Music in sentence

6351 examples of Music in a sentence

(Music: Seinfeld theme) (Video) George Costanza: Oh boy, I was up til four in the morning watching that Omen trilogy.

Rives: I would be listening to music, and this would happen.

College, shopping, music.

They sacrifice material comforts in exchange for the space and the time to explore a creative interior, to dream, to read, to work on music, art and writing.

For example, name your best friend, your favorite kind of vacation, what's your favorite hobby, what's your favorite kind of music.

Now, poetry isn't one thing that serves one purpose any more than music or computer programming serve one purpose.

And eventually I managed to get out the cloud using improvisation and music.

There's going to be exhibits and food, music.

And I really began to feel that if you were lucky enough to walk around the candlelit temples of Tibet or to wander along the seafronts in Havana with music passing all around you, you could bring those sounds and the high cobalt skies and the flash of the blue ocean back to your friends at home, and really bring some magic and clarity to your own life.

In many a piece of music, it's the pause or the rest that gives the piece its beauty and its shape.

Some people I know, just before they go to sleep, instead of scrolling through their messages or checking out YouTube, just turn out the lights and listen to some music, and notice that they sleep much better and wake up much refreshed.

Perhaps here is where we discover an entirely new form of art, a form of music we currently lack the ears to hear.

To which I usually respond, I do computer music.

And I think we'll begin with just this question: What is computer music?

Now, ChucK is a programming language for music, and it's open-source, it's freely available, and I like to think that it crashes equally well on all modern operating systems.

Okay, great, now I can imagine creating all kinds of really horrible single sine wave pieces of music with this, but I'm going to do something that computers are really good at, which is repetition.

At this point, we've reached something that I would like to think of as the canonical computer music.

So is this computer music?

Yeah, I guess by definition, it's kind of computer music.

It's probably not the kind of music you would listen to cruising down the highway, but it's a foundation of computer-generated music, and using ChucK, we've actually been building instruments in the Stanford Laptop Orchestra, based right here at Stanford Center for Computer Research in Music and Acoustics.

That turned out to be a rather large commercial non-success, at which point they slashed prices to 10 dollars, at which point computer music researchers said, "This is awesome!

Now Smule's mission is to create expressive, mobile music things, and one of the first musical instruments we created is called Ocarina.

So Ocarina — (Music) — is based on this ancient flute-like instrument called the ocarina, and this one is the four-hole English pendant configuration, and you're literally blowing into the microphone to make the sound.

And vibrato is mapped to the accelerometer, so you can get — (Music) All right.

And this was designed to let you take your time and figure out where your expressive space is, and you can just hang out here for a while, for a really dramatic effect, if you want, and whenever you're ready — (Music) And on these longer notes, I'm going to use more vibrato towards the end of the notes to give it a little bit more of an expressive quality.

And at the same time, I think creating these types of instruments asks a question about the role of technology, and its place for how we make music.

Apparently, for example, not that long ago, like only a hundred years ago — that's not that long in the course of human history — families back then used to make music together as a common form of entertainment.

In the last hundred years, with all this technology, we now have more access to music as listeners and consumers, but somehow, I think we're making less music than ever before.

And while listening to music is wonderful, there's a special joy to making music that's all its own.

Now, if that's one goal, the other goal is to look to the future and think about what kind of new musical things can we make that we don't perhaps yet have names for that's enabled by technology, but ultimately might change the way that humans make music.

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