Score
in sentence
1768 examples of Score in a sentence
The musical score, wait . . .
was there a
score?
A music
score
by David Raskin, cinematography by Lucien Ballard and Oscar-nominated costumes contribute mightily.
(But even though they try to smother the music - the great music still rises up at times and reminds people how great the
score
was).
The only reason I didn't
score
this a one is that Sibrel does show that he is adept at the technical aspects of making a film.
My
Score
for this crap: 1 / 10 1 for the technical only.
An interesting cast - Joe Pesci, Brooke Adams, Danny Aiello, Jonathan Pryce - have all done better, the action is sluggish and sparse and only John Scott's exceptionally fine
score
(part of which turned up in the last reel of Die Hard) makes a positive impression.
I wish there was a
score
lower than 1, I really do.
the background
score
is repetitive.
somehow i felt that ramu tried to repeat a sarkar, the color theme, the background score, the camera angles, but it didn't work.
Watching this silent, black and white feature, marred in part by a twink-twink-twink Oriental music
score
that could not have been used in the original exhibition, is even duller than it sounds.
With a now-outdated cast of "up and comers", a background
score
that sounds awfully similar to that of "Terms Of Endearment", and writing which lords the smugness of this circle over us, "Fire" is a paltry blaze, one that gets even more embarrassing as the years pass on.
However, it rates a near perfect
score
on the unintentional comedy scale.
The
score
of 6,1 here on IMDb built up some mild expectations but, oh my, was I disappointed.
Better wear earplugs when watching otherwise the 'sci-fi' music score, repeated endlessly, will drive you insane.
It all starts well enough - with an epic but restrained score, a mixture of Lucas and Hitchcock style editing and the glossy cinematography of a Spielberg.
But he's on a suicidal quest to even a
score
with his former boss (Louis Gossett, Jr.) and has the cops hot on his trail.
The year is 2003, the source (all bad), the
score
was as interesting as an elevator ride in a department store.
The naffly-titled sequel, 'Thunderhead, Son of Flicka', in which McDowall trains the next generation of nag, is marginally better than the original but the pace remains slow and the
score
continues to pummel you into submission, although there are at least one or two scenes that don't induce a coma.
The Music
Score
now that must have a mention have you ever listened to a song where you'd rather cut a blackboard with a knife well Universal Soldier 2 is like that.
Only the soundtrack, the droning angsty alt-country and the tense fluctuating
score
provide any palpable tension.
First, the
score
has never been one of the strong points of this production and the film does not change that factor.
Maybe it was the Musical
score
or the Director himself, but one thing is for sure the Make-up artist needs to get another job !
The film makers apparently knew when they pieced this mess together that all they needed were sweet potatoes and pumpkin pie to have Thanksgiving dinner, so to compensate they added an overloud "dramatic
" score.
This is an engrossing story, worth telling, a quickly-paced and novel adventure that profits from a capital performance by Harris, fine turns from Wagner, Coburn, and Karen Black, along with Justin Henry as the snatched lad, with an appropriately whimsical
score
contributed by Wilfred Josephs, and top-notch cinematography by Frank Watts, with all footage shot in a beautiful autumnal Ontario province.
The music
score
was especially memorable and emotion stirring in the league of Gone With The Wind and I would love to hear it again.
The stirring Alfred Newman sound score, with the stirring twenty-third psalm is unforgettable even after these many years.
Antonio de Anda's slick, agile cinematography, the breathtaking sylvan scenery, Pedro Plascencia's robust, shuddery, stirring score, the well-developed characters, and the pleasingly tight'n'trim 76 minute running time further enhance the overall sound quality of this bang-up horror/action hybrid winner.
Surprised to see the rather low
score
for this movie.
Stunning black and white cinematography (that should have won an Oscar), a haunting Quincy Jones
score
and tremendous performances by Robert Blake and Scott Wilson as the oddly-matched killers.
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