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Variations in sentence

212 examples of Variations in a sentence

In the groovy mid 70's a scruffy bunch of brash young Venice, California adolescents from broken homes and the bad side of town known as the Z-Boys turned the previously staid world of professional skateboarding on its ear with their fierce punk attitude, radical unconventional riding style, and unbridled spirit of pure in-your-face aggression, revolutionizing the sport in the process and paving the way for the many extreme variations on sports that popped up in their influential wake.
I think priyadarshan is becoming too much repetitive in his comedy flicks just like govinda and David dhavan had done in the past after giving some good entertainers they also went on to loose their audiences.So it will be good for him to concentrate more on script and try some variations in his direction.Give us more of herapheri's and malamal weekly's rather than giving duds like garam masala!
85% of the script is four letter words and innumerable variations on them.
Unsuspecting audiences have since been subjected to countless clones and variations, including "The Bachelorette", "Joe Millionaire", "For Love Or Money", and the execrable "Married By America."
Sure, "CHAOS" and "INSIDE MAN" are literally the same movie, just with variations in suspense.
Easy to dismiss, the movie's career-polarizing story is such a sturdy pile of Hollywood-style clichés that variations of it exist in other films including Streisand's own "Funny Girl".
Much of the early portion of the film, that part when Victoria is a child whose ascent to the throne is contested by her mother (Miranda Richardson) and Sir John Conroy (Mark Strong) seems to drag and get lost in the multiple costumes and scenery variations.
Anthony Mann tried variations on this type of character in the next films he did with Stewart.
This is sort of a Mr. Smith goes to Washington type of movie, with some variations but the same premise.
The beautiful scenery, bright colors, comical music (including variations of Hello Muddah)and a comic acting turn by noted director Sam Raimi makes this a movie you can pull out again and again like looking up an old friend.
It is the same thing, with slight variations.
Long lenses, big contrast variations and focus shifting give it the edge.
He was the undisputed leader of the team that took the initial Polish work to break the Enigma Code, broke subsequent variations (such as for the naval Enigma machines) and automated the whole thing by creating one of the world's first computers called BOMBE.
The story is one we have seen many times before in many variations - terrorists take over a cruise ship and kill randomly, crew betrayals and heroic actions by a former cop (with a bitter past to add some depth to the character) to save the day are nothing new.
I've seen several variations on the theme in Breaking and Entering in recent years, where affluent white people come into contact with downtrodden immigrants.
Inexplicable and pointless flashbacks of the two main characters as kids (yeah, we get it, they are buddies) are one problem, but the real weakness is the constant ripoff of Tarantino - an annoying drug dealer who engages in a monologue that exists only to waste the viewer's time, thugs who chase the "hero" for screwing a gangster's wife, we've all variations of this before.
During two hours you can enjoy lovely Joseph (with Donny Osmond, of course), clever Variations (very artistically played by Julian Lloyd Webber), dramatic Evita (only Paige's unique voice can reveal full splendor of Don't cry for me Argentina, and Antonio Banderas is the best Che ever), dynamic Starlight Express, solemn Requiem, passionate Jesus Christ Superstar (even though this musical is not among my favourite Webber's works I couldn't but admire Michael Ball singing Gethsemane), beautiful and mysterious The Phantom of the Opera with exquisite Sarah Brightman as Christine and Banderas proving that he can act Eric (AND HE CAN!), impressive Sunset Boulevard with remarkable Glenn Close, interesting Whistle Down the Wind (Tina Arena, Bonnie Tyler, Boyzone, Michael Ball sang differently styled fragments), wonderful Love Changes Everything (Michael Ball once again at his best), and of course famous Memory (another unforgettable performance from Elaine Paige).
This movie was made countless times in the 80's with slight variations: maybe it was "Conan The Barbarian", "Deathstalker", or "Red Sonja."
The variations are few and far between, and I think the duo that put in such hard work scripting this film should have stuck to their Asian success.
At such a distance it is easy to forget the impact that Naschy's presence as either Daninsky or his werewolf alter-ego made on the movie-going public when it first appeared (proving obviously popular enough to generate the myriad sequels, or variations on the same theme, which followed) for, even if the monster gets a fair work-out here (scenes from this film were actually lifted outright for the abysmal THE FURY OF THE WOLFMAN [1970]!), he's also chained up for a good part of the second half, as if Naschy was as yet unsure how to use his 'creation'.
(This is repeated with several variations).
The blend of Canadian and French actors produce a blend of French understandable by all Francophones (unlike many modern films which use variations not understood by those on the other side of the Atlantic), and humor accessible to all, free of regionalisms or cultural slants.
After seeing the majority of his output, I think it's fair to say that director Hong likes to make variations on the same movie over and over again.
The make-up of the 'humanoids' is too neat and tidy as well; they mostly look like variations of Lon Chaney Jr.'s Wolf Man or the aliens in 'Star Trek,' animal faces and perfectly-coiffed hair.
There are elements in this late-teen comedy that owe debt to movies like 'There's Something About Mary' and 'Chasing Amy' and countless other better variations on the same theme.
No other country embraces such an extraordinary profusion of ethnic groups, mutually incomprehensible languages, religions, and cultural practices, as well as variations of topography, climate, and levels of economic development.
If the variations that affect reproduction are heritable , the outcome is evolution by natural selection.
We need to know how organisms develop and reproduce, what is inherited and how it is inherited, and how heritable variations are generated.
Epigenetic inheritance occurs not only within individuals during their development; it also occurs between generations : individual yeast cells or bacterial cells can transmit epigenetic variations from one generation to the next, and multi-cellular organisms can transmit them through their sperm and eggs.
There are many other examples of heritable epigenetic variations, some of which are environmentally induced.
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