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Sequence in sentence

1351 examples of Sequence in a sentence

Finally, the giddiness of opening night and the long sequence of cancan dancing.
The vision of the film quickly managed to engage my attention to the fullest - starting with the opening sequence, which shows black and white footage of military airplanes throwing bombs at graves at the sounds of music and Scott Walker's beautiful wailing voice.
This is a slightly uneven entry with one standout sequence involving an over-the-hill gang reminiscing in the diner that once - thirty years previously - was their hideout; one ho-hum duologue between two ageing rock musos; a noirish kidnap turned on its head and an opening sequence (plus epilogue) involving heist artist wannabe Edward Baer and current 'hot' property Anna Magloulis which has its moments.
Another superimposes a swirling staircase and a spinning shot of tree tops and even develops into a fantasy sequence.
The dance sequence with his real-life wife in the café scene is the best part of the picture, and has some pretty funny bits to go with Laurel's excellent dance steps.
Watching the heist sequence makes one realize the power of silence, which is unfortunately so underused in today's cinema.
In the DVD release as "extras" they have "deleted scenes" (including an alternate ending) and an "extended party sequence"; why these clips were not included in the final film is hard to understand, as they tie in with the rest of the film perfectly and are in NO way superfluous.
The climactic sequence is also really forced.
All this culminates in a short acrobatic sequence which gives the cartoon its name.
Although the film does not have a pre-credit sequence, it is clear that the training exercise at the commencement of the film is meant to be the introductory scene.
The sequence that worked for me was: see it first time - spend a day in Internet trying to figure out what this was all about - and then see it second time.
The effective trip sequence on the beach consists of beautiful, weird and confusing sensory and memory montages with hyper-sensual overtones.
One memorable sequence involves Spock joining with the mind of the monster.
Although it's a little slow to get going (too many lingering shots of blueprints hinder the pace in some of the early gags), once 'Beep Beep' arrives at the mine shaft sequence it's clear that Jones was beginning to get a real handle on these characters and the greater possibilities of what he could do with them.
The "Odessa Steps" sequence in Potemkin is one of the most famous in the history of cinema.
A river crossing in a driving rain storm is so realistic, it has to be real (In fact, I understand that director Raoul Walsh nearly lost the entire cast during this sequence).
The two villains, Otto Kruger and Norman Lloyd are very good and the beginning fire at the Aircraft Factory is a superb sequence.
The can-can number at the end seems realistic and exciting but not over the top as in an American dance sequence.
The late Bill Hickman is pretty good as his associate Bo and sets up a brilliant car chase sequence which will have you on the edge of your seats.
Or when the Vigoroso shipment ends up in THAT lake, at the final sequence...
Loses some steam and vibrancy towards the end, and the ending sequence leaves a bittersweet feeling.
This movie contains what is probably the greatest opening sequence in 80's horror cinema when a teenager, on a stroll after engine trouble, is trapped in a deserted house and assaulted by a creepy collection of wax statues.
It seems a lot of Europeans and Americans see Indian movies for the wrong reason; I see some people are complaining that this movie did not have any dance sequence!
Several years later we see Amudha, a playful well-loved child (P. S. Keerthana), who is the darling (or burden) of teachers, parents and fellow schoolmates alike, in a very How to Solve a Problem Like Maria sequence.
The soundtrack may not be known to you by name, but anyone who has ever seen Top Gear, watched the football or seen any TV action sequence is probably familiar with it, particularly due to Craig Armstrong's, 'Escape' which must allow him never to work again!
As a kid, I always remembered this sequence - there's nothing scarier (or claustrophobic) than not finding your way out of a 10-foot high maze of hedges.
The final sequence, where the daughter and mother are reunited, is good, but so over-the-top with the music and a well-timed downpour that it feels like a cheat.
I watched Six of a Kind for W.C. Fields - he's only in it for around 10 minutes and has one long scene, the infamous pool sequence he made famous in vaudeville, and several other great moments.
This was his first sound movie and the use of the musical score by great russian composer Serge Prokofiev in the sequence of the battle is a perfect contrast between music and image.
The reason I bring up the film student part is because at some point, whether you'd like it or not, your film professor 9 times out of 10 will show the "Odessa Stairs" sequence of this film.
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