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Sequence in sentence

1351 examples of Sequence in a sentence

Many of the scenes I've just described are good for some laughs though the final sequence was so confusing that the results were just too blah for me.
The opening sequence is what makes this movie worth watching, the hallucinations are really nicely done and reminded me of Nightmare on Elm Street, remember the telephone coming alive.... Some how you keep watching this flick, waiting what is happening next.
There is a skiing sequence that includes the fakest-looking back-projections since "On Her Majesty's Secret Service".
The credits sequence at the start was so annoying too!In the van the guys suffer a flat tyre and change the wheel, wow, that was needed in the story!
Director Brian De Palma is really on a pretentious roll here: his camera swoops around corners in a museum (after lingering a long time over a painting of an ape), divvies up into split screen for arty purposes, practically gives away his plot with a sequence (again in split screen) where two characters are both watching a TV program about transsexuals, and stages his (first) finale during a thunderous rainstorm.
Only one sequence late in the film (the morning after the mural is finished) is charged with honest feeling, anger and betrayal.
There isn't one original line, thought, shot, or effect from brainless opening sequence to brainless close.
It starts fairly interesting, if you can discount the completely senseless pre-credits opening sequence, which involves a deranged cat-killing, snake-loving little girl named Gerda.
While it did have some pyrotechnics in the final battle sequence it was lackluster due to a lack of choreography.
The film starts off promisingly with a sequence that sees a young girl carried off by a mysterious bunch of people in masks under the watchful eye of a young French man, who also happens to be the son of a man of importance.
Really, the only highlight of the film was the opening sequence in which the white rabbit is on his way to meet Alice, but even then the score was a poor imitation of Danny Elfman's work.
So, the sequence was inevitable and unfortunately, this sequence ranks among the worst ones ever made.
I could go on and on about the negative aspects of the movie, like the terrible acting and the lengthy scenes where Cage is looking for the girl, has a hallucination, followed by another hallucination, followed by a dream sequence- with a hallucination, etc., but it's just not worth dwelling on when it comes to a movie like this.
Most of the action happens in a five minute sequence.
Revenge of the Sith starts out with a long action sequence that is impressive without being terribly exciting, then gets really boring for the next hour and fifteen minutes, with the same horrible dialogue and dull machinations that have plagued the rest of the prequel series.
Jim Henson may have ended The Muppet Show when it was at its peak, but spin offs like this and Muppet Babies (which apparently is based upon a very terrible sequence in this film) are the absolute nadir of all things Muppet.
I find it incredibly hard to comprehend how Lewis Collins (the hero here) was almost chosen as Roger Moore's successor in the Bond films.... this guy is so expressionless he'd struggle to get a job in a waxwork museum (as a waxwork!!!) Luckily, Judy Davis is on hand to partially redeem the affair with a meaty performance as a hard-line lady terrorist, and there's a climactic ten minute action sequence that is quite competently orchestrated by director Ian Sharp.
It's a very gory, bloody sequence.
Nothing really happens, some actions are repeated several times ("let's try to get help!"), nothing makes sense, either in the facts, the psychology of the characters, or even the hilariously lame last sequence of the film, which is probably supposed to be funny according to the director and screenwriters.
I almost threw up in the last sequence where the 'dead' lovers meet among the other lost passengers and crew who break out in applause.
The scratching your head with confusion starts right away, with an opening sequence about an angry little girl that killed her mother's cat.
Despite some moments in heavy rain, an encounter with a drunk as well as an organ grinder with a gypsy and a monkey, and a stay in a sanitarium, this Roscoe "Fatty" Arbuckle silent comedy short with support from Buster Keaton and Al St. John is only fitfully amusing though there is a quite funny sequence of Arbuckle in drag flirting with Buster that's the ultimate in "meet cute" scenes especially since it's one of the few times we see The Great Stone Face smile and laugh in the movies!
The opening sequence is supposed to show the Legion arriving in Paris on 13 Nov 1918.
The final fight sequence changed all that: it is long and good and intense - indeed, one of the highlights of Chan's career.
The sequence of events that made sense in the novel were completely tossed about, and Mrs. Smith, Anne's bedridden and impoverished schoolmate is walking around in Bath - - twittering away, as many of the characters seemed to do.
Once again, Lundgren is actually really good (As is newcomer Danielle Brett) but the film just lumbers from one sequence to the next, which makes this movie particularly disappointing.
Nope, there was a "Keep Britain White" song and dance sequence.
This fifth entry to the series has hardly anything to recommend except for (admittedly great) visuals, and one creepy scene, a flashback sequence to how Freddy Krueger came into existence.
A young basketball-playing professor of genetics is doing research on the genetic sequence, using human fetuses.
It was used in the seventies horror Deathline aka Raw Meat, featuring a cannibalistic tribe living in a disused tunnel, and the celebrated chase sequence in American Werewolf in London.
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