Shots
in sentence
1287 examples of Shots in a sentence
The images, the camera set-ups, the framing of
shots
and the clarity of the black-and-white photography are all done well.
On the technical side there was enjoyable urban and rural photography of Britain but there were also several very over-exposed sun-bleached
shots.
Personally,I didn't see a single boom shot in the whole extravaganza.There were some
shots
that were incredibly out of focus,but it turned out they were deliberate choices by the filmmakers.Parts of this film are actually wickedly funny,as all horror films should be.I couldn't help thinking though while watching this film that it might have actually been quite terrifying if the babies just looked like real babies!
My only criticism is that it was mainly filmed in Hollywood except for a very few exterior
shots
of New York.
It is very Californiaish, particularly in some outdoors
shots
which are definitely not New York countryside.
Originally, the location
shots
were probably interesting; I would still like to see the actual places.
We see unconnected scenes from a dozen Roger Corman epics thrown together willy-nilly - including
shots
of George Peppard from "Battle Beyond the Stars" and even a repeat of what must be the most re-used scene in stock footage history: David Carradine's "Fight with Mutants at the Well" from "Warrior and the Sorceress", "Wizards of the Lost Kingdom 2", et.
When the action shifts briefly to London, there are no establishing
shots.
I liked some parts of this film mostly because of its Chicago location shots, But I thought the film's production values were very low budget for a Hollywood film.
And all the
shots
of Guerin (Blanchett) smirking sideways at the camera -- it seemed like the filmmakers lost perspective.
There were a couple underwater shots, that didn't quite measure up to the rest of the film, and being that the actors had different nationalities, some of the performances came off as uneven, due to the language barrier.
About 95% of the Puppet
shots
were patched together from other Puppet Master movies.
Both films do share amazing cinematography, no matter how many times and in how many movies I see
shots
of Morro da Sinuca, I am always amazed by it's vastness and unique beauty.
Lingering camera
shots
showing the dark, silent parts of the house highlight the growing sense of fear and despair felt by Kane's character as she bravely stands her ground for the benefit of her employer's children.
The acting is real and strong and the film-making is confident and innovative, though it's likely they had very little money as there are no dolly, crane, or steadicam
shots.
After several
shots
of generic ninja training Billy has become a grown man and an ultimate ninja!
It would be nice if directors could come up with some original scenes, instead of slow-mow
shots
of the crew walking down the street.
Some wobbly handheld
shots
is all I am complaining about, but what are you going to do for a handheld?
Not good enough to actually throw the
shots
he was supposed to throw in the movie, though.
OK, I'm not one for cheap
shots
or gratuitous personal attacks BUT I will call it how I see it: Lady Godiva is a disaster and a depressing waste of resources.
The film contains a lot of close up
shots
on the characters, but it works; it's a different style than I was used to.
And if you really want to make the viewer think he's intelligent you should just get rid of the story all together and randomly edit in
shots
of a wheelbarrow or whatever.
The
shots
are quite first rate and the film has a slow but steady peace.
The wilderness
shots
are inspiring, the story is exciting and full of adventure and freedom and the music is exquisite!
His style is almost Zen-like in its lingering
shots
of people and scenery.
This "thing" that shouldn't even be called a movie much less a B-movie, was nothing more than a muppet show with horrible camera shots, paper cut-out effects, and action scenes that just baffle the imagination.
Maybe a few duplicate
shots.
Added touches such as subtle
shots
focusing on the period's social customs, and a knock-out ballet sequence in a party scene are among the final master touches to this unique production.
Chris Nahon does a great job here, with excellent camera work, great
shots
during the action scenes, and really keeping the film at a fast pace!.
Filled with sunshine brilliant
shots
of a beautiful Australian town and buoyed by Peter Weir's magnificent screenplay, this is an outsider classic about a bizarre cargo cult in the middle of an otherwise 'civilized' country.
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