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Qualities in sentence

692 examples of Qualities in a sentence

I can forgive low-budget films for being low budget but it wasn't funny, it wasn't smart, it had no redeeming qualities at all unless you really like looking at fake boobs.
An absolute piece of garbage with utterly no redeeming qualities.
That one was bad but it had some redeeming qualities.
It's completely different from the others and it lacks, or so I thought, one of the qualities that I enjoy in all other Austen movies: cheerful common sense.
The music by Franz Waxman is good, the production qualities admirable; the argument about what would happen if Lance takes the war chief in happens to be true; other than this unsolvable mistake by the central character, this is is great western.
The director has got all the qualities in taking this movie in the range of Satyajir ray, Adoor.. Every character is portrayed effectively in the movie.
This characteristic isn't at all the only quality of this film: the fussy frame composition (everything is parallel, until the smallest details), shooting angles, lighting, giving a more supernatural dimension to these blurred images (Jesus' coming down couldn't be filmed in a conventional way), the falsely "poser" acting, are qualities that make this Bible re-reading, carried out in the form of an apocalyptic delirium, essential.
This movie has all the qualities to be good, Stan -singing (?), dancing, falling- is very funny, I think he handled his character in the best way possible.
One of the most important qualities of the film is the extraordinary chemistry between Deborah Kerr and Yul Brynner, their intense relationship.
I try to revisit the main film locations in Oakworth and Oxenhope whenever I can, which help to re-establish those magical qualities that this film seems to embody so uniquely - recalling a gentler and more mannered age, with its unspoken assertions that people really do matter, that family life is not just another disposable, and that life really is worth living (though sometimes, we may doubt that).
It has all the charming qualities so many of today's movies don't have.
The characters weren't unrealistic for their roles; they possess qualities that make viewers like them whatever position they have in the film, like the role of Meryl Streep, she was a mother who honestly concede her mistakes at the past but then she's confident to stand up her emotional motives to get what she desires in a fair and square battle.
The soundtrack is nothing special, but rarely do we get all of the above mentioned qualities these days, without dumb and/or meaningless plot developments; unconvincing star turns; loud, annoying, music video type soundtracks; a villain that hams it up; and repeatedly a cast, costumes, and plot that cater mostly to an audience under 25.
What is extraordinary is that she not only conveys Lucy's dottiness, tactlessness and her more lovable qualities BUT she also manages to pull off the underlying truth that in fact, Lucy is not really all that nice!
I admire Shintaro for these qualities.
The qualities of the book haven't been lost: the dense and lively depiction of a fingersmith patchwork family in London in the 1860s, the cold and obscene cruelty in which Maud is brought up, the characterization of different social groups by different ways of speaking, the unexpected and surprising twists of the story, the way the film makes the spectators look different at the same scenes when they are told first from Sue's point of view then from Maud's one.
I wasn't really sure if anyone could encompass all of the Pope's many amazing qualities in a movie, but the movie did his memory justice.
now we know radu munteans movies, the excellent PAPER WILL BE BLUE and BOOGIE, but its worth to see again (or at last) this first FURIA, which shows perfectly clear his initial qualities.
If the good guys and bad guys are too obviously pronounced for a serious film, and yes Sam Waterston's mustachioed, fur-clad villain is comic-opera (and not in the multi-leveled manner of Bill The Butcher from 'Gangs of New York'), and yes, the townsfolk do seem a touch 'Fiddler On The Roof' on occasions, then a few dozen serious films made since then, including 'Titanic' and the graceless 'Cold Mountain' (which bears certain similarities and is a notable failure in convincing qualities compared to this film) can be castigated for exactly the same reason.
It may have been made in the 80's but it has all the qualities of a modern Hollywood Block-buster.
Yet in a strange way, these demerits are also qualities of "Black Snake Moan," the tale of aging Lazarus (Samuel L. Jackson), recently dumped by his wife (for his brother, no less), who comes across near-death nympho Rae (Christina Ricci, easily giving the hottest portrayal of trailer trash on celluloid ever); nursing the girl back to health, he chains her to his radiator to overcome her demons, and hopefully redeem his own fallen self.
He's insensitive which is one of the funniest qualities.
I don't think she's cold at all, but instead has thought out her character's unique qualities.
Stinger has all qualities of a B-film horror movie.
Could it be that US critics' all-too-frequent disdain for females as warriors and thinkers that as in so many other cases has caused closed minds to misprize this estimable film's obvious anti-tyranny and pro-entertainment qualities?
This movie exemplifies a certain brand of comedy horror of a strictly adult kind but quite different to the Troma movies (with which it shares certain qualities).
Instead of simply following a lead, we follow him skillfully helping the unfortunate men, those who lack the attractive facade that would allow them to reveal the unseen good qualities that they possess to the women they are in love with.
However, Distant is Ceylan's arrival on the international scene as a great artist, one who has many of the same qualities as other great filmmakers like Ingmar Bergman (although his screenplay is not as dialogue-heavy it is just as brooding, and he lacks Bergman's penchant for close-ups- his shots are usually long shots for exteriors and medium shots for interiors) and Yasujiro Ozu (whose penetrating scenes of contemplation Ceylan reconfigures).
Incredibly hilarious mid-70's Italian Rootsploitation with lots of non-consensual S&M, lesbian sex, gratuitous racial cruelty etc...Few redeeming cinematic qualities, except for the fairly cool theme music with dubby "African" drums and flute.
It's got all these qualities that made the late 70's movies so great.
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