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Sequence in sentence

1351 examples of Sequence in a sentence

Most notably, there's the dirty jokes including a huge shot of the dog's behind which causes the flea to wolf-whistle and a hysterical sequence in which the dog attempts to scratch himself by dragging his backside along the floor.
The sequence is delicious, down to the essential, living nothing out and thus leading the spectator into a masterful plot right and wrong without accessory eye catching and spectacular scenes that are often needed in lesser specimens of the genre in order to keep the audience awake.
Bakshi is well known for his heavy use of rotoscope (the technique of tracing a live action sequence) and this film is no exception.
The best part of An American In Paris is the lengthy ballet sequence at the end, where Gene Kelly and Leslie Caron are the living personification of several major painters.
Kelly has earlier been established as a pavement artist in Paris, so the sequence is the logical ending to a musical bursting with life and energy, Gershwin tunes, and cast members like Georges Guetary and Oscar Levant.
No wonder the sequence ended 'That's Entertainment' after all other MGM musical highlights had gone by!
It commenced with a cool action sequence as Solo and Kuryakin's sports car got attacked by a squadron of THRUSH mini-copters.
What we see are not the unfoldings of a plot, but rather a sequence of events that we don't see in films every day but only imagine happening as the background we ourselves will supply when we hear about some tragic event in the news of or from friends.
It talks about death, vengeance and hell in such a way that it gets to you like a punch in your face, even reaching to suffer with the dream sequence in the mid-point of the film.
A group of friends decide to take a camping trip into the desert-and find themselves stalked and murdered by a mysterious killer in a black pick-up truck."Mirage" is obviously inspired by Spielberg's "Duel" and Craven's "The Hills Have Eyes".Still this slasher yarn offers plenty of nasty violence and gore.The film's gory highlight is a sequence involving a man having his arm and leg chained together around a tree and then having his limbs dismembered when the chain is pulled by a truck.There is also a little bit of suspense and some exciting stalk-and-slash sequences.The acting is pretty lame and the script is quite weak,but the film is fast-paced and shocking.B.G.Steers who plays the villain is fairly threatening.The desert locations provide some atmosphere and the gore is rather strong.Overall,if you like low-budget horror films give this one a look.8
I say "unique" perhaps in ignorance, but I know of no other drum/trumpet sequence like this one on film or records.
You Knew Susie (Like I Know Susie)" is quite funny.It's a nice moment when Frank sings Brahms' Lullaby to little Dean Stockwell.It's lovely to listen to Grayson singing the tango "Jealousy" .The most memorable sequence is the one that takes into the animated fantasy world, and there Gene sings and dances with Jerry Mouse.Also Tom Cat is seen there as the butler.They originally asked Mickey Mouse but he refused.The movie was nominated for five Oscars but Georgie Stoll got one for Original Music Score.Anchors Aweigh is some high class entertainment.
The Magnificent final battle sequence, as the wonderful Sam Jaffe climbs laboriously up to the pinnacle of the temple to blow his bugle and warn the regiment, is simply grand.
I expected to see strong vampires in action and at least one longer lasting nicely choreographed fight sequence (for example inside a city) and was left somewhat disappointed.
Hotel Du Nord is a gripping drama of guilt in which Marcel Carne portrayed an entertaining tale of ill-fated love which also functions as a revolt against the cruel world.The film is based entirely on a pair of hapless lovers.Pierre and Renee were mistaken when they believed that suicide would put an end to their misery.Hotel Du Nord has its own inimitable charm as its inhabitants have become an essential part of the establishment.There is an element of togetherness as everyone flocks to Hotel Du Nord to eat,chat etc.Marcel Carne has remained true to the spirit of the films produced in 30s and 40s as Hotel Du Nord has a certain kind of nostalgic feel.Carne,while recreating the life of Parisian roads was able to create a sort of nostalgia for black and white giving a unique genre of poetic realism to his oeuvre.Hotel Du Nord can be termed as a quintessence of cinematographic populism.The 14th July ball scene on the banks of Saint Martin canal remains a magnificent sequence.The film's immense popularity can be judged from the fact that Hotel Du Nord has been declared as a national monument.
The sequence on the train is truly inspired when Askey and Murdoch proceed to annoy the arrogant male passenger.
This sequence is beautifully done and illustrates the characters of all three runners very well.
I enjoyed most of it, especially after the rather flat opening minutes in the museum (although the pre-title sequence is very entertaining and includes some of the better bits of animation).
The thunder child scene was my favorite sequence mainly because a ship rammed bunch of tripods.
Current pretty-boy Hardy Kruger Jr --possibly more handsome than his dad-- is featured as Weller's arrogant boss in a horrifying sequence at a chemical production plant which gets the story moving.
It may drag slightly with his dancing dream sequence, i.e.
The story needn't detain us any more than the anomalies -Kelly hasn't got change of a match and is a painter, i.e. bohemian, yet he is able to scare up a perfectly good suit at a few hours notice when Foch invites him to dinner at her hotel; in the well-documented Love Is Here To Stay sequence the lovers are strangely unmolested by passers-by, other lovers and the bridge in the background is totally free of both pedestrian and vehicular traffic - this is, after all, a feelgood musical so it stands or falls by the score and in this case it stands four square.
The climactic 25 minute musical sequence without any dialogue is among the most beautiful in film history.
I don't want to give away the ending, but the final driving sequence to Quincy Jones' "Days Like These" just might bring a tear to your eye.
This great gag is trumped, however, by a truly inspired sequence involving elevators in which Bugs, disguised as an elevator boy, tricks the store manager into relentlessly getting on or off elevators at the wrong time.
Most compelling part of the picture was seeing the Scatman himself depicted with his head in silhouette during the opening credit sequence singing and scatting to a song that has him using the N-word in a satirical way.
i digress.Any comment from here on refers to the unrated version.this is a murder mystery/ psychological horror/suspense movie.there is very little violence and blood.there is however one death sequence of note.the
It has this hazy overtone that is rarely captured on film, it feels like a dream sequence and really moves you into a dark haunting memory.
This film (like Astaire's ROYAL WEDDING - which was shown after it on Turner Classic Network last night) is famous for a single musical sequence that has gained a place in Gene Kelly's record: Like Fred Astaire dancing with a clothing rack and later dancing around a room's walls and ceiling, this film had Gene Kelly dancing in a cartoon sequence with Jerry Mouse.
The sequence is nicely done.
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