Visual
in sentence
1130 examples of Visual in a sentence
Coming from Kiarostami, this art-house
visual
and sound exposition is a surprise.
He just played the roles as straight as he could while all of the comedy that went on was mostly
visual.
Hour and a half of
visual
torture.Rather watch Ben Aflec movies for the rest of my life.
The film has a nice
visual
appeal to it.
I'd rather watch a film with little
visual
appeal, with good actors and sharp dialogue (i.e.: "The Brothers McMullen" or any Edward Burns film).
Armored is his second feature and while the
visual
signature is recognizable, the film never rises above the level of a B movie.
There isn't plot, no actors' play and
visual
looks like you see it through the plastic film.
Wow, what exciting
visual
effects.
'Divine Intervention' tries hard, and gives us an insightful peek into the almost surreal life of those caught up in the troubles, but the film amounts to little more than a handful of (admittedly lovely)
visual
jokes thrown onto celluloid, while the links between them become increasingly obscure as the film progresses.
The
visual
effects in this movie was excrutiatingly painful to watch.
The movies other main problem was the campy
visual
effects and the poor film quality.
Besides the bad acting the
visual
effects, stunts the plot even the humor used in the movie was an absolute flop.
And I they will invest some good cash to get the
visual
effects right and the scenaries right as well as the ACTING right.
It's ugly, for one, with that trendy 1970s
visual
style that maybe seemed like a good idea at the time but which now enables one to instantly recognize a film from that time period as being a 70s product.
MGM production values only so-so, however director Gottfried Reinhardt tries adding some
visual
flavor to the flashback segues and he attempts a lively pacing for the movie's initial half-hour.
In short: The art of a) finding interesting
Visual
Events and b) capturing them in a way the human eye is not capable of, to be replayed so that the human eye can see.
Their alluring
visual
qualities are reminiscent of expensive high class TV commercials.
The one somewhat redeeming aspect of the movie is Halfdan Hussey's innovative
visual
effects.
Rifkin seems to think that if he overloads on a kind of rotted
visual
style and fills the street with crud and garbage, he's making a statement.
But computers cannot compare to the
visual
wizardry that these three men could conjure up.
I'll be honest-- the pimped out purple plane with Snoop Dogg at the helm is an amusing
visual
gag.
A clear sign that this is unimpressive is that it was directed by a
visual
effects creator, whose only other credit in that field is a Henry Rooker film that wasn't well received.
I'll admit that the conceptually pompous ending does have a certain
visual
poetry to it.
That doesn't include the writing, editing, directing or
visual
effects credits on other movies.
A genuinely odd, surreal jumble of
visual
ideas which probably looked extremely puzzling on the printed page; just what drew Robert Redford to the project, one may never know.
In short this film as a blatant
visual
assault with no hint of skill or initiative.
Possibly the worst camera-work, editing, lighting, sound,
visual
effects, music and fight choreography I have ever seen in a movie.
The direction, dialogue, and
visual
effects are just horrible.
Some awkward
visual
situations are actually comical in a sick way.
It's all pretty standard stuff for Hammer, but is handled with a good deal of
visual
elan, even if the central relationship, between psychoanalyst Porter and Rees, drives the narrative without ever being satisfactorily explained.
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