leguizamo's theatrics and the style of personal storytelling; it's substance and style merging together but unobtrusively.
And the
visual
effects of the worm and its effects under the skin are cheesy, I didn't mind them at all.
It is a
visual
feast of North African (mostly Saharan) imagery that is timeless.
Released upon a Fremantle DVD, this largely lustreless affair depicting a man 'neath the spell of a seductress does benefit from top-flight
visual
and sound quality, and although no extra features are provided, the above-average production quality enhances able efforts from cinematographer Robert Primes and composer Stephen Edwards.
No transitions, no
visual
explanation of why we're suddenly ten thousand miles away, no ideas expressed in images.
I needed a
visual
aid for my presentation, so I figured why not use a clip?
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