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Sequence in sentence

1351 examples of Sequence in a sentence

Anyway, there were lots of weird and funny things in this movie that were eye-openers like the Brown 25 sequence of the Uranus Industries commercial ("with the taste of beef stew" says the announcer as what is apparently human excrement comes out of a white tube.
What can I say about it?It's another Hollywood's horror flick with very high budget(80 million dollars).Not scary at all,it offers us only a few thrills and one really creepy sequence with skeleton in the fireplace.A lot of computer generated special effects and nothing more.Catherine Zeta-Jones is beautiful as always,Lili Taylor is also a good actress.The architecture of the Hill House is amazing,all these monuments,statues,furniture...Delicious!However I don't like the ending because it was so luscious.Check this one out and form your own opinion on it.I give this picture 7 out of 10.
The opening sequence, for instance, which parodies 2001, features gorilla go-go-dancers with pendulous breasts.
A glacier slide inside a cavernous ice mountain sends its three characters whoosh down a never-ending wet-slide tube that has enough kick to dazzle kids the same way mature audience may be dazzled by the star gate sequence that closes 2001: A Space Odyssey.
A magnificent opening sequence also takes place where a furry squirrel-like critter attempts to hide his precious acorn.
For fans of the director, it is full of interesting hints at future Renoir movies especially THE DIARY OF A CHAMBERMAID (1946) and THE GOLDEN COACH (1952) – in its depiction of a lower class femme fatale madly desired by various aristocrats who disgrace themselves for her – but also THE RULES OF THE GAME (1939) – showing as it does in one sequence how the rowdy servants behave when their masters' backs are turned away from them – and FRENCH CANCAN (1955) – Nana is seen having a go at the scandalous dance at one point.
And it's a fun moment when they, giving a ride to that boy and his granddad, collect bottles and turn them in for refund money.Those darker moments are the most haunting ones.The flashback sequence, where you see the murders happening, is extremely terrifying.When Perry goes to kill the girl, Nancy last, and she says "Oh, please, don't"...The brutality of man, it's impossible to explain.Then the hanging scene.First there goes Hickock and then Perry, first talking to the minister.In the last image of the movie we see Perry hitting the end of the rope.Sure movies,and books may try to sympathize these villains.Especially Perry's character is someone you could feel sorry for.He thinks of his mom, and dad who he hates, but still loves.But it doesn't change the fact both of these men these actors portray are brutal murderers, who don't feel sorry for anybody.They go to this house and murder an entire family, in cold blood.How could you sympathize these people?
Other classic moments is Busey constantly getting upset for people reminding him that he got his ex-CIA partner killed...which he did by accidentally shooting him in the chest (all made possible by a super slow-motion flashback sequence that makes watching paint dry seem exciting).
This is both a highly original and hilarious sequence, especially when we see him out of the dreamscape, hopping around like Super Mario.
It takes about 15 minutes for the picture's rhythm to kick in (there's an early sequence with the grandfather and his dogs at the cemetery that's a little rough, and a following scene with Cosmo and the elderly man at the gate that seems obtuse), but the patchwork of the plot is interwoven with nimble skill, and the movie's wobbly tone and kooky spirit are both infectious.
Although stylistically very different, KELLS shares with TRIPLETS and (the jaw-dropping opening 2D sequence of) KUNG FU PANDA, incredible art direction, production design, background/layout and a richness in color that is a feast for one's senses.
It contains the only dream sequence I know of that actually resembles a real nightmare (sorry, Dali fans).
Two things I remember vaguely are the opening sequence and theme song.
Forget the fact that Superman went from sequence to sequence and could have kicked all their butts in the beginning, because then the story would have ended, right?! OK, the mole men costumes were hokey and not very scary (they didn't even scare me as a kid).
Antonio Margheriti's "Danza Macabra"/"Castle of Blood" is an eerie,atmospheric chiller that succeeds on all fronts.It looks absolutely beautiful in black & white and it has wonderfully creepy Gothic vibe.Alan Foster is an English journalist who pursues an interview with visiting American horror writer Edgar Allan Poe.Poe bets Foster that he can't spend one night in the abandoned mansion of Poe's friend,Thomas Blackwood.Accepting the wager,Foster is locked in the mansion and the horror begins!The film is extremely atmospheric and it scared the hell out of me.The crypt sequence is really eerie and the tension is almost unbearable.Barbara Steele looks incredibly beautiful as sinister specter Elisabeth Blackwood."Castle of Blood" is easily one of the best Italian horror movies made in early 60's.A masterpiece!
the movie was a little choppy going from sequence to sequence but overall, this is one of the better movies i have seen lately that doesn't follow any trend or predictability.
During a dazzling opening sequence, crowds of pedestrians move in rhythm, stopping and starting as though responding to backstage cues.
The film quickly develops into a chase sequence, during which the viewers learn about the three main characters through flashbacks and daydream sequences.
The 26 episodes are roughly in chronological order but can be seen out of sequence since they are more or less self contained.
Some scenes were a bit scary contrary to other cartoons, like the dream sequence of Charlie, but everything else was okay,and the songs were fair.
The opening sequence is excellent where Georges relates his theory on the creation of the world and in the closing scene we discover what God created on the eighth day.
And of course it contains probably the single most, flat out scary sequence in the whole of history of horror!
Very powerful and intense...the end shooting sequence leaves you speechless because it's almost too realistic.
With Moonwalker, he and the filmmakers and artists who collaborated with him once again took his music and dance moves to create some vividly entertaining stuff, incorporating claymation, special effects, live performance footage, and even self-parody (the "Badder" sequence).
And, IMHO, I think the Smooth Criminal sequence (the choreographed section) beats anything else Michael Jackson did up to that point!
The first 40 minute are great--there's the incredible dueling banjos sequence, interesting interplay among the characters and just stunning widescreen cinematography by Vilmos Zsigmond.
The "Badder" sequence could've been left out, though the kids were pretty good.
The sequence that shows a "transport" is vivid, almost as if based upon an actual newsreel (the Nazis liked to record their atrocities).
The man who directed 'The Third Man' also directed the 'Who Will Buy' sequence in "Oliver!"
A sober, reflexive piece, a little miniature which blossoms into a magnificent humane pictorial sequence which goes beyond a mere dramatization for the screen.
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