Paint
in sentence
581 examples of Paint in a sentence
So I'd dip my hands in paint, and I just attacked the canvas, and I actually hit so hard that I bruised a joint in my pinkie and it was stuck straight for a couple of weeks.
Oh, so Picasso is not art because it's oil
paint.
It's cold, it's eerie, it's misty, it might be raining, and you might be standing on the shores of Lake Michigan brimming with
paint
thinner.
Because it's not enough to
paint
in broad strokes here.
In South Africa, Ndebele women use these symbols and other geometric patterns to
paint
their homes in bright colors, and the Zulu women use the symbols in the beads that they weave into bracelets and necklaces.
And yes, it's an acrylic painting of a man, but I didn't
paint
it on canvas.
What I do in my art is I skip the canvas altogether, and if I want to
paint
your portrait, I'm painting it on you, physically on you.
That also means you're probably going to end up with an earful of paint, because I need to
paint
your ear on your ear.
Everything in this scene, the person, the clothes, chairs, wall, gets covered in a mask of
paint
that mimics what's directly below it, and in this way, I'm able to take a three-dimensional scene and make it look like a two-dimensional painting.
But originally, this had nothing to do with either people or
paint.
But I didn't just want to
paint
the shadows.
I also wanted to
paint
the highlights and create a mapping on his body in greyscale.
I couldn't have foreseen that when I wanted to
paint
a shadow, I would pull out this whole other dimension, that I would collapse it, that I would take a painting and make it my friend and then bring him back to a painting.
I made the tough decision of going home after graduation and not going up to Capitol Hill, but going down to my parents' basement and making it my job to learn how to
paint.
The last time I'd painted, I was 16 years old at summer camp, and I didn't want to teach myself how to
paint
by copying the old masters or stretching a canvas and practicing over and over again on that surface, because that's not what this project was about for me.
It's nearly impossible to get
paint
to stick to the grease in an egg.
Even harder was getting
paint
to stick to the acid in a grapefruit.
And if I wanted to
paint
on people, well, I was a little bit embarrassed to bring people down into my studio and show them that I spent my days in a basement putting
paint
on toast.
One of my favorite models actually ended up being a retired old man who not only didn't mind sitting still and getting the
paint
in his ears, but he also didn't really have much embarrassment about being taken out into very public places for exhibition, like the Metro.
I was teaching myself how to
paint
in all these different styles, and I wanted to see what else I could do with it.
And the images were always completely unexpected in the end, because I could have a very specific image about how it would turn out, I could
paint
it to match that, but the moment that Sheila laid back into the milk, everything would change.
Sometimes, when Sheila would lay down in the milk, it would wash all the
paint
off of her arms, and it might seem a little bit clumsy, but our solution would be, okay, hide your arms.
And one time, she got so much milk in her hair that it just smeared all the
paint
off of her face.
So on a rectangle, you can
paint
patterns of North and South America, or the words, "DNA."
Whether it is an image of a soap bubble captured at the very moment where it's bursting, as you can see in this image, whether it's a universe made of tiny little beads of oil paint, strange liquids that behave in very peculiar ways, or
paint
that is modeled by centrifugal forces, I'm always trying to link those two fields together.
Those are just standard watercolors that you would
paint
with.
You wouldn't
paint
with syringes, but it works just the same.
And at the same time, it tries to maintain its position above the magnet, and therefore, it creates those amazing-looking structures of channels and tiny little ponds of colorful water
paint.
We did the same thing in DUMBO, in Brooklyn, and this is one of our first projects that we did, and we took an underutilized, pretty dingy-looking parking lot and used some
paint
and planters to transform it over a weekend.
We've moved very, very quickly with
paint
and temporary materials.
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