Music in sentence

6351 examples of Music in a sentence

Aesthetically speaking, there's a world of difference between, say, Beethoven and Justin Bieber, but both artists have used the same building blocks to create their music: notes.

Let's take a look at the foundational elements to music notation and how they interact to create a work of art.

Music is written on five parallel lines that go across the page.

In the Western music tradition, pitches are named after the first seven letters of the alphabet, A, B, C, D, E, F, and G.

The beat of a piece of music is, by itself, kind of boring.

The point is that just like the second hand on a clock divides one minute into sixty seconds, with each second just as long as every other second, the beat divides a piece of music into little fragments of time that are all the same length: beats.

With a steady beat as a foundation, we can add rhythm to our pitches, and that's when music really starts to happen.

At the beginning of a piece of music, just after the clef, is something called the time signature, which tells a performer how many beats are in each bar.

Now it's sounding like music.

Imagine two people are listening to music.

After all, everyone has very different tastes in music.

And in just a few hours, Jarrett would walk out on the same stage, he'd sit down at the piano and without rehearsal or sheet music, he would begin to play.

No way in the world that we should be calling the police because my neighbor's music is up too loud, because his dog came over to my yard and did a number two; there's no way we should be calling the police.

So, music videos are something that I always found interesting, but they always seem to be so reactive.

So I was thinking, can you remove us as creators and try to make the music be the voice and have the animation following it?

Repetition is a feature that music from cultures around the world tends to share.

So, why does music rely so heavily on repetition?

So, what makes repetition so uniquely prevalent in music?

Repetition connects each bit of music irresistibly to the next bit of music that follows it.

Recent studies have shown that when people hear a segment of music repeated, they are more likely to move or tap along to it.

Repetition invites us into music as imagined participants, rather than as passive listeners.

This mode of listening ties in with our susceptibility to musical ear worms, where segments of music burrow into our head, and play again and again, as if stuck on repeat.

Critics are often embarrassed by music's repetitiveness, finding it childish or regressive, but repetition, far from an embarrassment, is actually a key feature that gives rise to the kind of experience we think about as musical.

We usually think of rhythm as an element of music, but it's actually found everywhere in the world around us, from the ocean tides to our own heartbeats, rhythm is essentially an event repeating regularly over time.

This is the basis of the music of Whirling Dervishes, as well as a broad range of Latin American rhythms, such as Joropo, and even Bach's famous Chaconne.

Now if we remember Rubin's vase and hear the off beats as the main beats, this will give us a six-eight feel, as found in genres such as Chacarera, and Quechua, Persian music and more.

This rhythmic configuration is found as the Cuban cinquillo, in the Puerto Rican bomba, and in Northern Romanian music.

And rotating the outer circle 90 degrees counterclockwise gives us a pattern often found in Middle Eastern music, as well as Brazilian choro, and Argentinian tango.

In the seventies, it was punk music that drove the whole generation.

How does this music make you feel?

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