Shots
in sentence
1287 examples of Shots in a sentence
This movie incorporated all the antics and scenery
shots
that the original had including the cemetery, the supposable abandoned house, the basement and the front lawn.
The fact that this contains one of the only video
shots
of the first plane hitting the tower is amazing.
Brian De Palma does an incredible job here, with Amazing camera work, incredible angles, fantastic use of colors, awesome zoom in's and zoom out's great POV
shots
and keeping the film at a very very fast pace!.
The director Gojn Mili was a photographer and that experience shows in some of the double exposure
shots
of some of the musicians that makes this one of the most innovative angles of the '40s.
This documentary on schlockmeister William Castle takes a few cheap
shots
at the naive '50s-'60s environment in which he did his most characteristic work--look at the funny, silly people with the ghost-glasses--but it's also affectionate and lively, with particularly bright commentary from John Waters, who was absolutely the target audience for such things at the time, and from Castle's daughter, who adored her dad and also is pretty perceptive about how he plied his craft.
The location
shots
from the very first scene themselves are chilling and seem to beckon you to the town of Royston Vasey.....You'll Never Leave!
But director Richard Quine used subtle lighting, pace changes, and unusually-composed
shots
to indicate the oddness of the witch portions of the film, keeping the other portions very luminous but straightforward in their presentation.
There were so many wonderfully orchestrated shots, so many good characters among the settlers, that I kept thinking it was a waste the movie wasn't more serious with its material.
Some scenes with special effects like the gun
shots
also could have been more authentic without making it seem too much like an action video game.
I mean SCTV, Just For Laughs come to mind as two comedy shows that lasted a long time filmed in Canada and very little or none is shot with snow present even though they both do a lot of outdoor
shots.
Now, that controversy out of the way, let's move on the actual movie...I thought the script was really well thought out and written tightly...The action sequences were simply great, although it is obviously a stuntman riding the rhino, Weissmuller actually wrestles the big male lion...The use of background
shots
that were second unit stuff from Africa is very well blended with the studio & US locations making it sometimes hard to tell which is which.
Oh...One final word about nudity...at the very beginning, while the white hunters are speaking dialogue, keep your eyes on the background extras...there are several good
shots
of nude African girls (obviously shot on location) behind them.
The atmosphere created by the mostly very dark
shots
contrasted with occasional very bright overexposed white was gripping.
Many drooling
shots
of her on the rack probably, then crisping up on the BBQ as the flames take hold.
The commentary is superb, probably the best that I've heard, covering the cinematography, the framing and lighting of shots, the production design, the casting of non-professional actors in small roles, and the ironies and parallelisms in the plot, like an insightful seminar on 1950s film techniques and film noir generally.
Yes, Kitamura rehashes a few
shots
in the fight scenes that come in the film's second half, but that's about where the similarities end.
A beautiful score from Badalamenti, exquisite photography of rural life (love those aerial corn-field shots), and a sly director's hand that reveals man's basic humanity, this is a beautiful slice of life film.
The Camera managed to get
shots
through the smoke and focus on the actors, the bull, the bar, the women, the dancing, the low-level of light that actually was in the bar!
Sure there was auxiliary lighting, but in order to maintain the atmosphere of the bar, it had to be low-light
shots.
He got some
shots
he had no hope of achieving and the impact of them brought a sense of reality to the film.
Pay attention to Alwina's (Baker) placement within shots, how she is addressed by the other characters, the settings around her that all depict her as a "savage" African, and ask yourself if Alwina has any shred of agency throughout the film.
Particullary difficult
shots
are managed by cartoons or pan away
shots
(shots
where the camera moves away to disguise the details).
This was incredible, meaning that it was hard to believe, that the "forgotten tribe" would make this astounding migration twice a year, and that the filmmakers, Cooper and Schoedsack, didn't stage some of the scenes and
shots.
But what
shots
they are!
Some of the
shots
of the zombs are the best ever committed to film.
Directors Alastair Forthegill & Mark Linfield did an "out of this earth" job in also capturing the survival skills of many other animal species besides the magnetic
shots
of our three animal family protagonists.
The cinematographically skilled team of Richard Brooks Burton, Mike Holding, Adam Ravetch, and Andrew Shillabeer were animales in camera shooting the wondrous nature sites and animal instinctive behaviors; not to mention, the slo-mo animal prey
shots
were u n b e l i e a v a b l e. "Earth" is also a lesson learner on the global warming effect on the animals; the papa polar bear in the doc is the poster animal boy on that consequence.
The settings are gorgeous, the town at dusk has beautiful lighting effects, the marsh long shots, and the house itself is sufficiently grown with moss.
The dialogue had an overabundance of clichés and the
shots
did little to acquaint the viewer with the characters surroundings.
Most interesting is the priest flashbacks, the film seems to hint that he was molested by a priest especially of the quick
shots
of the boy on his knees possibly in a confessional booth.
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