Stories in sentence

3928 examples of Stories in a sentence

And I want to illustrate that by telling a couple of stories about that transformation.

So we would have a live website, that every single day of the 33 days, we would be blogging, telling stories of, you know, depleted ozone forcing us to cover our faces, or we will burn.

The stories we were hearing got us to the South Pole.

I wanted to see how they would seize the bare bones of certain stories, if they came in as a news item at the news desk on a Saturday afternoon.

Also one thing that kept me pushing this story, this painful stories out, the dreams I have, sometimes, is like the voices of the dead, that I have seen would tell me, "Don't give up.

Zero wants to engage the generation of today and tomorrow, tell various stories through different mediums.

There is a revolution in the way that we think, in the way that we share, and the way that we express our stories, our evolution.

Charlie Chaplin innovated motion pictures and told stories through music, silence, humor and poetry.

Maybe people love stories about their bosses or birthday surprises.

That's 32 stories.

And one of the stories he told me so often when I was a young boy was of the first British atomic bomb test.

And so, I would like to cheer you up with one of the great, albeit largely unknown, commercial success stories of the past 20 years.

So recently, we asked ourselves if we could invent a format that could actually tell the stories behind the projects, maybe combining images and drawings and words to actually sort of tell stories about architecture.

So we basically copied the format of the comic book to actually tell the stories of behind the scenes, how our projects actually evolve through adaptation and improvisation.

And as researchers, we looked at these stories, and we were shocked when we found that 93 percent of victims reported that there was at least one witness.

And I started this piece, particularly with stories and narratives, and I was talking to one woman and that led to another woman and that led to another woman.

And then I wrote those stories down, and I put them out in front of other people.

And every single time I did the show at the beginning, women would literally line up after the show, because they wanted to tell me their stories.

I have met these women everywhere on the planet, and I want to tell a few stories, because I believe that stories are the way that we transmit information, where it goes into our bodies.

She started to write the stories which documented the disappeared women.

NHH: We're also seeing the use of this technology at a global scale, and one of the most heartwarming stories I can recall is from the town of Trujillo in the north of Lima in Peru, where this technology was used to support the provision of cleft lip and palate surgery to children, children from poor backgrounds who didn't have access to health insurance.

I grew up in a beauty shop in North Philadelphia, my mom's beauty shop, looking at "Ebony Magazine," found images that told stories that were often not in the daily news, but in the family album.

I wanted the family album to be energetic for me, a way of telling stories, and one day I happened upon a book in the Philadelphia Public Library called "The Sweet Flypaper of Life" by Roy DeCarava and Langston Hughes.

DW: What I found is that black photographers had stories to tell, and we needed to listen.

Their stories tended to be different, black photographers, and they had a different narrative about black life during slavery, but it was also about family life, beauty and telling stories about community.

I didn't know how to link the stories, but I knew that teachers needed to know this story.

And I would like to tell you a few personal stories about what I like to call "the danger of the single story."

I was also an early writer, and when I began to write, at about the age of seven, stories in pencil with crayon illustrations that my poor mother was obligated to read, I wrote exactly the kinds of stories I was reading: All my characters were white and blue-eyed, they played in the snow, they ate apples, (Laughter) and they talked a lot about the weather, how lovely it was that the sun had come out.

But what is important about his writing is that it represents the beginning of a tradition of telling African stories in the West: A tradition of Sub-Saharan Africa as a place of negatives, of difference, of darkness, of people who, in the words of the wonderful poet Rudyard Kipling, are "half devil, half child."

There were endless stories of Mexicans as people who were fleecing the healthcare system, sneaking across the border, being arrested at the border, that sort of thing.

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