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Score in sentence

1768 examples of Score in a sentence

Stephen Colwell's bright, polished cinematography and Jack Justis' bouncy, melodic acoustic folk score are both on the money solid and effective.
The surrealistic scenes when the nineriders chase Frodo are stylish and well executed and the musical score... magic.
Only complaint is the musical score seems to slow down further a pace that is relaxing at best.
I recommend families if possible,to show this to older children only.Some of the stuff in this film maybe too disturbing for little ones to handle.Now that thats out of the way,let me explain about this movie.This is in reality a documentary of a male fox,who in the beginning is protecting his territory and seeking a mate.The beginning with the gorgeous sunrise and music score,is breath taking.You had better soak in as much of the scenery as possible,it'll get ugly later.They gave both the fox and the vixen names,but I can't remember what they are for the likes of me.He fights off this invading male,to win her love.They later on create a den,and the vixen gives birth to four adorable cubs;one of which is blind.There are many happy and playful moments featuring the fox family,but tragedy and bad luck strike all too soon.The first victim is the blind pup,who gets too close to a high tide and is washed away.The second victim is the mother,who while stealing chickens is deceived by a dead chicken hanging on a pole.She unknowingly walks into a foot trap.While trying to escape she rips off part of her foot,causing her to bleed to death.The rest of the fox family is forced to watch her die under a tree.The male is now a single dad,forced to take on the roll of mom and dad.He alone has to teach them the skills they need for life.It later proves not to be enough,when two of the now grown pups meet an ugly fate of their own; thanks to the carelessness and cruelity of man.I won't spoil the surprising ending for you,but it does show the farmer and his dogs close on his tail.And it is a well deserved ending after what the audience and the fox family was put through.I wanted to say that I saw this when it first came out in early 1980s, when we had a thing called Showbiz cable.I was only 4 when I saw it,but I could never understand why they wouldn't let me see all of it.Now
I know why,after I secretly watched it when it came on Disney,when I was 9.I felt emotionally gutted after seeing all this evil going on.I was moved to tears.But as dark and ugly as it was,it serves a purpose.To let people what is going to these and other kinds of animals,and why they are endangered.This documentary wanted to get the message across about this endangered species,and I hoped it worked.Its not fake like the True life nature films by Disney,they don't teach about why animals are going extinct.The encroachment of land,the killing off of the foxes main prey,and senseless killing of these beautiful animals;has resulted in them becoming endangered.I wish they would make sequel to this movie,(Glacier Fox 2005)to see if they're being treated better.Maybe have it be about a vixen pup named Teresa and her siblings growing up.This movie also kind of reflects what happens to human families sometimes,especially when one of the parents suddenly dies.The surviving parent takes on the roll of both,and tries to teach the important lessons of life.It isn't always enough to protect them when they're adults,especially when some of their lives becomes ruined.Or they fall victims to tragedy themselves.Best all around soundtrack and musical score I've ever heard.
However, it is the synthesizer score that really drives this picture as it seems to almost put the viewer into the film.
The film is also well-made in terms of effects, cinematography and score.
Each episode is directed superbly and the Score of this show is just fantastic.
Featuring dreadful acting by the entire cast (Daphne Zuniga makes her ignominious and inauspicious film debut here as Debbie, a bimbo who has her head crushed by a car!), a hefty corpse tally of 10, okay make-up f/x by Matthew Mungle, a few bloody murders (baseball bat bludgeoning, chicken wire strangulation, your standard drill through the head bit, that sort of gruesome thing), a downbeat surprise twist ending which was later copied in "Intruder," a creepy score by Christopher ("Hellraiser") Young, a slight smidgen of gratuitous female nudity, and endearingly incompetent direction by Jeffrey Obrow and Steve Carpenter (who also blessed us with "The Power" and "The Kindred"), this entertainingly abysmal slice'n'dice atrocity sizes up as a good deal of delectably dopey and drecky low-grade fun.
I liked most of Bryan Adams' songs and the Hans Zimmer score was excellent.
José Luis Alcaine's images are gorgeous and Nicola Piovani's score is sweet and rich.
The production quality, cast, premise, authentic New England (Waterbury, CT?) locale and lush John Williams score should have resulted in a 3-4 star collectors item.
Max Steiner's score is unforgettable.
The score stands tall, and a CD of the material, with Gershwin and Weill, only underscores its merits, which are considerable.
Yes, the film has its problems, but the score is not one of them.
The contemporary classical score may put some off at first, but it is top-notch composition and underscores the admirable restraint which is evident throughout.
It was on Star Movies one afternoon.The movie started a bit vaguely, but you could tell those robbers were gathering up for a score.
Frank Byers' slick cinematography, the outrageously nutty dialogue, Earl Rose's jazzy cocktail lounge score, and a choice soundtrack of vintage swinging golden oldies all further enhance the engagingly peculiar charm of this immensely entertaining one-of-a-kind curio.
It's a rich, classy production boasting an excellent cast of ensemble actors, beautiful on-location cinematography, a haunting musical score, an intelligent and novel plot theme, and an atmosphere of dread and menace.
I had heard some not too good things about this movie and had probably seen the low score here at IMDb and that's why I had avoided it.
The pacing, the camera work, the emotion, the haunting musical score and the pure charm of this picture make it a must see.
This amazing Oscar winner (4 in total) and John Ford's first Academy Award winner, is simply spellbinding with a pounding score by Max Steiner.
The spooky sounding score was perfect for setting a dark mood.I liked the dramatic opening scene and enjoyed how the rest of the movie played out.It was very easy to follow and understand unlike some movies which are way too complicated.The special effects were very good.I would love to see more horror movies like this one.This is easily one of my favorite's.A realistic thunder and lightning storm would have set a nice atmosphere for this movie.Other then that it had all the elements a good horror movie needs.I highly recommend this movie to anyone who can appreciate a good scary movie that pulls no punches.I will be adding it to my collection.The DVD has some interesting special features.
Richard Band's rousing full-bore orchestral score really hits the stirring spot.
The excellent music score is by Laurie Johnson.
The score is a beautiful piece of suspense delivering apparatus.
Acting, script, Quincy Jones' score, cinematography, editing, etc. -- just fantastic.
The clunky, plodding (non)direction, trite by-the-numbers script, ugly, washed-out cinematography, ridiculous murder set pieces (a gross fat slob gets blasted right in the face by a miniature cannon!), overwrought string score, morbid gloom-doom atmosphere, largely lousy acting (Karloff notably excepted), cheesy mild gore, poor dubbing and rousing fiery conclusion all lend this enjoyably awful lemon a certain endearingly cruddy and hence oddly amusing ratty charm.
Though it was obviously a cheesy TV movie from the 70s, the direction and score were well done enough that it grabbed my attention, and indeed I was hooked and had to watch it through to the end.
those sets with pre-partition pakistan, costumes, cinematography, sound, background score add to the positive points.
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