Space in sentence

4234 examples of Space in a sentence

So by applying the corresponding space and time warp, we can correct for this distortion.

We have more and more people, billions of people, in 100 years, God knows how many people, and how little space there will be to fit all of them, so we need to change the way that we see cities, and looking at this picture on the left of New York City today, you can see how gray and brown it is.

In fact, to make it more interesting, I put a space right in here, and this is the actual title of the piece.

And we all know what that body is like in the real world, so one of the aspects of physical thinking that we think about a lot is this notion of proprioception, the sense of my own body in the space in the real world.

So all I'm doing is exploring this space of "T" and flashing through it with some action.

I'm going to think about it in 3D space.

So now, instead of it just being a letter that's in front of me, it's a space that my body can go inside of.

I now decide where I'm going to be in that space, so I'm down on this small part of the bottom rib of the letter "E," and I'm thinking about it, and I'm imagining this space that's really high and above.

If I already then said about that space that you're in, let's infuse it with the color red, what does that do to the body?

Yet human nature has also been blessed with resources that open a space for a kind of redemption.

I created this space to be a cyberhome for many of us who are misunderstood in our different home countries.

It's a waste of space.

In a time where being brown, queer, African and seen as worthy of space means being everything but rural, I fear that we're erasing the very struggles that got us to where we are now.

So if you can imagine rabbits and foxes, rabbits are trying to avoid foxes at all costs, while foxes are patrolling the space, trying to look for rabbits.

That's what happens when the media's space expands.

Because it's going to be very difficult for them to dissent knowing that 24 hours after this is going to be on the public space, and this is in a certain way going to be a political crisis."

We are all so busy with so many demands on our time, it's easy to crowd out the time and space that empathy requires.

But also, most importantly, all the invisible people behind TED that you just see flitting around the whole place that have made sort of this space for such a diverse and robust conversation.

I'm going to tell you about why I became a sculptor, and you may think that sculptors, well, they deal with meta, they deal with objects, they deal with bodies, but I think, really, what I care about most is making space, and that's what I've called this talk: Making Space.

Space that exists within us, and without us.

And there I was, lying there in this tiny space, hot, dark, claustrophobic, matchbox-sized, behind my eyes, but it was really weird, like, after this went on for days, weeks, months, that space would get bigger and darker and cooler until I really looked forward to that half an hour of enforced immobility and rest, and I really looked forward to going to that place of darkness.

Here we are, in a space, the subjective, collective space of the darkness of the body.

The elemental world that we all live in is that space that we all visited together, the darkness of the body.

I wanted to start again with that environment, the environment of the intimate, subjective space that each of us lives in, but from the other side of appearance.

Can we map that space, using the language of neutrinos or cosmic rays, taking the bounding condition of the body as its limit, but in complete reversal of, in a way, the most traditional Greek idea of pointing?

This is a lead case made around the space that my body occupied, but it's now void.

This is a work called "Learning To See." It's a bit of, well, we could call it night, we could call it the 96 percent of gravity that we don't know about, dark matter, placed in space, anyway, another version of a human space in space at large, but I don't know if you can see, the eyes are indicated, they're closed.

It's called "Learning To See" because it's about an object that hopefully works reflexively and talks about that vision or connection with the darkness of the body that I see as a space of potential.

No longer about statues, no longer having to take that duty of standing, the standing of a human body, or the standing of a statue, release it, allow it to be an energy field, a space in space that talks about human life, between becoming an entropy as a sort of concentration of attention, a human place of possibility in space at large.

Can we use, in a way, a body as an empty catalyst for a kind of empathy with the experience of space-time as it is lived, as I am standing here in front of you trying to feel and make a connection in this space-time that we are sharing, can we use, at it were, the memory of a body, of a human space in space to catalyze an experience, again, firsthand experience, of elemental time.

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