Sequence
in sentence
1351 examples of Sequence in a sentence
I intially discounted a dream
sequence
as that seemed too obvious.
A human group of slayers somehow get involved, and the final fight
sequence
takes place during a solar eclipse.
Sure, the production is nice, with the now seemingly obligitory "rave" nightclub opening action
sequence
and shootouts galore.
The basic idea is excellent but the execution is appallingly bad, with a constantly illogical
sequence
of scenes, an ending that is almost laughably melodramatic and poor Rock Hudson wanders through this with an understandably confused look on his slightly sagging face.
The film takes tame and easy swipes at religion when it ought to rip the concept to shreds, indeed the opening church
sequence
in The Simpsons Movie shakes religion harder than Evan Almighty's whole 95 minute run.
It is basically a highly racist
sequence
of smoking dope, toilet humor, styling of each and every segment of the aircraft to reflect African American pop culture and pretty much nothing else.
The gooey
sequence
that kind of "explains" the film's title is the only halfway memorable one in this tiresome film.
Following an inane
sequence
involving bizarre renter candidates, all of whom Reno and Holly unsurprisingly find unsuitable for living along with them in their house they, unknown to each other, each select a renter of the opposite sex, with the lovers manifestly cool toward the choice of their partner.
The EQ
sequence
is the only thing that saves the movie.
Another problem with this film is that there are too many people, even the Thunderdome battle
sequence
is dull, Max doesn't even kill anyone!
By some quirk of fate I was present on the filming of the last
sequence
of the movie, when dozens of German aircraft were destroyed (Yugoslav 522 trainers, used also in the flying sequences) on the Mostar military airport.
Her posing nude by a pool leads to an unforgettable fantasy
sequence
where she shows her soapy body in a tub and then again when walking away from her bath.
And in this instance the actors peg out in exactly the order that everyone expects them to - i quickly wrote a list after being introduced to each character, only getting Piper Perabo out of
sequence.
I don't know if this exceptionally dull movie was intended as an unofficial sequel to 'The French Connection", but it does have many of the same drawbacks: the script is so confusing that the viewer remains uninvolved and feels left out of the picture, and the direction is so cold, so lacking in energy, that even the great chase
sequence
can't liven things up.
Somewhat reluctantly I sat down (with our daughter & son), and was riveted from the opening
sequence
to the end titles.
One thing is that the opening is different, there's no gun barrel
sequence
and no pre-credit sequence, another difference is the music score.
The last
sequence
between Julia Roberts and her father is so effectively done that, years after having seen it, I still get chills thinking about it.
The music score was absolutely outstanding; the music in the opening title
sequence
was phenomenal, almost like a distorted march, and I liked the digs at Tchaikovsky's 1st Piano Concerto and Beethoven's 5th Symphony.
Unrestrained by a genuine storyline, the surreal
sequence
of events is by turns hilarious and rather disturbing.
The final sequence, easily one of the best of the decade, is simultaneously heartbreaking and delightfully ridiculous.
Director Erle Kenton uses expressionistic shadows and eerie music to frame many sequences, including a wonderful montage
sequence
that the studio frequently used in their horror features.
Paunchy character thesp Maury Chaykin easily cops top acting honors as disgusting fat creep Burt, who in the movie's single most tasteless
sequence
has a brutal fistfight with Lehman's pregnant wife Lauren (a winning performance by the lovely Teri Austin).
I am a chronic channel surfer and was flipping the dial one evening when suddenly appeared "Police Squad!"'s opening credit
sequence
on my TV screen.
The connection between the beginning and end was a little spacey, that is, I had a hard time understanding the distances between the hotel and the opening
sequence.
the drama and the action blend so seamlessly at times that you can's tell whether your in the middle of a frenetic action
sequence
or a touching dramatic moment.
And also the fact that the scene where she sees her dead parents, laying there in each others arms, and her brother, all whom of which seemed to die very peacefully, even if being poisoned, fits with a dream
sequence.
Going in, a had seen a few snippets of their act at Alamo Drafthouse, and thought the trailer was amusing but I wasn't expecting such an epic theme music and the use of tarot cards is genius in the title
sequence.
Also the
sequence
where Shemp is mistaken as Cousin Basil and its outcome proves hilarious.
And who can forget the washing machine
sequence?
The cinematography, by Vladimir Chuchnov, is incredible - particularly in the opening sequence, where long, slow, tracking shots depicting the solitude and almost desperate nature of winter landscape in rural Belarus set the mood perfectly.
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