Example collocations logo

Sequence in sentence

1351 examples of Sequence in a sentence

The Seven Ups chase, where they are actually going fast, is longer than the go fast sequence in Bullitt.
That whole sequence was so STUPID!
Anytime I think about it, I don't remember the opening sequence and theme song very well.
In fact, this has got to be the most amazing dance sequence in film history, save perhaps the finale of An American in Paris several years later.
Eric Roberts laconic, nice investigator, his voiceover narration, the twisting plot, Dan Hedaya and Denis Lipscomb given good roles, the settings, the paintings in the artist studio scenes, the end credit sequence and the wonderfully haunting theme music that perfectly encapsulates the mood of the whole film.
From the opening sequence until after the credits you'll be laughing your self breathless.
The event sequence complicates following Following.
This is Burt Reynolds'"Citizen Kane".Tragically nothing else he was ever involved in came close to approaching "Sharkey's Machine".It seemed to me that he put everything he had into it.It is a movie that is in love with movies.The opening sequence where Detective Sharkey single-handedly rescues a bus-load of hostages is an immensely exciting piece of cinema.
Randy Crawford's "Street Life" plays behind the title sequence,and I can never hear it without ,in my mind's eye,seeing Sharkey striding along the sidewalk.
Be it an horrific scene or a "what is in the shadow" sequence, the film to me is a perfect fusion of horror and sci-fi.
What most people don't know is that there was an alternate sequence that was supposed to occur in the ending scene: Michelle and Stefan get cornered into a room and Michelle has the idea for Stefan to make her a vampire to help fight off Radu and her demonic controlled ex-friends.
Some users are confused about the identity of the armed men walking down the steps in the "Odessa staircase" sequence.
I've seen a number of sci-fi movies with great special effects but my roommate and I looked at each other after the opening sequence and he said plainly, "sensory overload."
This escalates into a strange sequence of white and black neighbours vandalising their each other's homes.
An opening sequence sees the Mancuso males scrambling barefoot up a craggy hillside, stones in their mouth to offer at a shrine at the top in exchange for a 'sign' that they should set out for the New World or remain where they are.
It worked well on the big screen, with the technique of cutting the scenes out of sequence adding to the mood.
I really liked the whole vacuum cleaner sequence early on.
Harold Gould plays an inept surgeon who shuts his eyes when the knife digs in,Richard Lenz(whose "pompous ass" reporter in "The Shootist" was booted in the rear by John Wayne)plays the patient who exposes the fraud(he only came in for a chest x-ray,until they discovered he owns a house).Also in the cast on screen(and supplying some excellent country-flavored music)is Keith Allison,former guitarist for Paul Revere and the Raiders,who also worked with Michael Nesmith on a few Monkees recordings(and co-wrote "Auntie's Municipal Court" with Nesmith on 1968's "The Birds,the Bees,and the Monkees").Alas,there is some missing footage from this print,including a topless sequence with Uschi Digard near the end,also a scene with actress Kathleen Freeman(who wants to use green stamps to finance her operation),who gets locked by Sellers in his office,never to be seen again(in the uncut version,he returns to his office to find that she has written in large letters on the wall "UNFAIR PRICK" ; his response?
This film further benefits from occasional moments of graphic gore (watch out for the memorable sequence with one poor guy being devoured alive by vicious flesh-eating pigs!), Alejandro Ulloa's slick cinematography, and a decent sprinkling of nudity and soft-core sex.
The final action sequence is one of the best I have ever seen in any film.
Right from the outrageous opening sequence to the tender, honest moments between David Krumholtz and Natasha Lyonne.
You can see the inspiration for future action movies here - the climactic ending with the out-of-control merry-go-round and the two villains dueling each other reminded me of the big action sequence at the end of Jan de Bont's "Speed."
The opening sequence of this gem is a classic, and the cat n mouse games that follow are a delight to watch.
Probably the most impressive fighting sequence was at the beginning when ninja killed about 20 people, that was one of the most impressive ninja fighting sequences I've ever seen.
Another good fighting sequence was at a cops funeral where the ninja provide more people to bury.
OK,so this film is NOT very well known,and wasn't very well publicised.I discovered this fairly brutal gangster gone good movie by complete accident on one of Skys millions of movie channels late on some boring evening,but I'm glad i did!The opening sequence to this film is fantastically comical in a very dark way.This in fact sets what i think is the general tone for the movie.I think a lot of critics and movie fans that have actually seen this film have been a bit unfair to just write it off as a lower budget gangster movie in the Reservoir Dogs vein.OK,so there are undeniable similarities between Thursday and some other crime genre films that it has been compared to,but in all fairness,i think this film takes a much more darkly comic look at this type of film,and the end result is a engrossing,well made,funny,if not totally original film.Tom Jane is good in this,and deserves the recognition he will now hopefully get thanks to the The Punisher.His performance as the bad guy gone good is realistic,funny and just cold enough to make you believe Casey really was a bad ass before he reformed.Thats another thing that makes this film stand out for me,the characters.In Nicks gang you get the strangest trio of criminals ever assembled,a smooth,charismatic but very cold leader(Nick),a trigger happy blood loving sexually predatory bitch of a woman(Dallas)and a psychotic hill billy with brains with a penchant for torture(Billy Hill).Throw in the most bizarre police detective ever seen on screen,beautifully over played by Mickey Rourke,and you've got a recipe for...well for Thursday really.Its at times darkly comic,sometimes brutal,sometimes unoriginal,but always engrossing and worth watching.8/10
The opening sequence where the evil ninja is killing everyone in his way is excellent his character is the best.
The Elliot character goes through the same sequence of encounters as Horner, from big fanfare signing, early success that fuels an already ravenous sports media, and the ensuing slump that spurs frustration, alienation from teammates, fans and media, and the resulting disillusionment that prompts a desire to go back home to the US.
The groovy animated opening credits sequence, Charles F. Wheeler's glossy cinematography, and Hoyt Curtin's funky, pulsating disco score are all solid as well.
But while NOTORIOUS AND SPELLBOUND were liked, the audiences were turned off by Hitch's attempts at experimentation: his use of a dream sequence by Salvator Dali in SPELLBOUND was acceptable, as was the setting among psychiatrists.
BackNext