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Themes in sentence

653 examples of Themes in a sentence

I definitely recommend it as a rental, although some of the themes, which might have seemed a bit edgy in 1989, now may seem tame, which is a shame, considering that contemporary "edginess" is often just used as a necessary marketing tool, sort of like clamoring just to get noticed.
It dealt with themes of religion.
However these themes are pushed aside, and not really developed.
Chabrol draws heavily on Hitchcockian themes here, and the end result is a short, succinct interesting French tale that, although not meeting the influencer's fantastic work, this film is a good solid starting point for those wishing to be introduced to Chabrol's work; the similarities to mid 20th century English language suspense movies allow the viewer to become easily immersed in the world created.
Anyway, throughout this movie, I saw a lot of scenes and themes from older, better and classic movies.
As a Pagan, I half expected the overt Christian themes of forgiveness and redemption to make me slightly uncomfortable, but such was not the case.
The film is much more intelligent than the usual cannibal nonsense, as it explores themes such as Vietnam veterans returning into society, and turns the tables on Dawn of the Dead's social commentary.
The central themes were about playing fair and making believe, and if it seems to be a simple premise, I'd like to hear where a sophisticated premise was used for a children's show that succeeded.
The plots in each of the stories only serve the singular purpose of indulging in whatever immoral and ridiculous themes that the writers thought of.
More than just an unsettling mix of cute little girls and intense gore, Elfen Lied is a series about nature vs. nurture, love vs. hate, the future of humanity, and similar themes.
Yes, the show is quite violent, but this violence underscores these themes well and as we later learn, is not merely just a product of instinctual brutality.
With all the changes made from the original play script, Williams' meaning and themes are completely lost, and the movie makes absolutely no sense.
The themes are very similar.
When I read the synopsis and saw that it was made from a play I wondered "How will they work into a story about a project the requisite themes of repressed women, depressed women, teenage angst, and a guy struggling w/ homosexuality but then giving in?"
I watched this for my English class and it portrayed some very interesting themes, still affecting todays world.
An animated film that deals with adult themes and achieves it with excellence.
Last but not least, as it is not stuck in the modality of "Tsotsi only" it manages to look refreshingly at a broad swathe of the themes and reality affecting SA society today.
A show made in Canada, but not strictly specialized to appeal to only Canadian tastes, the themes and stories are universal.
The plot was obvious, the themes of British Colonial buffoonery and repression were overdone and unrealistic.
The movie requires the audience to have a somewhat willful suspension of reality as there are some slightly mystic themes interwoven in the storyline.
The choice of actors was excellent and all turn in performances that serve the themes of the film.
This ghostly suggestion never overpowers the film; the story retains its dominant themes of grief and the process of grieving.
At the beginning you think that this will be just another low brow dumb-wit comedy with some dumb pro wrestler, but as the movie progresses we as the privileged audience begin to understand the true themes of the work.
Besson concatenates clichés of fantastic-techno thriller (religious themes focused on spectacular parts of the Bible, classic former nazi who wants to conquer the world, new-age evangelists, so-called dark-ages secret history,...).
This movie won't embarras you with offensive language and sexual themes.
Warner Bros. looked for "controversial" themes to release them from their box office slump and found it with topics like this, packaging emotional rubbish into the screens in the form of low budget B grade "content films".
I felt I had gained little after it was over, though I will say that the concept and themes explored are quite interesting.
The whole genre of "Indian-American films"- from American Desi onward- is usually amateurishly written, and keeps focusing on the same themes over and over again- not "fitting in" to American society, having difficulty with parents, dating, stereotypes of Indian culture, etc.
THE LONG GOOD FRIDAY is a gangster film, and an excellent one at that, exploring old themes of loyalty, betrayal, expansion etc. with verve and excellently choreographed, imaginatively novel violence (and no law in sight).
This accrues not only from his singularly intelligent treatment and subtle presentation of macabre themes, but from his recurring Lewton "stock company" of players.
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