Visual in sentence

1130 examples of Visual in a sentence

So we are creating Dylan, which is a computational system with an ambitious goal of taking in visual inputs of the same kind that a human child would receive, and autonomously discovering: What are the objects in this visual input?

So, we modified the optics of the camera in order to mimic the baby's visual acuity.

Visual integration has been associated with autism by several researchers.

When we saw that, we asked: Could the impairment in visual integration be the manifestation of something underneath, of dynamic information processing deficiencies in autism?

So, I wrote this piece called "Avatar," which was meant to absolutely push the envelope of visual effects, of CG effects, beyond, with realistic human emotive characters generated in CG, and the main characters would all be in CG, and the world would be in CG.

Because, you know, I could imagine a creature and we could create a visual effect for it.

That's the power of visual storytelling, that's the power of dance, that's the power of music: the power of not knowing.

I hope I've opened your eyes, if you'll excuse the visual pun, (Laughter) to some of pollen's secrets.

And the reason is, I help create digital tools and processes to help teams build cars and video games and visual effects.

I saw that the free flow of information represented by journalism, specifically visual journalism, can bring into focus both the benefits and the cost of political policies.

I'd like to take you on a visual journey through some of the events and issues I've been involved in over the past 25 years.

The most obvious visual thing on stage is the speaker.

But the visual complexity is still very high.

I'll define them here: You have the visual.

So right here I start with the visual, and I immediately ask the question: Which section is the steepest?

And this starts conversation because the visual is created in such a way where you can defend two answers.

JC: Yeah, so everything visual takes cues from things which are audial, or something, if that's a word, and so everything is real time.

And to make that point even more visual, I swam under the shrimp boat and made this picture of the guy shoveling this bycatch into the sea as trash and photographed this cascade of death, you know, animals like guitarfish, bat rays, flounder, pufferfish, that only an hour before, were on the bottom of the ocean, alive, but now being thrown back as trash.

A similar experiment was done by another [Swiss] psychologist named Peter Brugger, who found significantly more meaningful patterns were perceived on the right hemisphere, via the left visual field, than the left hemisphere.

Since we are such a visual species, it's hard for us to really understand this, so I'll use a mixture of figures and sounds and hope this can communicate it.

But let's also think, as a visual species, what it's like when we go snorkeling or diving and try to look underwater.

And I mentioned I'll use some visual representations of sounds.

So I have a particular imaginative approach to visual work.

The things that interest me when I'm working are visual structure, surprise and anything that requires figuring things out.

So I'm currently working on a book, which plays with both senses of the word, as I explore some of my own ideas and inquiries in a visual display of rather peacock-like grandeur.

I think that one of the things that religions got right was the use of visual wonder to deliver a message.

I think this true marriage of art and information is woefully underused in adult literature, and I'm mystified as to why visual wealth is not more commonly used to enhance intellectual wealth.

And it's very, very common for designers and people in the visual arts to feel that we're not contributing enough, or worse, that all we're doing is contributing to landfill.

But I've come to believe that truly imaginative visual work is extremely important in society.

Just in the way that I'm inspired by books and magazines of all kinds, conversations I have, movies, so I also think, when I put visual work out there into the mass media, work that is interesting, unusual, intriguing, work that maybe opens up that sense of inquiry in the mind, that I'm seeding the imagination of the populace.

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