Example collocations logo

Sequence in sentence

1351 examples of Sequence in a sentence

One sequence remains in my memory to this day.
Hearing sound stage conversation edited over the beginning sequence which takes place in a beach, for example, is as part of the movie as the actress who dubs Louise Brooks' dialog and in doing so robs the audience of a fine performance.
This final sequence looks like something straight out of Hitchcock in its heightened suspense (seen in THE MAN WHO KNEW TOO MUCH) and cuts from Brooks, her image on screen, and the murderous boyfriend.
In Frank Sinatra's first three films, he was purely a speciality act: ostensibly playing himself, he merely shows up to croon a song during a nightclub sequence in somebody else's movie.
That means you've got kind of a weird unevenness, where sometimes there's a loud action sequence and the next scene will drag on forever as characters converse.
Otherwise the whole family sequence felt overdone in the beginning.
Between the wonderful transitions and the fantastic ending sequence, merging characters together in one last view of love in Paris, I think the film would have suffered if any cog was removed.
Hessed Mufla (Amazing Grace) contains full frontal male nudity, at least in magazines, which turn into a wishful dream sequence.
Some of the episodes are too long, some too short, and some just look out of place (Stewart's daughter's school sequence).
The underwater sequence was beautiful, but my favourite was the football match, which was absolutely hilarious.
Anchors Aweigh is most often remembered for the combination live-action / cartoon sequence with Tom and Jerry, but there's a lot more here that's worth a look.
The acting is superb, the plot serves the purpose, and the opening sequence is fantastic.
Punctuating the opening credits sequence is a swarthy man having a strange, all-too-real nightmare.
the fact that this film is about nothing, merely a sequence of sketches of people that are mainly linked trough a party of one of the characters, makes it very pleasant and surprisingly entertaining, it is brilliant because it is empty.
The "racist" element mentioned in another review here is a ten-second bit where Herbert appears in black-face during a pseudo-"Gone With the Wind" sequence.
The "Dark Eyes" sequence goes on a bit too long and comes in too late, but otherwise "Hollywood Hotel" is a gem, well worth your time and certainly a film which should be considered for DVD release.
The dazzling seventeen-minute dance sequence of George Gershwin's 1928 orchestral piece, "An American in Paris", is an indisputable masterwork.
While the story is sweet, and the dancing and singing in the main part of the film are a joy, the uniqueness of the film (and what makes it a masterpiece) is the dream sequence.
If you waited till the credits at the end, you saw a very funny sequence of film, where they showed the bugs pretending to do things wrong like in other movies, that was clever as it made the characters more human and beliveable.
And thanks to the infamous opening sequence that earned Groove Tube an initial X-rating, I still can't hear Curtis Mayfield's "Move On Up" without thinking of naked dancing hitchhiking hippies ---- For similar sketch-style movies, see TunnelVision, Kentucky Fried Movie, Amazon Women on the Mood, Monty Python's Beyond the Fringe, Dynamite Chicken, and the Firesign Theatre's Everything You Know is Wrong.
When people ask me why do I like movies so much, I usually respond, "have you seen the art-gallery sequence in De Palma's Dressed to Kill?"
"Pure cinema" is one way of describing that sequence, and it is truly amazing to see how director De Palma's entire movie works at the same high artistic frequency of that scene.
Eric Weissberg's and Steve Mendel's performance on guitar and banjo as part of the Duelling Banjos sequence remains one of the most awesome pieces of soundtrack in the history of cinema for the sheer intensity of its performance.
It has great action sequence's, edge of your seat fun and a great time at the movies.
There is an exhibition going until end of June in Paris's brand new MUSEE DU QUAI BRANLY, named LE SIECLE DU JAZZ, not to be missed, with as a special entertainment NINE excerpts from jazz movies, including PHANTOM LADY's famous drums sequence.
I could recognize his style, since he had already graduated from the tom-tom used (and abused) at the beginning of his career - namely in 1937's Hollywood HOTEL's SING, SING, SING sequence - and eventually got everything that was possible from what we call in French "la caisse claire".
3. The sequence from PL, at least as shown in the Museum,is not censored.harry
In many ways, you could usually watch the shows totally out of sequence with no difficulty understanding what is occurring.
To exemplify it comes to my mind the sequence near the end in which Sidney buys the plane ticket to go back to New York and as he is asked to 'give an autograph', meaning to sign for the ticket, he believes that just because he got on TV thanks to the scandal at the awards he is now some kind of celebrity.
Well, I'm pleased to report that most viewers should be well satisfied with the various knifings, shootings, impalements and other carnage that this film tastefully dishes out...not to mention the crypts, freaky dream sequence, rats and bats (and LOTS of 'em, too!), the drug references, a rape scene, the obligatory red herrings and, in the person of Ugo Pagliai, a hunky leading man for the female viewers.
BackNext