Versus
in sentence
303 examples of Versus in a sentence
Intrinsic motivators
versus
extrinsic motivators.
Science and technology can give us an important advantage in the battle of human wits
versus
the genes of superbugs, a battle we can win.
So, the bigger problem with this logic is that it confuses the intended
versus
the actual uses of technology.
"How could we, instead of just polling what Asia thinks or what the United States thinks, or who thinks what about Obama
versus
McCain or something like that, what does the entire world think?"
What's also interesting, if you look at products that have a high component of what you might call messaging value, a high component of intangible value,
versus
their intrinsic value: They are often quite egalitarian.
In my book, I talked about the fact that 72 percent of people trust what other people say about a brand or a company,
versus
15 percent on advertising.
So to address this, we studied UK
versus
Aravind.
Six weeks, city
versus
city.
The problem is: How do you find the ones that get it before doing business
versus
the ones who don't get it?
It's the savings accounts
versus
the debit accounts with no deposits.
The problem is that digital technology has completely subverted the logic of this physically fixed, expression
versus
idea concept.
The piece of art you see on your left is painted by a western red cedar and that on your right by a Douglas fir, and what I learned was that different species have different signatures, like a Picasso
versus
a Monet.
Well, you know, we got into this in the beginning as a trade-off, they say, between the wetlands
versus
the ocean depth.
But not too uncomfortable, because there's something unthreatening about seeing a political perspective,
versus
being told or forced to listen to one.
We were shown this slasher film "starring" Ken Shamrock
versus
a murderous scarecrow.
I admire the idea of putting Selle's's character in Japn,
versus
the cliché of having play in the minors.
The direction seems very basic, with obvious dramatic irony and a classic case of the lost loser
versus
the clueless committed.
In the style of all "little guys
versus
the establishment" movies, so yes, the plot is very predictable, but it's warm and funny.
This is a masterful piece of film-making, with many themes simmering and occasionally boiling over in this warts and all study of the poet's bohemian, self-indulgent wartime years that span the aerial bombardments of London and the outward tranquillity of a Welsh coastal retreat - the borderlines between friendship, lust and love, dedication to art and experience
versus
practical concerns, jealousy, rivalry, cowardice and egotism
versus
heroism and self-sacrifice and more.
I have seen this film on 3 different occasions.On the first occasion,I was bowled over by this film.It appeared as a very kind film to me.I hated this film as a sentimental garbage on my second viewing.However my third viewing reasserted my belief that it is a good film.There is a lot of emotional power in this film especially scenes of emotional confrontation between Mr Kramer and Madam Kramer.There are some scenes in which Meryl Streep appears a cruel person despite the fact that she is a beauty in real life.Dustin Hoffman appears as a lost hero unable to grapple with the recent task of his child's custody.There was even a controversy on the sets of this film.According to the master cameraman Nestor Almendros there was a shot in which he just escaped getting hurt as the character of Mr.Kramer,in order to show the intensity of his anger,decides to break a glass hard.Luckily nothing happened to Nestor.Kramer
versus
Kramer shows the destruction of a family structure.It also tells how family must be maintained if there are kids involved.
The story is simple, jackie chan
versus
the evil men.
Their is also Liu's internal conflict between the loyalties and traditions of China
versus
the self-determination philosophy of the West.
The violence is all purely the good guys
versus
the bad guys with mainly the bad guys dying.
Even with such a low-string budget and a very freewheeling, so to speak, attitude about filming the movie, Coppola is able to capture everything that needs to be said through these clearly defined characters and the curved, unexpected degrees of one character
versus
the helplessness of another, or vice versa, or both.
There are innocence and guilt in Kieslowski's world view, as the symbols in Catholicism: the White
versus
the Black Madonna.
In this peculiar movie, the themes of the end of days and Satan
versus
Jesus are treated in a new fashion.
Some people don't like Led Zeppelin, but luckily the number of people who
versus
the number of people who don't is WAY unbalanced.
This Gregory Peck cavalry
versus
the Indians oater is a solemn suicide mission without a trace of humor.
There were slightly jarring tone shifts from the dominant thoughtful and realistic tone of confused loyalties, intrigue and blood,
versus
the lighter, more flamboyant, martial arts sequences.
The story touches nicely on the issue about the need for loyalty
versus
the need to adapt to new situations.
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