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Throws in sentence

302 examples of Throws in a sentence

Basically I warn you very strongly not to see this: the characters go on a journey but seem intent on leaving you in the dust as they do, lackluster performances and lame jokes accentuate the diverse plot in a way that takes whatever potential this movie had to be decent and throws it down the drain.
Despite the synopsis, unintentional laughs are in short supply, although a sequence where one of Curtis' elderly customers is possessed, floats down the hallway and throws herself down the stairs is a mini-masterclass in ineptitude as it fluctuates between failed attempts at humour and laughable attempts at drama.
But then again, any movie that begins w/ a quote from GW Bush throws me for a loop.
Arnold also fights a group of sailors with a plank and throws them in the sea, the sound effects and horrible choreography in that scene is hilarious.
The mute slave climbs up Louie's horses, does an about face and throws a knife straight into Louie's neck.
Wallace Beery's not bad (though a bit stilted) in the leading role; he's better than Irene Rich, playing his ex-wife, who throws herself around the screen, swooning from sofa to sofa in a totally over-acted performance.
Angry Sister Gertrude throws them on the floor and stamps on them.
I have never forgotten the scene when Mary Currier(The welfare worker) comes to the house to interview Ann Revere and Garfield throws her out, and Garfield and Revere have words and she tells him better you should buy a gun then become a fighter and he says to her,"You need money to buy a gun."
Her mother (Margot Kidder) throws her out of the house and she's on her own,left to battle the cruel Homer residents.
It takes the "Alien" theme and throws a few twists in it, such as, do we really know what the alien wants?
Young Writer gets Cute Neighbor drunk after an afternoon of crazy dancing and hosing each other down with a hose (huh?) and gives him a blow job, and then throws a childish tantrum because Cute Neighbor wants to leave the next morning.
The movie quickly throws in a sub-plot -- Vaughn cajoles the boss to hire his bitter handicapped friend.
Alas, none of the six are really happy, hardly even content; the bible-reading Azema possibly comes closest, smiling as she cleans up after unseen invalid Claude Rich - even cleaning HERSELF up when he throws food over her; Isabelle Carre is a little young to be the sister of Andre Dussollier but given her loveliness there's no real reason for her to pursue true love in the Lonelyhearts columns.
No ... it's not an Oscar contender, but it is far better than most of the big budget horror garbage H-Wood throws our way currently.
I think people who say they like this movie probably think it is great only because it throws in a lesbian relationship as the core of its theme.
Also Indian Guy in cave saying "It's not Safe in here", really throws the movie into a, "What is going on" mood for the rest of the movie.
In one scene early on, Jan finds a watch that Peter has stolen and throws it out the window of the van, to which Peter responds "you just threw away 5,000 euros", implying that he intended to capitalise on his 'find'.
Or when he throws the chunk of wood at the cannon.
He uses a bar of soap once and then throws it out.
Movie starts with slow motion close-up shootings, fills in with foul language, then throws in a couple sex scenes (including the puppet) and then shot the rest of the cast.
Best example: Landau throws a child-like temper-tantrum in the control center, threatening not to come back until he has full control of the goings-on.
Frequently it's music,sometimes a quest for a rare item, rock climbing or even acting (that last one's a favourite for all the rather pretentious play-within-a-play options it throws up).
Because the plausibility of the whole movie is in question, it throws into question that the movie is somewhat contrived.
If only Bette Davis and Joan Crawford could be alive today and see this! Two emasculating she-wolfs battling it out - they think - because they want one man, but really, it's all about ego and oneupmanship, and with two equally established actresses such as Meryl Streep and Goldie Hawn, both looking exceptionally beautiful in their mid-40s, DEATH BECOMES HER is a visual treat that throws back an unintentional but hilarious reference to the aforementioned divas who preceded them.
I didn't see this until it came out on video, and I had heard a lot about it of course, but luckily I was in the dark on the twist LaBute throws in at the end.
Brian DePalma, not anywhere to be found on my favorite director's list, really did a top-notch job with the first movie...if people complained that the first movie was too hard to understand, they will be pleased to know that the second movie throws not only logic out the window, but also any sense of adventure, suspense or fun...it's a big disappointment...i can't think of anything else to say because i am still dumbfounded by how LAME this movie is.
Then we get to the negative points, beginning with mostly indifferent or awful acting, slow pacing, especially in the first thirty minutes, and an atrociously rewritten script, which keeps the basic plot line,but throws out most of Hammerstein's dialogue to make way for some memorably corny lines ("There's still not enough room on this boat for the two of us!").
In fact, calling it a film throws up the very idea of what constitutes a film.
While going to the hospital, a large van chases their car and throws it out of the road, in a field.
On second and subsequent viewings Lelouch's famous blast through Paris throws up more questions than even the reviewers here have come up with.
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