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Sequence in sentence

1351 examples of Sequence in a sentence

It makes the computer overload problem (the 1202 and 1201 alarms) encountered during the final landing sequence sound like a near-catastrophe when it was just an annoyance and not a risk to the crew at all.
Nor are we certain WHEN the bombs will go off, so we don't even have a classic "ticking bomb" tension sequence.
With all that being said, the opening church sequence is quite beautiful...
Listless camera-movements at times, nevertheless this movie has got a charming vintage quality.The acting is genuine at times and entertaining with the occasional chase sequence involving scantily clad ladies, which was nice.
!!!!! OF COURSE THERE'S SPOILERS !!!!! I'm sure this project started off as a screen writing workshop on avoiding clichés in horror movies: Female protagonist - Check Bad things happen to drug takers - Check Heorine knocks out villain - Check Heroine doesn't notice villain recovering unconsciousness - Check Frame the sequence so we see recovered villain creep up behind heroine - Check Unfortunately it seems someone has sent this cliché list to a film studio instead of using it for class .
The only decent thing about the movie is the last fight sequence.
Here are just a few: I'm glad I missed the SR-71 sequence - certain to have been worse than the "Air Force One" F-117 spectacle.
The film begins with a fight sequence that would let anyone hope the film will have battle scenes.
From here on Dark Remains starts off very slow with some scary moments indeed (The first ghost appearances are nice and the flashlight sequence also worked very good).
Granted it has a greater scope and more people running around, but it resorts to the same cheap and cheerless device of lots of hapless non-actors limply falling over to the sound of ridiculously fake gunshots, spiced up with the occasional poorly executed 'shock' sequence.
There is a sequence at a testing facility that really stood out and made me laugh out loud which is not something I do as frequently as I should.
The new title of "Kill Shot" is comically thrown into the opening sequence, the first of many quick clues that this was not ever intended for the cinema.
The jazz band sequence where our heroine seeks the information about the killer, is one of the most erotic scenes in Hollywood history, despite being at very low budget and made during WWII in black and white.
It is also book-ended at the other end with the most eccentric title sequence I've ever seen, but don't let any of that put you off.
The "accidental nightmare" sequence is doubtless one of the best pieces of animation ever filmed.
what i meant about the opening sequence is: the opening titles of seasons 1-3 shows Sabrina in front of a mirror posing with several different costumes and outfits as the cast members' names quickly flash on the bottom of the screen.
the opening sequence of season four includes the characters in bubbles.
This movie grabbed me with the incredible opening sequence which tricked me into a complete reversal of perspective, so I was hooked by the time the title came on.
This movie has the most beautiful opening sequence ever made.
However, as is the nature of this half of the poem, the film's amazing technical accomplishments are missing in this one, for the most part, except for a dazzling sequence where Etzel's hall burns down with the Nibelungs inside.
Some of the plots manipulated the viewer it seemed, and let him/her down "flat "(the Marais sequence, the coiffure salesman sequence, to give two examples).
The uplifting, good ones: The Mime sequence, the cemetery, the Montmartre (though it left too much to the viewer to comprehend), the "Cowboy" vignette ,and the Sacre Coeur-- seemed few and far between, and I would have liked to have seen such a wonderful actor as Orlando Bloom be in something that would have showcased his originality more.
First we are swept into a massive action sequence with a Klingon being chased by some Suliban (who are the main enemy in the first season of the show).
The final fight sequence is well staged by Yuen Woo Ping who went on to coordinate The Matrix.
It's actually a dream sequence that occurs while SRK's drunken character is knocked unconscious by booze.
The movie starts with a close-up on a book shelf and an animated credit sequence resembling illustrations from the books.
First off, I must say that I made the mistake of watching the Election films out of sequence.
Here, in "Dressed to Kill", it's impossible not to think of "Vertigo" (1958) for the long sequence in the museum while the key moment in the lift makes inevitably think of the shower anthology sequence in "Psycho" (1960).
The final sequence is almost unbearably poignant: when Clark Gable looks down with such joy and surprise at his son, lifts him up and proudly says, "My kid!",
In a great sequence that really captures the frustration of an itch that can't be scratched, the dog changes colour from brown to blue to red to polka dotted to plaid!
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