Score
in sentence
1768 examples of Score in a sentence
William Cronjager's slick cinematography, Gerald Fried's lively, harmonic hillbilly bluegrass score, and the abundant raw violence further add to the overall trashy fun of this unjustly neglected little doozy.
There is no doubt that the TV adaptation is visually striking, with some lovely photography and a very haunting music
score.
The background
score
was fine.
Nominated for things like its score, art direction, supporting role (Newman), this film could have easily been nominated for Best Picture, Director (Mendes), Actor (Hanks), Supporting Actor (Newman and Law) and won!! Hanks gives one of his best performances, and the kid who played Michel Jr. was so good that I'm surprised i don't see him in more movies today.
This was by far the best
score
of the year.
As another commenter pointed out the John Williams sound
score
was, as usual, excellent.
I don't want to ruin the movie for you but I'm sure that every guy who saw this ran to their computers to rate it and gave it a poor score, why?
But I'm a sucker for those so I gave it a good score... the acting was very good and there were a lot of feeling.
Incredible layers of personal, and psychologically viable, stories, underscored by sublime cinematography (incredible to use this word, when describing a TV-show), a killer score, great performances and editing.
With a wonderfully evocative score, and looking and sounding far better than its small budget would suggest, this is a quiet gem, not world-class, but totally satisfying.
I loved, as always, Hans Zimmer's
score.
While a 9 might seem like an unusually high
score
for such a slight film, however, compared to the hundreds and hundreds of series detective films from the 1930s and 40s, this is among the very best and also compares very favorably to Powell's later "Thin Man" films.
Writing, direction, cinematography,
score
and production design were sober and accurate, but the thing I liked the most was the chemistry between Loren and Mastroianni.
Bruno Coulais provides a fantastic score, almost as good as the one he did for Coraline, which I consider the very best of the year.
You will enjoy it as much as she does and it will
score
you big points.
Alan Howarth's spirited shuddery
score
also hits the flesh-crawling spot.
The background
score
is also pleasant.
Also this film is very much worth seeing just to hear Jamie Hall's truly great musical
score.
The film
score
by Alexandre Desplat was fulfilling - there are fifteen tracks besides two tracks of the delightful waltz.
It's not often these days we get a soundtrack entirely dedicated to a comprehensive film
score.
First of all, I loved Bruce Broughton's music score, very lyrical, and this alone added to the film's charm.
The music
score
makes the atmosphere twice as terror inducing.
Towards the end when Ray Mitchell hits a homer he doesn't step on the plate and therefore that wouldn't be a
score.
The movie has a distinct (albeit brutish and rough) humanity for all its borderline depravity - the zippy/lyrical
score
points up the comic side of their misadventures, and even when they're at their most thuggish (like terrorizing the woman on the train), a semi-pitiful vulnerability lurks never far away (Dewaere sucks on her breasts like a baby).
Saw it first in 1975 on some German TV channel and was hooked immediately, afterwards I saw this movie around 12 times in cinemas and nowadays I have a videotape which I watch at least once a year - this movie is excellent in every aspect (direction, acting, cut, musical score...).
The
score
is very good and moving.
Director Robert Mulligan magically re-creates screenwriter Jenny Wingfield's autobiography of her childhood with gorgeous cinematography and a haunting, lyrical musical
score.
It is very rare for a film to appeal to viewers of all ages--to children for a fine narrative and a wonderful, colorful production, and, to adults, for a literate script, fine production values, good casting/acting, all bound together with a fine Rozsa
score.
Nico Fidenco's funky, throbbing
score
hits the groovy spot.
The Original music
score
is also far better than the Disney remix.
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