Versions
in sentence
504 examples of Versions in a sentence
They include "The Spiderwoman (Kumo Onna) Directed by Yoshihiro Nakamura, "Crevices" (Sukima) Dir by Norio Tsuruta, "The Sacrifice" (Onamakubi) Dir by Koji Shiraishi, Blonde Kwaidan (Kinpatsu Kaidan)-Directed by Takashi Shimizu,& "Presentiment" (Yokan) Dir by Masayuki Ochiai I'm not sure what
versions
that have in Japan of this, but once again the American title out here is "Dark Tales of Japan.
While there may be multiple
versions
of this short movie (as a lot of people were uncredited in my VHS US dubbed version), the story is the same.
As a huge fan of the book and the musical, I have made it one of my priorities to see all of the movie
versions
of Les Miserables that I can.
Watching this version and watching other
versions
of the same play many things seem to be grossly misunderstood.
Having seen the two later
versions
of this tale, it was a surprise to find the original one, even if it doesn't compare with the 50s remake with Judy Garland.
There have been other musical
versions
of "Christmas Carol" but this is definitely the best.
If one wants to see pure opera, one can buy several
versions
of LA TRAVIATA especially filmed live at an opera house, and watch the musicians in the orchestra pit play, the conductor's gestures, and hear the superb voices of the usually out of character (physically and age-wise) singers on stage.
Unfortunately, most
versions
available (including the one I saw) are dubbed.
Why they did it was totally a dark artea for me but one of the most popular things in Hollywood were making Americanised
versions
from French comedies.
Even the patriotic
versions
of the 40s with Basil Rathbone and Nigel Bruce are better than this.
It even treats seriously the interlude with her cousins, St. John Rivers and his sisters, something film
versions
of the novel usually try to minimize or alter completely.
Just a brief comment for now, of all the
versions
that I watched of Little lord Fauntleroy filmatisations, this one in my opinion features the best fitting actors if you compare with the book.
Instead enjoy either the Jeremy Brett or Basil Rathbone
versions.
First, let me note that there seems to be different
versions
of the film floating around on home video.
Of course the previous
versions
are better, i have to agree with that.
Unfortunately this was long before the days of shooting alternate versions, so we just have to imagine how he would have done it.
As I said several times several films never coincide with their original written versions, but this time the director Jean-Paul Le Chanois made a good effort in having a material as much similar to the book.
Of all the
versions
of Zorro I've seen (that includes Douglas Fairbanks, Tyrone Power, Guy Williams, Antonio Banderas, Duncan Regehr and even George Hamilton), this one is the worst by far.
First you take a random porn movie off the shelf, then you replace the physically attractive but creepy-brained human beings with the super ultra low rent
versions
of the same people.
It would be interesting to read the book now that I've seen a couple
versions
filmed to see what was included or dumped in each one.
This version, a remake of the original by Pat O'Brien and Adolphe Menjou, is the best of the three
versions
of this play adapted to the screen.
The most strange thing is that there appear to be two different versions: the cut and the uncut one.
This short, which won an Academy Award, is the best animated adaptation that I've yet seen and is better than a couple of the live-action
versions.
Of the at least eight film
versions
of Anthony Hope's famous novel, this is the best.
Throughout the years, people have been waiting to see the perfect "Batman" movie; people complained about the live action
versions
that there was no relation to the Bruce Wayne character but about the villains.
Both of the
versions
of "Ghost World" portray a world full of sad and annoying people, pedophiles, typical idiotic high school students, and most of all, people faking individuality.
Though I do not like the updated
versions
they chose, it added a lot to the flick.
I adore both the 1939 and 1995 versions, but this one was just too long.
There is obviously an audience out there for very dumbed-down
versions
of masterpieces but it still hurts.
For those who followed (or survived) the events of the last decade in the Balkans, it is a stark and honest portrayal that will leave many re-thinking the
versions
they may have formulated in their own minds, reading newspapers and watching TV, comfortable, in their own very civilized, and very insular, homes
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