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Sequence in sentence

1351 examples of Sequence in a sentence

From the first hi-hat cymbal beat that accompanies Saul Bass's iconic title sequence we are drawn into Preminger's take on what is nowadays called "The Life",in truth a murky area occupied by hustlers,junkies,cops,drug dealers,stone gamblers,jazz musicians,their women and hangers-on.The lines are blurred in "The Life",and it's dog eats dog down there.
Great opening title sequence that really catches the mood of 1959 New York while Johnny Mathis sings the "Best of Everything" theme song in an echo chamber surrounded by a chorus of violins and another chorus of background screamers.
Another funny sequence concerns his reluctance with romancing a femme fatale, Filet de Sole, while his wife, Caramel, is waiting for him that shows some glimpses of his later innocent character with Oliver Hardy.
He is, was and always will be the master of suspense... why would he stoop to something as low as a cheap action sequence for the ending?
even though the hurricane scenes were a little off sequence, it was still a bit panicy to watch them react to it.
The opening sequence of the police arriving at a dark and rainy house wherein the "wife" has committed murder.......or is it??....and the remainder of the film seeks to unravel what really happened....OK...the film is a bit "campy"...but has good editing and dialogue.....professional acting.....often humorous......and the very last scene with the facial expression is one of the best of its' kind......definitely worth watching.....deserving at least a 7 or an 8!
The real magic is the titular sequence with an academy award worthy turn by Royale Watkins.
The film is also notable for its atypical structure in that Ryan's "flashback" sequence, a complete fabrication, is shot in a straightforward manner while the actual truth emerges from the hazy, distorted recollections of the real protagonist of the film who, furthermore, isn't even played by any of the film's stars!
Then, the first shot we see that has some kind of lighting is "The Dawn of Man" sequence.
The animation is really lovely, the best sequence being the landscape of Paris in general.
That probably didn't read funny but on screen it was hilarious as were some more slapstick involving flour being thrown and a later sequence that takes place in Fatty's girlfriend's boarding school with Fatty dressed in drag and Buster helping Fatty's rival also in drag.
Gerry and Sylvia Anderson's ambitious epic gets a little tedious when the American astronaut finally realizes that he is on the doppleganger Earth, and everything is literally downhill after the poetically graceful shuttle boarding sequence.
Otherwise this is a daring, angry picture with welcome meditative and poetic parts, like the fading of the photograph sequence which is beautiful.
But the ending stunt sequence is nothing short of spectacular with excellent film editing, humor and timing, and the big city bank scene is hilarious with very original acting by one very talented character in particular.
How, one wonders, did Kalatozov and his cameraman Urusevsky set up this extraordinary sequence.
Cillian Murphy fans will enjoying seeing the talented Irish actor in an early bit part, and Natalie Portman actually proves she can act in probably the film's most striking sequence.
Two out-of-work losers with a love for rock n'roll are met with a dilemma when KG's long-supportive mother stops sending him rent checks; JB and KG make tracks for the Rock and Roll Hall of Fame after a sage music-store clerk (an inspired Ben Stiller) tells them about the titular pick (a funny animated-tapestry sequence gives the backstory).
Along the way, our zeroes encounter a snaggle-toothed stranger (a game Tim Robbins), Sasquatch, stoner security guards, sorority chicks, and Satan himself (an ironically-cast Dave Grohl), in a climactic sequence that has to be seen to be believed (and preferably played at high volume).
Two things I remember very well are the opening sequence and theme song.
My favorite sequence is Linney's meltdown in the coffee shop.Williams is absolutely hysterical with his rapid quips.
Now all things considered put on top of that a daring 28 minute sequence with not a word spoken and set in gorgeous Paris with truly great attention to detail and fantastic cinematography and that last scene ...when you look up and see those trees... wonderful use of raw and basic filming techniques... it is a master piece in my view and I'm glad to have seen it.
The risks don't always pay off: one character in one sequence comes off inappropriately silly and falls flat.
From the opening sequence, filled with black and white shots reminiscent of Gordan Parks photos, this film draws the viewer into a feeling of artistic renaissance.
The fact that the song plays during the star child sequence can hardly be coincidence.
The structure of the movie fits that description: a brief history of man as beast, until we become truly man by mastering weapons and acquiring reason, then a long sequence about man (the rope, as it were), and then a brief glimpse of the overman.
Other high points of "?" are a startling, unique dream sequence where person A has the dream as being person B (this is the kind of bold idea that the current season of LOST could use much more of), and the haunting scene of Libby's last word before her death, and the way Jack and Hurley cannot possibly know its true meaning.
But still it's a fantastic motion picture and really a must-see, if only for Daria Nicolodi's memorable murder sequence.
We kick off with a great opening sequence, which sees a young man fall foul of having a flat tire after finding himself in a gas station of terror.
This film starts out with all the moody promise of a great contemporary noir Western - after the ill-conceived opening flashback sequence anyway.
From that moment on, when McQueen starts that car, begins the best car chase sequence ever filmed.
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