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Sequence in sentence

1351 examples of Sequence in a sentence

The circus sequence isn't as intriguing as the museum trip (with the conceit of Barbra becoming the images in the paintings, an idea which works better than you may think).
Gene Kelly, who was on loan to Columbia from MGM, matches her in dancing and the sequence where he cavorts with his own shadow was nicely done.
The dance sequence near the end was one of the most exciting one I'd ever seen.
Apocalypse, however, takes the boundaries of what we can endure to a global level - Coppola's sweeping footage of the humid, murky jungles of Cambodia and an opening sequence of helicopters amid exploding forests and an orange sky - set to an oddly fitting Doors soundtrack - as well as chilling scenes on the river and of an air raid on a village with Wagner blasting from speakers (a scene which has gone down as one of the most chilling, darkly humorous, and strikingly pointless war scenes ever) - this all contributes to the sense of Apocalypse - the end of the world - and not at some distant point in the future, but Apocalypse Now and forever.
Let me start by saying "London" still holds up after all these years and the transformation sequence is by any standard quite impressive, the film was funny, and scary, also a bit of gore....Now lets get to "Paris" its enjoyable, a few scars, lots of gore not as exciting or eerie as original but it does have a few laughs in what has become quite the fashion these days in films so maybe in that sense it was ahead of it's time, the transformations al'a CGI while good for the technology of its time are nowhere near as impressive as the original.
A very suspenseful giallo from the director of "L'Anticristo"(1974),this one begins with a brilliantly-handled sequence involving a priest,a little girl,and a broken doll.However the main story is about maniac(David Warbeck)marrying a traumatized cripple to kill her for her money.The plot,whilst not original,is really suspenseful,the acting is good and there are several skillful and gory murders.The score by Francesco de Massi is quite effective,some of which can also be heard in Lucio Fulci's "The New York Ripper"(1982).Highly recommended for fans of Italian cinema!
Once the film warms up beyond the opening sequence this film keep you focused on it.
The fight sequence in the hotel room was a hoot and the casting was perfect with a Peter Lorre lookalike added to the mix of villains.
The beginning sequence is really really silly and funny, and a great start.
They are not nearly as "bad" enough and have only played a minor part in the film in relation to Jackie so though their fight sequence is spectacular, they are not the ones Jackie is hunting throughout the whole of the film, so thus leaving the viewer slightly unfulfilled.
A recent re-issue of the French crime film (original title 'Du Rififi Chez les Hommes'), with its famous 20-minute silent jewel heist sequence, now comes in the US in a gorgeous new print from The Criterion Collection with improved subtitles and some extras.
A word of advice: be alert right from the start - there are clues dropped all over the place even in the opening sequence!
IF you like the black look of The Matrix then Blade will appeal to you, Blade even has a 'dodge the bullets' sequence.
Be warned although Drew is on the front cover, she only appears in the film in a dream sequence for a couple seconds.
The film bristles with surprises galore from the invigorating title credits sequence throughout its generally exciting but lengthy 134 minutes.
The opening credit sequence features nicely done animation.
Not top-notch Bunuel but a "surreal" dream sequence that bunuel stages whithin where the message of the movie is framed and is worth noting for it shows you the capability of the director, Bunuel.
This is, of course the basic definition of the Albert Hall sequence, as well as the shorter staircase sequence at the end of the picture.
Look closely at a sequence shot through wine glasses in an art opening party and right after that a scene involving cue cards.
The difference between the two films is Rififi(1955) pays a little more attention in detail to the robbery sequence.
OK, this doesn't compare to the explosive tempo of the first part's opening sequence; nor to its visual shock value; nor, for that matter, to the melancholic suspense of the second installment.
Lisa's crazy driving down the picturesque winding road, past a dry dock, through the bustling fishing town, and up a tree-lined road to the nursing home is representative of Miyazaki's wonderful sequence of action and illustrates perfectly a parent's hectic morning.
Things don't get any clearer after that as the lunar sequence turns out to be the dream of Alice, a troubled woman.
As for the title sequence, am I the only one who is utterly charmed by Gainsborough Production's lovely pre-CGI Gainsborough Girl?
While the 30 minute heist sequence is the most famous part of the movie(and rightfully so)the film actually gets better afterward.The director Jules Dassin knew what he was doing when he decided to not have any music during the heist scene or the final shootout, but instead inserted a great climactic score during Tony's final ride towards his destiny.
Barry Kane is an aircraft factory worker.Suddenly sabotage takes place at the factory and starts a fire.His best friend is killed.They accuse him of the deed but Kane knows it was a man named Fry who was there.He becomes a fugitive and goes to find this man named Fry.He's helped by a kind blind man.He lets his niece, the billboard model Patricia Martin take the man to a local blacksmith to have his handcuffs removed.They don't end up there for the woman doesn't believe Barry and wants to take him to the police.But soon he changes her mind about Barry and they find out about another sabotage attempt that's going to take place soon.There's a group of anti-American fascists.And Frank Fry is a member of that group.Saboteur (1942) is another example of the fact Alfred Hitchcock could not make a bad movie.Robert Cummings plays Barry Kane and he's really good at that.Priscilla Lane with her good looks plays Pat Martin.Also really good.Otto Kruger makes a great main villain as the leader of the fascist group, Charles Tobin.Norman Lloyd, still alive at 94, plays Fry and makes a very believable crook.Vaughan Glaser is the most sympathetic character as the blind man Philip Martin.The dance hall sequence is fantastic.And also the moments on the circus train.In the end we're at the Statue of Liberty.
All in all a rather drab movie though it does have one rather odd turn of events in this one dream sequence that is truly bizarre.
There are a couple of beautiful/horrible images...including the title sequence (no kidding), but if you go into this expecting any kind of plot or meaning, then you are in for a long, snooze-inducing ride.
Love" is one of the movie's come-ons.As she is played by the most uncommon Miss Catherine Deneuve he is scarcely pushing the envelope there.Miss Deneuve has a profile to die for and we see rather a lot of it,particularly in the sequence set at the ballet.
Now I love ballet as much as the next man,but this sequence does seem to go on for an excessive amount of time,a more cynical critic might consider it to be "padding".
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