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Sequence in sentence

1351 examples of Sequence in a sentence

What is forgotten is that Kelly is telling the story behind the cartoon sequence to Dean Stockwell and his fellow child students at school during a break in the day, and sets the stage for the sequence by having Stockwell and the others shut their eyes and imagine a pastoral type of background.
Kelly has three fabulous dance routines: one with Jerry the cartoon mouse of "Tom and Jerry" fame, one with a little girl, and a fantasy sequence where he is a Spanish lover determined to reach his lady on a high balcony.
The bulk of the movie is a fantasy sequence of what the government would be like if it was run by a black man.
Did we really need a long sequence with Scott Baio outracing a car full of thugs on his skateboard?
The rural scenery and culture is well-captured, including the breathtaking dueling banjos sequence.
As usual with Preminger, this is a well-crafted movie with a notable opening credits sequence and enlivened by a good cast that also includes Karl Malden (as Andrews' incumbent superior), Tom Tully (as Tierney's motor-mouth taxi driver dad) and Neville Brand (as Merrill's chief thug), with notable support also coming from Craig Stevens (as the slimy, wife-beating victim), Bert Freed (as Andrews' sympathetic partner) and Robert F. Nolan (as Andrews' stern outgoing superior).
Each frame, each sequence seems like it could have been pulled from the desk of a skilled graphic designer.
And the sequence during the song Weave-O makes up for the songs that weren't so good.
There are shades of both prior films, the plotting, pace and smarts recall The Snare and when the film aims for sleaze it does very well, with a potently handled and impactful early interrogation sequence.
The best scenes are on Guadalcanal, where he's in a machine gun nest trying to fend off the advancing Japanese soldiers in a hellish looking night time battle, and later a dream sequence in the hospital where he sees himself walking down a train platform with a white cane, dark glasses, and holding out a tin cup, all the while his girlfriend walks backward away from the camera.
I loved this movie from the opening sequence right through to the end.
Also I have to admit that the South Korean sequence really does do "Lost in Translation" better than that film itself does (and I, unlike some, am a huge fan of that film as well).
Doesn't really matter, except that it's quite interesting to watch this abstract collage of film and video (one of the first art works to merge the two apparently) in the context of the Star Gate sequence in 2001, released the same year.
Some scenes are wonderfully created: the dream sequence, the bird, the silly fight scenes, and the climactic confrontation.
When I was very young,on a local tv station,they would show kung fu movies of all kinds on Saturdays.I saw lots of Kung Fu movies on weekends.I remember lots of them.I saw great flicks like Crippled Masters,Blind Fist of Bruce,Kung Fu Zombie,Shaolin Drunken Monk,Rage of the Master,Tattoe Dragon,and...Five Deadly Venoms.I remember the day clearly.Me and my dad had just gotten lunch at Burger King.We were racing home to see what movie it would be this saturday.We ran in the house and jumped onto the couch,turned on the set and flicked it onto 56.The usual intro of many kung fu movie clips in the background with the words Kung Fu Saturday over it.Then under that was the Title of the film.It said Five Deadly Venoms.Then the movie began.I bit into my burger amused with the pre-credit sequence.I loved this movie the minute it came on.My favorite character was the Toad Venom.The plot was hard to follow at that age but that wasn't what lured me...it was the fighting.The fights were so...amazing.I moaned every time a commercial came on and soon the 2 hours of the best movie i have ever seen ended.
The cinema-photography is excellent, in particular the opening parade sequence with all the sparkers.
The opening sequence alone is worth the cost of admission, as Cheech and Chong drag that big ol garbage can across the parking lot, filled with gas.
I will agree that the "Portabellow Road" sequence is now a tad long (as is the soccer game) but other than that, I found no qualms with the remaining scenes that were put back in their respectful place.
The dance sequence with Jerry Mouse is one of the most entertaining and amazing dance sequences I have ever seen.
The title sequence shows the credits written on a rain-soaked sidewalk as people trod on it; music is provided by someone whistling Alfred Newman's "Street Scene."
Celeste is dynamite all thru the movie but the DR's office sequence with her & two other ladies is just incredible.
I just can't agree with the above comment - there's lots of interesting and indeed amazing filmic imagery in this one, it has an unusual structure and moves well toward a frightening climactic sequence that is notable for it's effective use of silence.
The last section of the film, the grand dance sequence, is very impressive.
Jean Simmons, also oddly cast, is not quite as impressive, but certainly above just-adequate, really delightful in the Havana sequence, and never less than enjoyable throughout.
There's also some great F/X, a very surreal dream sequence, and a fairly original plot.
I look forward to viewing the sequence.
The anguishing sequence in that film was when Luke is tortured and defeated by the Emperor/Darth Sidious.
First with the conservative "Honeymoon Hotel" number,then followed by the very spectacularly eye dazzling "By A Waterfall" sequence,followed by the closing "Shanghai Lil" sequence, Cagney only participates in the last number hoofing it up on top of a bar counter with Ruby Keeler.
It was chopped to death, and shown out of sequence.
And as far as the thematic elements...there is a particular sequence in the film that goes from melancholy, to bright and beautiful, and then to tragic, all within the span of about a minute.
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